Easy Digital Negatives

Easy Digital Negatives PDF Author: Peter Mrhar
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 204

Book Description
It has been six years since the first edition of Easy Digital Negatives book was published. And during this time, the book has become one of the most popular manuals for making transparent digital negatives. And, thanks for the trust.The second edition is a rather extended version of the first book. As in the first edition, it first thoroughly explains to you all the necessary knowledge about digital negatives for alternative photography and then explains both manual and computer procedures for making negatives step by step.And why should you read a book?: -The quality of photos is greatly increased by using the EasyDigitalNegatives system.-The process is extremely fast and allows you to make quality negatives and photos after the first few attempts.-The production is so simple that it is easily understood and used by any amateur or professional photographer or printer.-There will be a lot of videos available soon.-The results of corrected transparent digital negatives are reliable.-And you can use any printer to make transparent digital negatives using EasyDigitalNegatives, not just some of the most expensive inkjet printers.-You can use almost all operating systems and image processing programs.-And above all, EasyDigitalNegatives is an extremely widespread system, so you can be helped by many selfless users in case of any problems (you never know).But by purchasing this book, you will probably also become a master of making transparent digital negatives for alternative and historical photography. So don't worry, because the solution is almost at hand this time as well.

Digital Negatives with QuadToneRIP

Digital Negatives with QuadToneRIP PDF Author: Ron Reeder
Publisher: Routledge
ISBN: 1000208850
Category : Art
Languages : en
Pages : 471

Book Description
Digital Negatives with QuadToneRIP is a text that fully explores how the QuadToneRIP printer driver can be used to make expert digital negatives. The book takes a comprehensive, Òunder-the-hoodÓ look at how Roy Harrington’s QTR printer driver can be adapted for use by artists in several different creative practice areas. The text is written from the Mac/Photoshop point of view. The book is divided into three parts. Part One is a step-by-step how-to section that will appeal to both beginning and more advanced practitioners. Part One includes quickstart guides­ or summary sheets for beginning students who want to jump into using QTR before understanding all of its functional components. Part Two addresses dimroom, darkroom, and printmaking practices, walking the reader through brief workflows from negative to print for lithium palladium, gum bichromate, cyanotype, salted paper, kallitype, silver gelatin and polymer photogravure, with a sample profile for each. It also includes an introduction to a new software iteration of QTR: QuickCurve-DN (QCDN). Part Three is devoted to contemporary practitioners who explain how they use QTR in their creative practice. The book includes: A list of supplies and software needed A summary QTR glossary with a simple explanation of how each function works A sample walk-through to create a QTR profile from start to finish How to linearize profiles with simple to more exacting tools A visual guide to modifying functions Quickstart guides for many of the workflows Instructions for crafting monochrome, duotone, tricolor, and quadcolor negatives Instructions for using QTR to print silver gelatin in the darkroom Instructions for using QTR to print alternative processes in the dimroom Instructions for using QTR to print polymer photogravure in the printmaking room Introductory chapter to QuickCurve-DN software Troubleshooting common QTR problems Generic starter profiles for processes discussed Contemporary artists: their work and QTR process. Learning how to craft expert digital negatives can be a bit overwhelming at the outset. Digital Negatives with QuadToneRIP makes the process as user-friendly as possible. Like other books in the series, Digital Negatives with QuadToneRIP is thoroughly comprehensive, accessible to different levels of learner, and illustrative of the contemporary arts.

The Digital Negative

The Digital Negative PDF Author: Jeff Schewe
Publisher: Peachpit Press
ISBN: 0134033396
Category : Computers
Languages : en
Pages : 838

Book Description
Shooting in the raw format gives digital photographers complete control over every aspect of image quality. The Digital Negative is devoted exclusively to the topic and shows you how to make the most of that control to extract the best-possible raw rendering of your digital negatives and to use Photoshop to achieve the highest quality in your images. In this update of his best-selling book, renowned photographer and author Jeff Schewe outlines a foolproof process for working with these digital negatives and presents his real-world expertise on optimizing raw images. You’ll learn hands-on techniques for exposing and shooting for raw image capture and developing a raw processing workflow, as well as Photoshop techniques for perfecting the master image, converting color to black and white, and processing for panoramic and HDR images. This second edition covers all the major updates and new features in Camera Raw, Lightroom, and Photoshop, such as GPU acceleration, Radial Filters, Pano Merge, and more. Get the best tone and color from your digital negatives. Use Lightroom and Camera Raw sharpening controls to maximize image quality. Produce stunning black and white images. Learn how to remove people from photos in Photoshop using Smart Objects and Layer Blending. Use HDR in Camera Raw and Lightroom. And much more! Visit the book’s companion website at TheDigitalNegativeBook.com for sample images and more.

Digital Negatives

Digital Negatives PDF Author: Ron Reeder
Publisher: Taylor & Francis
ISBN: 0240808541
Category : Computers
Languages : en
Pages : 222

Book Description
Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing bridges the world of traditional photographic printing with digital technology. A digital negative, prepared in Photoshop, allows you to skip the dark room time developing the negatives-getting straight to a variety of printing processes including silver, platinum, and a host of other "alternative" processes. You will see this as an opportunity to mix technology with traditional photo processes resulting in more time for your art! In the recent past, photographers that wanted digital negatives had to take their business to labs. Now all of you Photoshop users can incorporate this practice into your workflow of choice.

Digital Negatives for Palladium and Other Alternative Processes

Digital Negatives for Palladium and Other Alternative Processes PDF Author: Ron Reeder
Publisher:
ISBN: 9780557604685
Category : Photography
Languages : en
Pages : 42

Book Description
A complete manual for making high quality digital negatives for contact printing on alternative photographic processes. Describes two different methods, one using the Epson printer driver and the other using the Quadtone RIP.

Vintage Poses in Official Portraits

Vintage Poses in Official Portraits PDF Author: Peter Mrhar
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986088541
Category :
Languages : en
Pages : 128

Book Description
A collection of representative official portraits from the birth of photography to the period of photographic modernism.

Cyanotype

Cyanotype PDF Author: Peter Mrhar
Publisher: Createspace Independent Publishing Platform
ISBN: 9781492844594
Category : Blueprinting
Languages : en
Pages : 0

Book Description
Cyanotype is truly refreshing among the variety of books on historical and alternative photographic processes, since the author presents some old and almost forgotten techniques that are not seen in any recent book, and reveals some of the almost "secret", newer methods, such as production of bi-color cyanotype, double exposure techniques, etc... The book guides the reader with detailed descriptions and clear pictorial step-by-step instructions through the entire process of creating cyanotypes. At the beginning, we learn how to make chemicals, how to choose right paper, how to make digital negatives, how to expose the image, how to coat the paper with emulsion, and the like. In the following chapters are detailed descriptions on how to develop photographs, a large number of popular and some almost forgotten techniques of a simple one- and two-color toning of cyanotype, descriptions of making photograms, and a bit more challenging chapters of cyanotype printing on glass, stone and fabrics. The book does not lack practical examples of cyanotype for creating business cards, postcards, printed T-shirts and the like.

Easy Digital Negatives

Easy Digital Negatives PDF Author: Peter Mrhar
Publisher: Createspace Independent Publishing Platform
ISBN: 9781500273699
Category : Adobe Photoshop
Languages : en
Pages : 0

Book Description
Easy Digital Negatives is another remarkable book by Peter Mrhar, this time taking the reader step-by-step through the entire process of creating digital negatives that are the basis for almost all modern so-called alternative photographic techniques. Of course, the author again justifies his popularity with additional descriptions of how to reproduce images, with a description of his new technique for making negatives, with a description of the simplified procedure for calibrating the screen, and particularly describing a free program which automatically completes everything.In this book, of course, the reader first learns the basics of digital photography, which are necessary for making digital negatives. Then the settings of Adobe Photoshop and printers, and methods to increase and decrease print density are described, so that each reader can print the optimum negative, regardless of the price range of the printer. Then follow procedures for the reproduction of photographs with both scanners and with any camera.After this introduction, the author introduces the reader to the standard time of printing - or correct time of exposure - and presents two techniques to determine the optimal UV blocker color on the negative, and describes the production of colorized negatives.This description is followed by techniques for correcting and printing negatives. In a simple but effective way, normalization of photos is described, which is followed by two techniques to correct mid-tones, first with the popular custom curves and then by making adjustments by the slightly more accurate method of mapping tones.The next chapter is intended for slightly more demanding readers, as it describes the correction of corrections and a way for making a negative with average values.At the end of the book, the reader will discover a chapter on calibrating the monitor, which is necessary for the efficient processing of digital images, and a chapter which justifies the name of this book: here, the author's freeware program is described. If the reader knows its basic concepts, with a few clicks and in a few minutes, it automatically performs all of the procedures described in this book.

Gumoil Photographic Printing, Revised Edition

Gumoil Photographic Printing, Revised Edition PDF Author: Karl Koenig
Publisher: Taylor & Francis
ISBN: 1136090290
Category : Photography
Languages : en
Pages : 115

Book Description
There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique. Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
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