Cinema

Author: Philip Kemp
Publisher:
ISBN: 9780500289471
Category : Motion picture producers and directors
Languages : en
Pages : 0

Book Description
Cinema: The Whole Story takes a close look at the key time periods, genres and key works in world cinema. It places the burgeoning world of cinema in the context of social and cultural developments that have taken place since its beginnings. Organized chronologically, the book traces the evolution of cinematic development, from the earliest days of film projection to the multiscreen cinemas and super-technology of today. Illustrated, in-depth text charts every genre of cinema, from the first silent films to epic blockbusters, CGI graphics and groundbreaking effects of the 21st century. Cinema: The Whole Story is an indispensable book for all those who love watching and reading about films and who want to understand more about the world of cinema.

Cinema

Author: Philip Kemp
Publisher:
ISBN: 9780500295274
Category : Motion pictures
Languages : en
Pages : 576

The Cinema of George Lucas

Author: Marcus Hearn
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 274

Book Description
Destined to be the classic illustrated survey of Lucas's career, the book is sure to fascinate not only die-hard fans but also general film and popular culture enthusiasts.

The Movie Book

Author: DK
Publisher: Penguin
ISBN: 1465450629
Category : Performing Arts
Languages : en
Pages : 781

Book Description
Learn about the visual and performing arts in The Movie Book. Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about Movies in this overview guide to the subject, great for beginners looking to learn and experts wishing to refresh their knowledge alike! The Movie Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Movies, with: - More than 100 of the best movies ever made worldwide - Packed with facts, charts, timelines and graphs to help explain core concepts - A visual approach to big subjects with striking illustrations and graphics throughout - Easy to follow text makes topics accessible for people at any level of understanding The Movie Book is the perfect introduction to the rich history of cinema like never before - from the golden age of black-and-white films to international art-house and 21st-century sci-fi, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Here you’ll discover more than 100 of the best movies ever made, uncovering the key themes and big ideas behind the world's most celebrated cinematic gems. Your Movie Questions, Simply Explained This book brings cinema to life with iconic quotes and film stills, posters, biographies of directors, actors, and actresses, along with narrative timelines and infographics exploring key themes. If you thought it was difficult to learn about the best cinematic masterpieces, The Movie Book presents key information in an easy to follow layout. Learn everything about your favorite movies, as well as celebrated classics and the films to watch before you die, through iconic quotes and stills, posters, biographies, memorabilia and narrative timelines, through fantastic mind maps and step-by-step summaries. The Big Ideas Series With millions of copies sold worldwide, The Movie Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.

Nixon at the Movies

Author: Mark Feeney
Publisher: University of Chicago Press
ISBN: 0226239683
Category : Biography & Autobiography
Languages : en
Pages : 437

Book Description
Publisher Description

What Is Japanese Cinema?

Author: Yomota Inuhiko
Publisher: Columbia University Press
ISBN: 0231549482
Category : Performing Arts
Languages : en
Pages : 305

Book Description
What might Godzilla and Kurosawa have in common? What, if anything, links Ozu’s sparse portraits of domestic life and the colorful worlds of anime? In What Is Japanese Cinema? Yomota Inuhiko provides a concise and lively history of Japanese film that shows how cinema tells the story of Japan’s modern age. Discussing popular works alongside auteurist masterpieces, Yomota considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in its historical, technological, and global contexts. Yomota shows how Japanese film has been shaped by traditonal art forms such as kabuki theater as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry’s rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Yomota provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography. An incisive and opinionated history, What Is Japanese Cinema? is essential reading for admirers and students of Japan’s contributions to the world of film.

The Cinema of Ang Lee

Author: Whitney Crothers Dilley
Publisher: Columbia University Press
ISBN: 0231538499
Category : Performing Arts
Languages : en
Pages : 245

Book Description
Born in Taiwan, Ang Lee is one of cinema's most versatile and daring directors. His ability to cut across cultural, national, and sexual boundaries has given him recognition in all corners of the world, the ability to work with complete artistic freedom whether inside or outside of Hollywood, and two Academy Awards for Best Director. He has won astounding critical acclaim for Crouching Tiger, Hidden Dragon (2000), which transformed the status of martial arts films across the globe, Brokeback Mountain (2005), which challenged the reception and presentation of homosexuality in mainstream cinema, and Life of Pi (2012), Lee's first use of groundbreaking 3D technology and his first foray into complex spiritual themes. In this volume, the only full-length study of Lee's work, Whitney Crothers Dilley analyzes all of his career to date: Lee's early Chinese trilogy films (including The Wedding Banquet, 1993, and Eat Drink Man Woman, 1994), period drama (Sense and Sensibility, 1995), martial arts (Crouching Tiger, Hidden Dragon, 2000), blockbusters (Hulk, 2003), and intimate portraits of wartime psychology, from the Confederate side of the Civil War (Ride with the Devil, 1999) to Japanese-occupied Shanghai (Lust/Caution, 2007). Dilley examines Lee's favored themes such as father/son relationships and intergenerational conflict in The Ice Storm (1997) and Taking Woodstock (2009). By looking at the beginnings of Lee's career, Dilley positions the filmmaker's work within the roots of the Taiwan New Cinema movement, as well as the larger context of world cinema. Using suggestive readings of both gender and identity, this new study not only provides a valuable academic resource but also an enjoyable read that uncovers the enormous appeal of this acclaimed director.

North Korean Cinema

Author: Johannes Schönherr
Publisher: McFarland
ISBN: 0786490527
Category : Performing Arts
Languages : en
Pages : 225

Book Description
Like many ideological dictatorships of the twentieth century, North Korea has always considered cinema an indispensible propaganda tool. No other medium penetrated the whole of the population so thoroughly, and no other medium remained so strictly and exclusively under state control. Through movies, the two successive leaders Kim Il Sung and Kim Jong Il propagandized their policies and sought to rally the masses behind them, with great success. This volume chronicles the history of North Korean cinema from its beginnings to today, examining the obstacles the film industry faced as well as the many social problems the films themselves reveal. It provides detailed analyses of major and minor films and explores important developments in the industry within the context of the concurrent social and political atmosphere. Through the lens of cinema emerges a fresh perspective on the history of North Korean politics, culture, and ideology.

The Faber Book of Mexican Cinema

Author: Jason Wood
Publisher: Faber & Faber
ISBN: 0571353789
Category : Performing Arts
Languages : en
Pages : 359

Book Description
Twelve years ago, Amores Perros erupted in the cinemas across the world and announced the arrival of Mexican film-makers. The film-makers profiled in that book have now come of age and have made a decisive impact on the international cinema scene The last few years Mexican film-makers winning the Best Director Oscars 5 times, and Best Picture 4 times: Alfonso Cuaron with Gravity and Roma. Alejandro Inarritu with Birdman and The RevenantGuillermo del Toro with The Shape of WaterThis revised edition of The Faber Book of Mexican Cinema brings this astounding story up to date, as well as profiling the next generation, waiting in the wings.

Live Cinema and Its Techniques

Author: Francis Ford Coppola
Publisher: Liveright Publishing
ISBN: 1631493736
Category : Performing Arts
Languages : en
Pages : 171

Book Description
From a master of cinema comes this “gold mine of a book . . . a rocket ride to the potential future” of filmmaking (Walter Murch). Celebrated as an “exhilarating account” of a revolutionary new medium (Booklist), Francis Ford Coppola’s indispensable guide to live cinema is a boon for moviegoers, film students, and teachers alike. As digital movie-making, like live sports, can now be performed by one director—or by a collaborative team online— it is only a matter of time before cinema auteurs will create “live” movies to be broadcast instantly in faraway theaters. “Peppered with brilliant personal observations” (Wendy Doniger), Live Cinema and Its Techniques offers a behind-the-scenes look at a consummate career: from Coppola’s formative boyhood obsession with live 1950s television shows and later attempts to imitate the spontaneity of live performance on set, the book usefully includes a guide to presenting state-of-the-art techniques on everything from rehearsals to equipment. A testament to Coppola’s prodigious enthusiasm for reinvigorating the form, Live Cinema is an indispensable guide that “reenergizes . . . the search for a new way of storytelling” (William Friedkin).