Author: August SanderPublisher: Schirmer Mosel
ISBN:
Category : Art
Languages : en
Pages : 152
Book Description
Sixty portraits of twentieth-century Germans.
Author: August SanderCitizens of the Twentieth Century
Author: August SanderPublisher: MIT Press (MA)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 552
Book Description
A major contribution to the history of photography in Germany, presenting a fine collection of little-known work by a major photographer and a most perceptive essay that is at once biographical, analytic and critical.
Emblems of the Passing World
Author: Adam KirschPublisher: Other Press, LLC
ISBN: 1590517342
Category : Art
Languages : en
Pages : 137
Book Description
Through his portraits of ordinary people August Sander, the German photographer whose work chronicled the extreme tensions and transitions of the twentieth century, captured a moment in history whose consequences he himself couldn't have predicted. Using these photographs as a lens, Adam Kirsch's poems connect the legacy of the First World War with the turmoil of the Weimar Republic and foreshadow the Nazi era. Kirsch writes both urgently and poignantly about these photographs, creating a unique dialogue of word and image that will speak to readers.
Author: August Sander
Author: August Sander
Author: Wolfgang KempMontrealers
Author: Jean-François NadeauPublisher: Juniper Publishing
ISBN: 9781988002194
Category : Photography
Languages : en
Pages : 352
Book Description
More than 100 years of images that reveal the changing face of a city and its inhabitants. This commemorative book shows Montrealers, from the beginnings of photography through to 1976, in images that capture the fragility of a moment, fleeting, yet frozen in time. Through hundreds of snapshots, this book reveals the face of an entire social world. Some photos are the work of masters of photography such as Robert Notman, Henri Cartier-Bresson, John Max, Alain Chagnon, Yousuf Karsh and many more. Others were taken by more or less everyday photographers, generally unaware that they were providing future generations with an invaluable glimpse of humanity and a fragment of eternity. These photographs are accompanied by commentary on the photographer’s work, if one exists, and on fascinating characteristics of the world they unveil to us. The photos are grouped under different themes: housing, culture, streets, religion, work, transportation, First Nations and more. This wholly unique book contains more than 400 original photographs, many previously unpublished or unknown.
August Sander
Author: Publisher: National Geographic Books
ISBN: 0500411131
Category : Photography
Languages : en
Pages : 0
Book Description
A new entry in the Photofile series, this book features the work of August Sander, one of the early twentieth century’s most important photographers. August Sander (1876–1964) was a documentary photographer whose greatest project lasted his entire working life. His series of portrait studies of the German people spanning three eras—the German Empire, the Weimar Republic, and Nazi Germany—and every social class, combine to form a fascinating social mirror of the country over a tumultuous period in its history. Working with calm determination, Sander cast the same lucid eye on bankers and boxers, soldiers and circus performers, creating strikingly honest images that fulfill his sole ambition: to tell the truth about humanity.
Labor Anonymous
Author: David CampanyPublisher: Blackbirch Press, Incorporated
ISBN: 9781938922947
Category : Photography
Languages : en
Pages : 163
Book Description
"Walker Evans (1903-1975) is one of the most important photographers of the twentieth century and has influenced contemporary art beyond his medium until today. In 1938 the Museum of Modern Art in New York dedicated its first ever solo photography exhibition to Evans's work, and he has shaped America's image of itself particularly through his photographs of the Great Depression. The publication Walker Evans: Labor Anonymous is the first in-depth investigation into a series of the same name, which Evans published in Fortune magazine in 1946. On a Saturday afternoon in Detroit, Evans positioned himself with his Rolleiflex camera on the sidewalk and photographed pedestrians, mostly laborers, in his characteristically clear and unadorned way - an aesthetic he described as the "documentary style". As in his earlier series, e.g. in the famous Subway Portraits from the New York underground, his subjects were often unaware they were being photographed, but some of the pedestrians also looked straight into the camera. Representing much more than a simple typology, this photographic series does not offer a preconceived image of humankind or class, but - as foreshadowed in its ambiguous title - encourages critical reflection on such concepts. This publication anchors the series in Evans's oeuvre and presents a selection of more than fifty photographs from the series along with contact sheets, drafts for an unpublished text, notes, and letters from the Walker Evans Archive at the Metropolitan Museum of Art, New York"--
