Author: Robert Brown
Publisher: Guitar Tracks
ISBN: 9780739086025
Category : Music
Languages : en
Pages : 0
Book Description
Blues Tracks is the most effective learning tool you will ever use. There are over 30 tunes that range from simple to complex, all in the style of seminal blues artists like Big Bill Broonzy, B.B. King, Robert Cray, Eric Clapton, and many others. Lead sheets include tips and scales, and the accompaniment audio tracks are long enough to let you stretch out and experiment as your chops develop. The scales shown in standard music notation, TAB, and guitar-neck diagrams. This book and MP3 CD is the perfect way for you to make the most out of your practice time and seriously advance your improvisational skills.
Blues You Can Use (Music Instruction)
Author: John Ganapes
Publisher: Hal Leonard Corporation
ISBN: 1476857385
Category : Music
Languages : en
Pages : 136
Book Description
(Guitar Educational). A comprehensive source designed to help guitarists develop both lead and rhythm playing. Covers: Texas, Delta, R&B, early rock and roll, gospel, blues/rock and more. Includes 21 complete solos; chord progressions and riffs; turnarounds; moveable scales and more. The audio features leads and full band backing.
Publisher: Hal Leonard Corporation
ISBN: 1476857385
Category : Music
Languages : en
Pages : 136
Book Description
(Guitar Educational). A comprehensive source designed to help guitarists develop both lead and rhythm playing. Covers: Texas, Delta, R&B, early rock and roll, gospel, blues/rock and more. Includes 21 complete solos; chord progressions and riffs; turnarounds; moveable scales and more. The audio features leads and full band backing.
Stand Alone Tracks Blues and Beyond
Author: Mark Dziuba
Publisher: Alfred Music Publishing
ISBN: 9780882846422
Category : Music
Languages : en
Pages : 36
Book Description
This is the most effective practice tool you will ever use! With Stand Alone Tracks, your CD player becomes your own personal back-up band. This Book and CD set will help you make the most of your practice time and polish your improvisational skills. Examples range from simple to complex in a variety of possibilities within the style. Examples are long enough to let you really stretch out" and experiment as your chops develop."
Publisher: Alfred Music Publishing
ISBN: 9780882846422
Category : Music
Languages : en
Pages : 36
Book Description
This is the most effective practice tool you will ever use! With Stand Alone Tracks, your CD player becomes your own personal back-up band. This Book and CD set will help you make the most of your practice time and polish your improvisational skills. Examples range from simple to complex in a variety of possibilities within the style. Examples are long enough to let you really stretch out" and experiment as your chops develop."
Big Book of Backing Tracks
Author: Chad Johnson
Publisher: Hal Leonard Corporation
ISBN: 1495002853
Category : Music
Languages : en
Pages : 322
Book Description
(Guitar). This book contains a collection of 200 chord progressions over which you can practice your latest and greatest licks, plus audio demos of every single one. The audio tracks range from approximately one minute (for the short progressions) to four minutes or more (for the full-length "song" progressions), and numerous styles, keys, and tempos are covered to make sure you're well-versed in practically every style. Rest assured, you'll get plenty of time to milk your melodies for all they're worth! Whether you're a rocker, a jazzer, a bluesman, or a bluegrasser, the Big Book of Backing Tracks has plenty for you.
Publisher: Hal Leonard Corporation
ISBN: 1495002853
Category : Music
Languages : en
Pages : 322
Book Description
(Guitar). This book contains a collection of 200 chord progressions over which you can practice your latest and greatest licks, plus audio demos of every single one. The audio tracks range from approximately one minute (for the short progressions) to four minutes or more (for the full-length "song" progressions), and numerous styles, keys, and tempos are covered to make sure you're well-versed in practically every style. Rest assured, you'll get plenty of time to milk your melodies for all they're worth! Whether you're a rocker, a jazzer, a bluesman, or a bluegrasser, the Big Book of Backing Tracks has plenty for you.
Blues Harmonica Jam Tracks & Soloing Concepts #1
Author: David Barrett
Publisher: Mel Bay Publications
ISBN: 1610657195
Category : Music
Languages : en
Pages : 25
Book Description
Upon completion of this book/CD set, you will understand the principle and techniques utilized in the creation of phrases and how to incorporate these concepts into your own harmonica performance. the companion CD contains jam tracks for incorporating new licks and ideas. Notation and harmonica tablature.View the Harmonica Masterclass Series outline
Publisher: Mel Bay Publications
ISBN: 1610657195
Category : Music
Languages : en
Pages : 25
Book Description
Upon completion of this book/CD set, you will understand the principle and techniques utilized in the creation of phrases and how to incorporate these concepts into your own harmonica performance. the companion CD contains jam tracks for incorporating new licks and ideas. Notation and harmonica tablature.View the Harmonica Masterclass Series outline
The New Blue Music
Author: Richard J. Ripani
Publisher: Univ. Press of Mississippi
ISBN: 1496801288
Category : Music
Languages : en
Pages : 283
Book Description
Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called “doo-wop,” “soul,” “funk,” “urban contemporary,” or “hip-hop,” R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a “re-Africanization” over time. By investigating musical elements of form, style, and content in R&B—and offering numerous musical examples—the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical “super-genre” which he labels “The New Blue Music.”
Publisher: Univ. Press of Mississippi
ISBN: 1496801288
Category : Music
Languages : en
Pages : 283
Book Description
Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called “doo-wop,” “soul,” “funk,” “urban contemporary,” or “hip-hop,” R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a “re-Africanization” over time. By investigating musical elements of form, style, and content in R&B—and offering numerous musical examples—the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical “super-genre” which he labels “The New Blue Music.”