Author: James Naremore Publisher: ISBN: 9780191834035 Category : Electronic books Languages : en Pages :
Book Description
Film noir is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 1950s--shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders. But Film Noir: A Very Short Introduction demonstrates that the genre has much earlier origins and is more international in scope. The key themes and styles of film noir are discussed along with some of the most iconic film noirs, exploring important aspects of their history and ongoing influence: their critical reception, major literary sources, methods of dealing with censorship and budgets, social and cultural politics, variety of styles, and future in a world of digital media and video streaming.
Author: James Naremore Publisher: Oxford University Press, USA ISBN: 9780198791744 Category : Film noir Languages : en Pages : 0
Book Description
"Film noir is one of the most intriguing yet difficult to define terms in cinema history. First associated with Hollywood thrillers of teh 1940s and 50s, film noir has become fully international in its nature and appeal, attracting the interest of great directors right up to our present time. In this Very Short Introduction James Naremore analyses classic examples of the films, as well as a few lesser known noir pieces, highlighting their key themes and styles, and their major literary sources. He considers their methods of dealing with censorship, and looks to the future of noir in a world of digital media and video streaming."--Provided by publisher.
Author: Michael Wood Publisher: Oxford University Press, USA ISBN: 0192803530 Category : Art Languages : en Pages : 153
Book Description
Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society.
Author: James Naremore Publisher: Oxford University Press ISBN: 0192509500 Category : Art Languages : en Pages : 153
Book Description
Film noir, one of the most intriguing yet difficult to define terms in cinema history, is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 50s - shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders. But as this VSI demonstrates, film noir actually predates the 1940s and has never been confined to Hollywood. International in scope, its various manifestations have spread across generic categories, attracted the interest of the world's great directors, and continue to appear even today. In this Very Short Introduction James Naremore shows how the term film noir originated in in French literary and film criticism, and how later uses of the term travelled abroad, changing its implications. In the process, he comments on classic examples of the films and explores important aspects of their history: their critical reception, their major literary sources, their methods of dealing with censorship and budgets, their social and cultural politics, their variety of styles, and their future in a world of digital media and video streaming. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Peter Decherney Publisher: Oxford University Press ISBN: 0199943540 Category : Social Science Languages : en Pages : 161
Book Description
"Peter Decherney tells the story of Hollywood, from its nineteenth-century origins to the emergence of internet media empires. Using well-known movies, stars, and directors, the book shows that the elements we take to be a natural part of the Hollywood experience--stars, genre-driven storytelling, blockbuster franchises, etc.--are the product of cultural, political, and commercial forces"--
Author: Wheeler Winston Dixon Publisher: Rutgers University Press ISBN: 0813595169 Category : Art Languages : en Pages : 525
Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author: Jennifer Fay Publisher: Oxford University Press ISBN: 0190696796 Category : Performing Arts Languages : en Pages : 273
Book Description
In recent years, environmental and human rights advocates have suggested that we have entered the first new geological epoch since the end of the ice age: the Anthropocene. In this new epoch, humans have come to reshape unwittingly both the climate and natural world; humankind has caused mass extinctions of plant and animal species, polluted the oceans, and irreversibly altered the atmosphere. Ironically, our efforts to make the planet more hospitable to ourselves seem to be driving us toward our inevitable extinction. A force of nature, humanity is now decentered as the agent of history. As Jennifer Fay argues, this new situation is to geological science what cinema has always been to human culture. Film, like the Anthropocene, is a product of the industrial revolution, but arises out of a desire to preserve life and master time and space. It also calls for the creation of artificial worlds, unnatural weather, and deadly environments for entertainment, scientific study, and devising military strategy. Filmmaking stages, quite literally, the process by which worlds and weather come into being and meaning, and it mimics the forces that are driving this new planetary inhospitality. Cinema, in other words, provides an image of "nature" in the age of its mechanical reproducability. Fay argues that cinema exemplifies the philosophical, political, and perhaps even logistical processes by which we can adapt to these forces and also imagine a world without humans in it. Whereas standard ecological criticism attends to the environmental crisis as an unraveling of our natural state, this book looks to film (from Buster Keaton, to Jia Zhangke, to films of atomic testing and early polar exploration) to consider how it reflects upon the creation and destruction of human environments. What are the implications of ecological inhospitality? What role might cinema and media theory play in challenging our presumed right to occupy and populate the world? As an art form, film enjoys a unique relationship to the material, elemental world it captures and produces. Through it, we may appreciate the ambitions to design an unhomely planet that may no longer accommodate us.
Author: Noah William Isenberg Publisher: Macmillan ISBN: 1844572390 Category : Performing Arts Languages : en Pages : 117
Book Description
In classic noir style, Detour features mysterious deaths, changes of identity, an unforgettable femme fatale called Vera (Ann Savage), and, in Roberts, a wretched, masochistic antihero."
Author: James Naremore
Author: James Naremore
Author: Michael Wood
Author: Raymond Borde
Author: James Naremore
Author: Peter Decherney
Author: Wheeler Winston Dixon
Author: Jennifer Fay
Author: Noah William Isenberg
Author: Barry Gifford