Alternative Scriptwriting

Author: Ken Dancyger
Publisher: CRC Press
ISBN: 113605362X
Category : Performing Arts
Languages : en
Pages : 487

Book Description
Learn the rules of scriptwriting, and then how to successfully break them.Unlike other screenwriting books, this unique guide pushes you to challenge yourself and break free of tired, formulaic writing--bending or breaking the rules of storytelling as we know them. Like the best-selling previous editions, seasoned authors Dancyger and Rush explore alternative approaches to the traditional three-act story structure, going beyond teaching you "how to tell a story" by teaching you how to write against conventional formulas to produce original, exciting material. The pages are filled with an international range of contemporary and classic cinema examples to inspire and instruct. New to this edition. New chapter on the newly popular genres of feature documentary, long-form television serials, non-linear stories, satire, fable, and docudrama. New chapter on multiple-threaded long form, serial television scripts. New chapter on genre and a new chapter on how genre’s very form is flexible to a narrative. New chapter on character development. New case studies, including an in-depth case study of the dark side of the fable, focusing on The Wizard of Oz and Pan’s Labyrinth.

Alternative Scriptwriting

Author: Ken Dancyger
Publisher: Taylor & Francis
ISBN: 1136053697
Category : Performing Arts
Languages : en
Pages : 425

Alternative Scriptwriting

Author: Ken Dancyger
Publisher: Taylor & Francis
ISBN: 0240808495
Category : Performing Arts
Languages : en
Pages : 425

Book Description
Going beyond the conventional three-act structure and exploring more inventive approaches, this text aims to challenge readers to take creative risks with genre, tone, character and structure.

Global Scriptwriting

Author: Ken Dancyger
Publisher: Taylor & Francis
ISBN: 1136048103
Category : Performing Arts
Languages : en
Pages : 263

Book Description
Global Scriptwriting offers a look at an exciting new phase in screen storytelling, as writers and directors from all over the world infuse traditional forms with their own cultural values to create stories that have an international appeal and suggest a universality among readers, viewers, and listeners. A unique blend of screenwriting technique and film studies, Global Scriptwriting discusses screen stories as they have evolved through the years, focusing first on the basics of scriptwriting, then going on to afford a more sophisticated look at script via different models of scriptwriting: the Hollywood model, the independent model, the national model, and various alternative models. It examines the internationalization of storytelling, and illustrates how particular innovations have helped national screen stories to international success. This book is the first to incorporate the basics of the classical form with the innovative edge of the last decade, as well the culture specific changes that have taken place outside of North America. It offers readers a view of the enriched repertoire available to writers resulting from the introduction of cultural perspectives into traditional story forms. Specific topics examined include, the ascent of voice, the search for new forms, the struggle between style and content, and the centrality of megagenre.

Alternative Scriptwriting

Author: Ken Dancyger
Publisher: Taylor & Francis
ISBN: 024052246X
Category : Language Arts & Disciplines
Languages : en
Pages : 480

Book Description
Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional three-act structure, Alternative Scriptwriting first defines conventional approach, suggests alternatives, then provides case studies. These contemporary examples and case studies demonstrate what works, what doesn't, and why. Because the film industry as well as the public demand greater and greater creativity, one must go beyond the traditional three-act restorative and predictable plot to test your limits and break new creative ground. Rather than teaching writing in a tired formulaic manner, this book elevates the subject and provides inspiration to reach new creative heights. Alternative Scriptwriting 4E covers: * The melodrama and the thriller * Adaptations from contemporary literature * Writing non-fictional narratives for the feature documentary * An in-depth exploration of point-of-view and perspective as expressive of the film writer's voice * Voice-oriented genres--docudrama, the fable and experimental narrative * Non-linear storytelling-the narrative strategies that are necessary to make an open-architecture story work * Considerations for writing for DV that speak to the flexibility and improvisation this medium allows

Save the Cat!

Author: Blake Snyder
Publisher:
ISBN: 9781615931712
Category : Performing Arts
Languages : en
Pages : 0

Book Description
This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!

Cut to the Chase. Scriptwriting for Beginners

Author: Janet van Eeden
Publisher: African Books Collective
ISBN: 1991240120
Category : Performing Arts
Languages : en
Pages : 264

Book Description
So many people watch films and yet so few know how to write a film well. Film writing is a very specific art form. Over the past twenty-something years Janet van Eeden made every mistake in the book and eventually turned to the experts. Using advice from screenwriting experts such as Robert McKee and Christopher Vogler, among many others, Janet van Eeden developed an effective approach to scriptwriting. Cut to the Chase breaks down the essentials of writing for film. Janet van Eeden shares her experience of writing feature films and short films, as well as her many years of lecturing, in this book. This user-friendly manual unlocks the world of scriptwriting for students. It includes a step-by-step writing programme, setting specific tasks after each chapter, so that the reader can build up their own film script. The reader is guided towards writing a well thought-out first draft script written to internationally acceptable standards.

Crafting Short Screenplays That Connect

Author: Claudia H. Johnson
Publisher: Taylor & Francis
ISBN: 1136051295
Category : Performing Arts
Languages : en
Pages : 304

Book Description
The only screenwriting book that includes a DVD that contains performances of the short films and screenplays that are featured in the book! The beauty and power of any story lies in its ability to connect to the reader, listener, or observer. Crafting Short Screenplays That Connect is the first screenwriting guide to introduce connection as an essential, although essentially overlooked, aspect of creating stories for the screen and of the screenwriting process itself. Written with clarity and humor, this book teaches the craft of writing short screenplays by guiding the student through carefully focused writing exercises of increasing length and complexity. Eight award-winning student screenplays are included for illustration and inspiration. The text is divided into three parts. Part one focuses on preparing to write by means of exercises designed to help students think more deeply about the screenwriter's purposes; their own unique vision, material and process; and finally about what screenplays are at their simplest and most profound level--a pattern of human change, created from specific moments of change--discoveries and decisions. Part two teaches students how to craft an effective pattern of human change. It guides them through the writing and re-writing of "Five (Not So Easy) Pieces"--five short screenplays of increasing length and complexity--focusing on a specific principle of dramatic technique: The Discovery, The Decision, The Boxing Match, The Improbable Connection, and The Long Short Screenplay. Part Three presents the five screenplays used throughout the book to illustrate the dramatic principles that have been discussed, and includes interviews with the screenwriters, a look at where they are now and what they are doing, and brief discussion of how each film evolved.

Applied Screenwriting

Author: Carey Martin
Publisher: Taylor & Francis
ISBN: 1003856837
Category : Performing Arts
Languages : en
Pages : 173

Book Description
Putting a vision on the page for creative and commercial video is harder than it seems, but author Carey Martin explains how to bring these tools to bear in the “work for hire” environment. Whilst other texts focus on writing the next award winner, this can be out of reach both logistically and financially for many. Instead, readers will learn how to write what they want the eyes of the audience to see and the ears of the audience to hear, in such a way that the Producer and Director can read the creative blueprint and bring that vision to life. The text will walk readers through a focused and practical consideration of the camera, the edit, and the sound design, in addition to a straightforward application of basic story principles. By understanding writing for video as more than creating a recorded play, readers will become more effective screenwriters and, should they wish, Producers and Directors as well. This book is ideal for students of screenwriting and those writing scripts for message-driven video for corporate, nonprofit, and commercial production.

Analysing the Screenplay

Author: Jill Nelmes
Publisher: Routledge
ISBN: 1136912444
Category : Performing Arts
Languages : en
Pages : 591

Book Description
Most producers and directors acknowledge the crucial role of the screenplay, yet the film script has received little academic attention until recently, even though the screenplay has been in existence since the end of the 19th century. Analysing the Screenplay highlights the screenplay as an important form in itself, as opposed to merely being the first stage of the production process. It explores a number of possible approaches to studying the screenplay, considering the depth and breadth of the subject area, including: the history and early development of the screenplay in the United States, France and Britain the process of screenplay writing and its peculiar relationship to film production the assumption that the screenplay is standardised in form and certain stories or styles are universal the range of writing outside the mainstream, from independent film to story ideas in Bhutanese film production to animation possible critical approaches to analysing the screenplay. Analysing the Screenplay is a comprehensive anthology, offering a global selection of contributions from internationally renowned, specialist authors. Together they provide readers with an insight into this fascinating yet complex written form. This anthology will be of interest to undergraduate and postgraduate students on a range of Film Studies courses, particularly those on scriptwriting.