So Deadly, So Perverse

So Deadly, So Perverse PDF Author: Troy Howarth
Publisher:
ISBN: 9781936168507
Category : Performing Arts
Languages : en
Pages : 236

Book Description
Troy Howarth examines the Giallo genre from its inception through its inevitable decline

So Deadly, So Perverse

So Deadly, So Perverse PDF Author: Troy Howarth
Publisher:
ISBN:
Category : Detective and mystery films
Languages : en
Pages : 233

Book Description
An in-depth examination of the Italian horror-thriller film genre, giallo, focusing on the films, as well as the directors, actresses and scores that underpinned them.

The Haunted World of Mario Bava

The Haunted World of Mario Bava PDF Author: Troy Howarth
Publisher:
ISBN: 9781936168453
Category : Performing Arts
Languages : en
Pages : 210

Book Description
The Haunted World of Mario Bava has now been updated, revised and expanded by author Troy Howarth to give a better overview of Bava's remarkable legacy as a director and "cinema magician."

Five Deaths for Seven Songbirds

Five Deaths for Seven Songbirds PDF Author: John Everson
Publisher: Simon and Schuster
ISBN: 1787586294
Category : Fiction
Languages : en
Pages : 197

Book Description
When Eve Springer arrives to join the Songbirds it’s the fulfillment of her lifelong dream. But that dream is soon to become a nightmare. Somebody is murdering the Songbirds, using their own instruments as weapons. Will Eve be next? “Passionate, overwhelming, a classic thriller with a rock rhythm.” — Ernesto Gastaldi, screenwriter of So Sweet… So Perverse "I read this story with ever-increasing interest. The dynamics and tension felt reminiscent of my thriller films from the 70s and 80s, which have been appreciated by many American directors such as Quentin Tarantino. It would make a great film for lovers of the genre. Ottimo intrigo!" — Sergio Martino, director of All the Colors of the Dark and Torso "Intricately plotted in the classic giallo style, with plot twists and murders galore. John Everson has written a thriller that is sure to appeal to devotees of lurid Italian mystery thrillers." — Troy Howarth, author of So Deadly, So Perverse: 50 Years of Italian Giallo Films Somebody is murdering the Songbirds… A modern Giallo, Everson's homage to the stylish Italian mystery thrillers. When Eve Springer arrives in Belgium to study with the world-famous Prof. Ernest Von Klein at The Eyrie, an exclusive music conservatory, it’s the fulfillment of a lifelong dream. But that dream is soon to become a nightmare. When the star of the school’s piano program is strangled with a piano wire, the only clue to the killer is a grainy picture of the victim during her final moments, mouth wide and screaming, posted on the girl’s own Facebook account, alongside a classic music video. What does it mean? Eve soon finds herself taking the girl’s place as the enclave’s star pupil, in line for a coveted scholarship and a new member of the famed jazz combo, the Songbirds. When Eve is drugged and another Songbird murdered at a campus party, she suddenly finds herself on the list of suspects. Another picture is posted online of the victim in her final moments, and this time, Eve is sure the hands around the girl’s throat… are hers! Could she have killed the girl while under the influence of whatever someone had slipped in her drink? The police and others at the Eyrie are suspicious; the murders began when she arrived. Her new boyfriend Richard insists that she could not be the killer. But who would want the Songbirds dead? One of the other Songbirds, like Gianna, the snarky sax player who seems to hate everyone? Or Philip, the creepy building caretaker and occasional night watchman? Or could it be Prof. Von Klein himself, who seems very handy with a camera and has a secret locked room behind his office where the light always seems to be on after dark? Whoever it is, Eve knows she needs to figure it out. Because when a dead canary is left as a bloody message on the keys of her piano, she knows her own life may be in deadly danger. FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices.

Italian Gothic Horror Films, 1957-1969

Italian Gothic Horror Films, 1957-1969 PDF Author: Roberto Curti
Publisher: McFarland
ISBN: 1476619891
Category : Performing Arts
Languages : en
Pages : 221

Book Description
The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.

Splintered Visions Lucio Fulci and His Films

Splintered Visions Lucio Fulci and His Films PDF Author: Howarth Troy
Publisher:
ISBN: 9781936168538
Category : Performing Arts
Languages : en
Pages : 368

Book Description
For many horror film fans, the name Lucio Fulci conjures images of gore and depravity. Derided by critics as a hack and an imitator and lionized by others as the "Godfather of Gore," Fulci remains a polarizing and controversial figure. However, many fans are unaware of the scope and breadth of his filmography. From his early days writing material for popular comics like Totò and Franco and Ciccio to directing films in such genres as the musical and the Spaghetti Western, Lucio Fulci was a filmmaker of great diversity. When he attained international notoriety with the release of his gory epic ZOMBIE, Fulci already had years of experience in the film industry; that film's success established him as one of Italy's premier masters of the macabre and he would continue to shock and delight fans until shrinking budgets and failing health began to compromise some of his later work. When he died in 1996, he was on the cusp of a major comeback, but in the years following his death the cult surrounding his legacy has continued to grow. Unfortunately, most studies of Fulci and his work have elected to focus only on a small part of his career. SPLINTERED VISIONS changes all of that by providing an in-depth exploration of Fulci's filmography, beginning with his work as a screenwriter and extending through all of his films as a director. The popular horror films and thrillers are given ample coverage, but the lesser-known works are finally put into their proper context. Author Howarth provides a detailed portrait of a complex man using newly conducted interviews with actors such as Richard Johnson and Franco Nero, which allows the reader a sense of who the director was and how he worked. The end result is the most comprehensive overview of Fulci, the man and Fulci, the filmmaker that has been published in English--making SPLINTERED VISIONS a cause for celebration among serious Fulci fans. The book is also lavishly illustrated with a number of rare stills, posters and advertising materials.

La Dolce Morte

La Dolce Morte PDF Author: Mikel J. Koven
Publisher: Scarecrow Press
ISBN: 1461664160
Category : Performing Arts
Languages : en
Pages : 207

Book Description
With the exception of die-hard aficionados of European or Italian horror cinema, most people may not have heard of giallo cinema or have seen many films in this subgenre of horror. Most academic film studies tend to ignore horror cinema in general and the giallo specifically. Critics often deride these films, which reveal more about the reviewers' own prejudices than any problem with the works themselves. As a counter to such biases, Mikel J. Koven argues for an alternative approach to studying these films, by approaching them as vernacular cinema—distinct from "popular cinema." According to Koven, to look at a film from a vernacular perspective removes the assumptions about what constitutes a "good" film and how a particular film is in some way "artistic." In La Dolce Morte: Vernacular Cinema and the Italian Giallo Film, Koven explores the history and evolution of this aspect of cinema, and places these films within the context of Italian popular filmmaking. He addresses various themes, motifs, and tropes in these films: their use of space, the murders, the role of the detective, the identity of the killer, issues of belief, excess, and the set-piece. In addition to being the first academic study of the giallo film in English, this book surveys more than fifty films of this subgenre. In addition to filmmakers like Mario Bava and Dario Argento, Koven also looks at the films of Lucio Fulci, Sergio Martino, Pupi Avati, Umberto Lenzi, and others. In all, the works of twenty-five different filmmakers are considered in this book. Also explored are the inter-relationships between these films: how one influences others, how certain filmmakers take ideas and build off of them, and how those ideas are further transformed by other filmmakers. Koven also explores the impact of the giallo on the later North American slasher genre.

Giallo!

Giallo! PDF Author: Alexia Kannas
Publisher: State University of New York Press
ISBN: 1438480342
Category : Performing Arts
Languages : en
Pages : 213

Book Description
Italian giallo films have a peculiar allure. Taking their name from the Italian for "yellow"— reflecting the covers of pulp crime novels—these genre movies were principally produced between 1960 and the late 1970s. These cinematic hybrids of crime, horror, and detection are characterized by elaborate set-piece murders, lurid aesthetics, and experimental soundtracks. Using critical frameworks drawn from genre theory, reception studies, and cultural studies, Giallo! traces this historically marginalized genre's journey from Italian cinemas to the global cult-film canon. Through close textual analysis of films including The Girl Who Knew Too Much (1963), Blood and Black Lace (1964), The Bird with the Crystal Plumage (1970), The Black Belly of the Tarantula (1971), and The Case of the Bloody Iris (1972), Alexia Kannas considers the rendering of urban space in the giallo and how it expresses a complex and unsettling critique of late modernity.
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