Author: Ben Jeffery
Publisher: John Hunt Publishing
ISBN: 1846949238
Category : Philosophy
Languages : en
Pages : 105
Book Description
Michel Houellebecq, author of five novels including Atomised and Platform, has become possibly the world’s most famous literary pessimist. His work declares that life is painful and disappointing, death is terrifying, and the human condition is a nasty sort of joke. He has been wildly successful – translated into over 25 different languages and hailed as the voice of a generation. Beginning with Houellebecq’s novels, this book explores the concept of ‘Depressive Realism’ in literature and philosophy – the proposition that the facts of life are bleak and unkind. Ranging over work by David Foster Wallace, Susan Sontag, Fredric Jameson and Margaret Atwood, Anti-Matter surveys the case for pessimism, asks how a mass culture rooted in sentimentality and trivialisation manages to produce so much cynicism and apathy, and hunts for the space that remains for serious, life-affirming art.
Without God
Author: Louis Betty
Publisher: Penn State Press
ISBN: 0271078073
Category : Literary Criticism
Languages : en
Pages : 157
Book Description
Michel Houellebecq is France’s most famous and controversial living novelist. Since his first novel in 1994, Houellebecq’s work has been called pornographic, racist, sexist, Islamophobic, and vulgar. His caricature appeared on the cover of the French satirical weekly Charlie Hebdo on January 7, 2015, the day that Islamist militants killed twelve people in an attack on their offices and also the day that his most recent novel, Soumission—the story of France in 2022 under a Muslim president—appeared in bookstores. Without God uses religion as a lens to examine how Houellebecq gives voice to the underside of the progressive ethos that has animated French and Western social, political, and religious thought since the 1960s. Focusing on Houellebecq’s complicated relationship with religion, Louis Betty shows that the novelist, who is at best agnostic, “is a deeply and unavoidably religious writer.” In exploring the religious, theological, and philosophical aspects of Houellebecq’s work, Betty situates the author within the broader context of a French and Anglo-American history of ideas—ideas such as utopian socialism, the sociology of secularization, and quantum physics. Materialism, Betty contends, is the true destroyer of human intimacy and spirituality in Houellebecq’s work; the prevailing worldview it conveys is one of nihilism and hedonism in a postmodern, post-Christian Europe. In Betty’s analysis, “materialist horror” emerges as a philosophical and aesthetic concept that describes and amplifies contemporary moral and social decadence in Houellebecq’s fiction.
Publisher: Penn State Press
ISBN: 0271078073
Category : Literary Criticism
Languages : en
Pages : 157
Book Description
Michel Houellebecq is France’s most famous and controversial living novelist. Since his first novel in 1994, Houellebecq’s work has been called pornographic, racist, sexist, Islamophobic, and vulgar. His caricature appeared on the cover of the French satirical weekly Charlie Hebdo on January 7, 2015, the day that Islamist militants killed twelve people in an attack on their offices and also the day that his most recent novel, Soumission—the story of France in 2022 under a Muslim president—appeared in bookstores. Without God uses religion as a lens to examine how Houellebecq gives voice to the underside of the progressive ethos that has animated French and Western social, political, and religious thought since the 1960s. Focusing on Houellebecq’s complicated relationship with religion, Louis Betty shows that the novelist, who is at best agnostic, “is a deeply and unavoidably religious writer.” In exploring the religious, theological, and philosophical aspects of Houellebecq’s work, Betty situates the author within the broader context of a French and Anglo-American history of ideas—ideas such as utopian socialism, the sociology of secularization, and quantum physics. Materialism, Betty contends, is the true destroyer of human intimacy and spirituality in Houellebecq’s work; the prevailing worldview it conveys is one of nihilism and hedonism in a postmodern, post-Christian Europe. In Betty’s analysis, “materialist horror” emerges as a philosophical and aesthetic concept that describes and amplifies contemporary moral and social decadence in Houellebecq’s fiction.
Ordinary Unhappiness
Author: Jon Baskin
Publisher: Square One: First-Order Questi
ISBN: 9781503608337
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
This book approaches David Foster Wallace not only as a fiction writer but also as a cultural critic and a moral philosopher whose formal innovations were intended as "therapies" for the pervasive dis-eases of our time.
Publisher: Square One: First-Order Questi
ISBN: 9781503608337
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
This book approaches David Foster Wallace not only as a fiction writer but also as a cultural critic and a moral philosopher whose formal innovations were intended as "therapies" for the pervasive dis-eases of our time.
Michel Houellebecq
Author: Douglas Morrey
Publisher: Oxford University Press
ISBN: 1846318610
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Michel Houellebecq is one of the most successful and controversial contemporary French novelists. Translated worldwide, with three film adaptations of his works, he has also been at the center of a host of media scandals in France. In this book, Douglas Morrey examines Houellebecq's stark representation of humanity—a terminal state of decadence and decline ripe for replacement by a posthuman successor—looking at the global significance of his visions at the same time that he situates them in the contexts of French literature, culture, and society.
Publisher: Oxford University Press
ISBN: 1846318610
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Michel Houellebecq is one of the most successful and controversial contemporary French novelists. Translated worldwide, with three film adaptations of his works, he has also been at the center of a host of media scandals in France. In this book, Douglas Morrey examines Houellebecq's stark representation of humanity—a terminal state of decadence and decline ripe for replacement by a posthuman successor—looking at the global significance of his visions at the same time that he situates them in the contexts of French literature, culture, and society.
Michel Houellebecq and the Literature of Despair
Author: Carole Sweeney
Publisher: A&C Black
ISBN: 1623569184
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
Widely acknowledged as an important, if highly controversial, figure in contemporary literature, French novelist and poet Michel Houellebecq has elicited diverse critical responses. In this book Carole Sweeney examines his novels as a response to the advance of neoliberalism into all areas of affective human life. This historicizing study argues that le monde houellebecquien is an 'atomised society' of banal quotidian alienation populated by quietly resentful men who are the botched subjects of late-capitalism. Addressing Houellebecq's handling of the 'failure' of the radical thought of '68, Sweeney looks at the ways in which his fiction treats feminism, the decline of religion and the family, as well as the obsolescence of French 'theory' and the Sartrean notion of 'engaged' literature. Reading the world with the disappointed idealism of a contemporary moralist, Houellebecq's novels, Sweeney argues, fluctuate between despair for the world as it is and a limp utopian hope for a post-humanity.
Publisher: A&C Black
ISBN: 1623569184
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
Widely acknowledged as an important, if highly controversial, figure in contemporary literature, French novelist and poet Michel Houellebecq has elicited diverse critical responses. In this book Carole Sweeney examines his novels as a response to the advance of neoliberalism into all areas of affective human life. This historicizing study argues that le monde houellebecquien is an 'atomised society' of banal quotidian alienation populated by quietly resentful men who are the botched subjects of late-capitalism. Addressing Houellebecq's handling of the 'failure' of the radical thought of '68, Sweeney looks at the ways in which his fiction treats feminism, the decline of religion and the family, as well as the obsolescence of French 'theory' and the Sartrean notion of 'engaged' literature. Reading the world with the disappointed idealism of a contemporary moralist, Houellebecq's novels, Sweeney argues, fluctuate between despair for the world as it is and a limp utopian hope for a post-humanity.
Going Nowhere, Slow
Author: Mikkel Krause Frantzen
Publisher: John Hunt Publishing
ISBN: 1789042151
Category : Psychology
Languages : en
Pages : 214
Book Description
Using examples from art and literature, Frantzen explores the social, political and economic implications of both real and imagined depression. Is feeling blue a symptom of the death of progress? Was the suicide of David Foster Wallace a proverbial canary in a coal mine? Margaret Thatcher once declared that there is no alternative to the social order that we now reside within. Have we accepted her slogan as a fact, and is that why so many are on Prozac and other anti-depressants? Frantzen examines the works of Michel Houellebecq, Claire Fontaine and David Foster Wallace as he seeks out an answer and a way to formulate a new future oriented left movement.
Publisher: John Hunt Publishing
ISBN: 1789042151
Category : Psychology
Languages : en
Pages : 214
Book Description
Using examples from art and literature, Frantzen explores the social, political and economic implications of both real and imagined depression. Is feeling blue a symptom of the death of progress? Was the suicide of David Foster Wallace a proverbial canary in a coal mine? Margaret Thatcher once declared that there is no alternative to the social order that we now reside within. Have we accepted her slogan as a fact, and is that why so many are on Prozac and other anti-depressants? Frantzen examines the works of Michel Houellebecq, Claire Fontaine and David Foster Wallace as he seeks out an answer and a way to formulate a new future oriented left movement.
Contemporary Fiction and Science from Amis to McEwan
Author: Rachel Holland
Publisher: Springer
ISBN: 303016375X
Category : Literary Criticism
Languages : en
Pages : 213
Book Description
This book identifies, in contemporary fiction, a new type of novel at the interface of science and the humanities, working from the premise that a shift has taken place in the relations between the two cultures in the last two or three decades. As popular science comes to assume an ever greater cultural significance, contemporary authors are engaging in new ways with ideas that it disseminates. A new literary phenomenon is emerging, in which the focus on language-based theories of the self and the world that has been predominant in the latter half of the previous century is making way for a renewed commitment to the material facts, both of human existence and the universe beyond subjectivity. The book analyses the work of Martin Amis, William Boyd, David Lodge, Richard Powers, Michel Houellebecq, Jonathan Franzen, Margaret Atwood, and Ian McEwan, revealing the ways in which these ‘third culture novels’ negotiate the relationship between literature and science.
Publisher: Springer
ISBN: 303016375X
Category : Literary Criticism
Languages : en
Pages : 213
Book Description
This book identifies, in contemporary fiction, a new type of novel at the interface of science and the humanities, working from the premise that a shift has taken place in the relations between the two cultures in the last two or three decades. As popular science comes to assume an ever greater cultural significance, contemporary authors are engaging in new ways with ideas that it disseminates. A new literary phenomenon is emerging, in which the focus on language-based theories of the self and the world that has been predominant in the latter half of the previous century is making way for a renewed commitment to the material facts, both of human existence and the universe beyond subjectivity. The book analyses the work of Martin Amis, William Boyd, David Lodge, Richard Powers, Michel Houellebecq, Jonathan Franzen, Margaret Atwood, and Ian McEwan, revealing the ways in which these ‘third culture novels’ negotiate the relationship between literature and science.
Leftovers
Author: Ruth Cruickshank
Publisher: Liverpool University Press
ISBN: 1789624967
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
The intrinsic ambivalence of eating and drinking often goes unrecognised. In Leftovers, Cruickshank’s new theoretical approach reveals how representations of food, drink and their consumption proliferate with overlooked figurative, psychological, ideological and historical interpretative potential. Case studies of novels by Robbe-Grillet, Ernaux, Darrieussecq and Houellebecq demonstrate the transferrable potential of re-thinking eating and drinking.
Publisher: Liverpool University Press
ISBN: 1789624967
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
The intrinsic ambivalence of eating and drinking often goes unrecognised. In Leftovers, Cruickshank’s new theoretical approach reveals how representations of food, drink and their consumption proliferate with overlooked figurative, psychological, ideological and historical interpretative potential. Case studies of novels by Robbe-Grillet, Ernaux, Darrieussecq and Houellebecq demonstrate the transferrable potential of re-thinking eating and drinking.
Depressive Realism
Author: Colin Feltham
Publisher: Routledge
ISBN: 1317584821
Category : Philosophy
Languages : en
Pages : 335
Book Description
Depressive Realism argues that people with mild-to-moderate depression have a more accurate perception of reality than non-depressives. Depressive realism is a worldview of human existence that is essentially negative, and which challenges assumptions about the value of life and the institutions claiming to answer life’s problems. Drawing from central observations from various disciplines, this book argues that a radical honesty about human suffering might initiate wholly new ways of thinking, in everyday life and in clinical practice for mental health, as well as in academia. Divided into sections that reflect depressive realism as a worldview spanning all academic disciplines, chapters provide examples from psychology, psychotherapy, philosophy and more to suggest ways in which depressive realism can critique each discipline and academia overall. This book challenges the tacit hegemony of contemporary positive thinking, as well as the standard assumption in cognitive behavioural therapy that depressed individuals must have cognitive distortions. It also appeals to the utility of depressive realism for its insights, its pursuit of truth, as well its emphasis on the importance of learning from negativity and failure. Arguments against depressive realism are also explored. This book makes an important contribution to our understanding of depressive realism within an interdisciplinary context. It will be of key interest to academics, researchers and postgraduates in the fields of psychology, mental health, psychotherapy, history and philosophy. It will also be of great interest to psychologists, psychotherapists and counsellors.
Publisher: Routledge
ISBN: 1317584821
Category : Philosophy
Languages : en
Pages : 335
Book Description
Depressive Realism argues that people with mild-to-moderate depression have a more accurate perception of reality than non-depressives. Depressive realism is a worldview of human existence that is essentially negative, and which challenges assumptions about the value of life and the institutions claiming to answer life’s problems. Drawing from central observations from various disciplines, this book argues that a radical honesty about human suffering might initiate wholly new ways of thinking, in everyday life and in clinical practice for mental health, as well as in academia. Divided into sections that reflect depressive realism as a worldview spanning all academic disciplines, chapters provide examples from psychology, psychotherapy, philosophy and more to suggest ways in which depressive realism can critique each discipline and academia overall. This book challenges the tacit hegemony of contemporary positive thinking, as well as the standard assumption in cognitive behavioural therapy that depressed individuals must have cognitive distortions. It also appeals to the utility of depressive realism for its insights, its pursuit of truth, as well its emphasis on the importance of learning from negativity and failure. Arguments against depressive realism are also explored. This book makes an important contribution to our understanding of depressive realism within an interdisciplinary context. It will be of key interest to academics, researchers and postgraduates in the fields of psychology, mental health, psychotherapy, history and philosophy. It will also be of great interest to psychologists, psychotherapists and counsellors.