Author: John Fahey
Publisher: Drag City
ISBN:
Category : Fiction
Languages : en
Pages : 312
Book Description
John Fahey is feared and revered around the world as a guitar player and composer. His inventions for acoustic and electric strings are the stuff of legend. Known for his finger-picking finesse, Fahey's pen has the same world-gobbling ferocity as his guitar. Fahey's collection of short stories defy classification - part memoir, part personal essay, part fiction, part manifesto. It is a collection that makes an explosive selection of his work available for public consumption. What else is there to say, except 'Grab your ankles, dear readers. It's kingdom time!'
Vampire Vultures
Author: John Fahey
Publisher:
ISBN: 9780965618373
Category : Literary Collections
Languages : en
Pages : 0
Book Description
Vampire Vultures is an unexpected gift from the late music legend John Fahey. Originally a project of his own conception, it was to be an epic work that would expand on many of the character and experiences he introduced in How Bluegrass Music Destroyed My Life (2000). It is a unique volume that allows the reader to walk deep into the mind of its creator. Compiled from his private papers, it includes notebook entries, short stories, letters never sent, revealing the struggles and victories of a cult icon's life in modern America.
Publisher:
ISBN: 9780965618373
Category : Literary Collections
Languages : en
Pages : 0
Book Description
Vampire Vultures is an unexpected gift from the late music legend John Fahey. Originally a project of his own conception, it was to be an epic work that would expand on many of the character and experiences he introduced in How Bluegrass Music Destroyed My Life (2000). It is a unique volume that allows the reader to walk deep into the mind of its creator. Compiled from his private papers, it includes notebook entries, short stories, letters never sent, revealing the struggles and victories of a cult icon's life in modern America.
Dance of Death
Author:
Publisher: Chicago Review Press
ISBN: 1613745192
Category : Music
Languages : en
Pages : 252
Book Description
John Fahey hovers ghostlike in the sound of almost every acoustic guitarist who came after him. He was to the solo acoustic guitar what Hendrix was to the electric: the man whom all subsequent musicians had to listen to. Fahey made more than forty albums between 1959 and his death in 2001, fusing folk, blues, and experimental composition, taking familiar American sounds and making them new. Yet Fahey’s life and art remain largely unexamined. His memoir and liner notes were largely fiction. His real story has never been told—until now. Journalist Steve Lowenthal has spent years talking with Fahey’s producers, friends, peers, wives, business partners, and many others. He describes how Fahey introduced pre-war blues to a broader public; how his independent label, Takoma, set new standards; how he battled his demons, including stage fright, alcohol, and prescription pills; how he ended up homeless and mentally unbalanced; and how, despite his troubles, he managed to found a new record label, Revenant, that won Grammys and remains critically revered. This portrait of a troubled and troubling man in a constant state of creative flux is not only a biography, but also the compelling story of a great American outcast. Steve Lowenthal started and ran the music magazine Swingset; his writing has also been published in Fader, Spin, Vice, and the Village Voice. He lives in New York City. David Fricke is a senior editor at Rolling Stone magazine.
Publisher: Chicago Review Press
ISBN: 1613745192
Category : Music
Languages : en
Pages : 252
Book Description
John Fahey hovers ghostlike in the sound of almost every acoustic guitarist who came after him. He was to the solo acoustic guitar what Hendrix was to the electric: the man whom all subsequent musicians had to listen to. Fahey made more than forty albums between 1959 and his death in 2001, fusing folk, blues, and experimental composition, taking familiar American sounds and making them new. Yet Fahey’s life and art remain largely unexamined. His memoir and liner notes were largely fiction. His real story has never been told—until now. Journalist Steve Lowenthal has spent years talking with Fahey’s producers, friends, peers, wives, business partners, and many others. He describes how Fahey introduced pre-war blues to a broader public; how his independent label, Takoma, set new standards; how he battled his demons, including stage fright, alcohol, and prescription pills; how he ended up homeless and mentally unbalanced; and how, despite his troubles, he managed to found a new record label, Revenant, that won Grammys and remains critically revered. This portrait of a troubled and troubling man in a constant state of creative flux is not only a biography, but also the compelling story of a great American outcast. Steve Lowenthal started and ran the music magazine Swingset; his writing has also been published in Fader, Spin, Vice, and the Village Voice. He lives in New York City. David Fricke is a senior editor at Rolling Stone magazine.
Blind Joe Death's America
Author: George Henderson
Publisher: UNC Press Books
ISBN: 1469660792
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
For over sixty years, American guitarist John Fahey (1939–2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns. Fahey voraciously consumed ideas: in the classroom, the counterculture, the civil rights struggle, the new left; through his study of philosophy, folklore, African American blues; and through his experience with psychoanalysis and southern paternalism. From these, he produced a profoundly and unexpectedly refracted vision of America. To read Fahey is to vicariously experience devastating critical energies and self-soothing uncertainty, passions emerging from a singular location—the place where lone, white rebel sentiment must regard the rebellion of others. Henderson shows the nuance, contradictions, and sometimes brilliance of Fahey's words that, though they were never sung to a tune, accompanied his music.
Publisher: UNC Press Books
ISBN: 1469660792
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
For over sixty years, American guitarist John Fahey (1939–2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns. Fahey voraciously consumed ideas: in the classroom, the counterculture, the civil rights struggle, the new left; through his study of philosophy, folklore, African American blues; and through his experience with psychoanalysis and southern paternalism. From these, he produced a profoundly and unexpectedly refracted vision of America. To read Fahey is to vicariously experience devastating critical energies and self-soothing uncertainty, passions emerging from a singular location—the place where lone, white rebel sentiment must regard the rebellion of others. Henderson shows the nuance, contradictions, and sometimes brilliance of Fahey's words that, though they were never sung to a tune, accompanied his music.
I'd Rather Be the Devil
Author: Stephen Calt
Publisher: Chicago Review Press
ISBN: 1556527462
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
Skip James (1902–1969) was perhaps the most creative and idiosyncratic of all blues musicians. Drawing on hundreds of hours of conversations with James himself, Stephen Calt here paints a dark and unforgettable portrait of a man untroubled by his own murderous inclinations, a man who achieved one moment of transcendent greatness in a life haunted by failure. And in doing so, Calt offers new insights into the nature of the blues, the world in which it thrived, and its fate when that world vanished.
Publisher: Chicago Review Press
ISBN: 1556527462
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
Skip James (1902–1969) was perhaps the most creative and idiosyncratic of all blues musicians. Drawing on hundreds of hours of conversations with James himself, Stephen Calt here paints a dark and unforgettable portrait of a man untroubled by his own murderous inclinations, a man who achieved one moment of transcendent greatness in a life haunted by failure. And in doing so, Calt offers new insights into the nature of the blues, the world in which it thrived, and its fate when that world vanished.
The Life and Music of Booker "Bukka" White
Author: David W. Johnson
Publisher: Univ. Press of Mississippi
ISBN: 1496853458
Category : Biography & Autobiography
Languages : en
Pages : 208
Book Description
Booker “Bukka” White (1905–1977) was one of the most important blues musicians of the twentieth century. The twelve songs he recorded in Chicago in 1940 are considered to be among the finest in country blues. In The Life and Music of Booker “Bukka” White: Recalling the Blues, David W. Johnson traces the trajectory of White’s life from his early years in Chickasaw and Grenada Counties, Mississippi, through his imprisonment in the notorious Mississippi State Penal Farm in the late 1930s, to making a new life for himself in Memphis, Tennessee. For years only a name on old 78 records—and believed by some to be dead—White was “rediscovered” by John Fahey and ED Denson in the summer of 1963. He went on to have a productive second career, playing venues and festivals throughout the United States and in Canada, and touring Europe and Great Britain with the American Folk Blues Festival. In 1975, he was invited to Bremen, Germany, for a solo concert that was released as his final album. In July 1976, the author interviewed White shortly before his discharge from a Massachusetts hospital where he was recovering from a stroke. After spending eight days in the intensive care unit and three weeks in rehabilitation, White was ready to talk about his life. Recalling stories of “slavery time,” White told the author, “. . . some of the [formerly enslaved] guys were wise enough to hold that in their head where they could tell a young pants, where it would go down in history, you know. Just like you doing that now—something happen to you, somebody else will carry that on.” The product of years of research, The Life and Music of Booker “Bukka” White is the first full-length biography of this remarkable country blues performer. Interviewing those who knew White, including his second cousin B. B. King, Johnson has written a detailed and sometimes surprising account of how a young Black man born in the first decade of the twentieth century—the grandson of a slave—found a way to rise above his circumstances and maintain a decades-long career as a musician.
Publisher: Univ. Press of Mississippi
ISBN: 1496853458
Category : Biography & Autobiography
Languages : en
Pages : 208
Book Description
Booker “Bukka” White (1905–1977) was one of the most important blues musicians of the twentieth century. The twelve songs he recorded in Chicago in 1940 are considered to be among the finest in country blues. In The Life and Music of Booker “Bukka” White: Recalling the Blues, David W. Johnson traces the trajectory of White’s life from his early years in Chickasaw and Grenada Counties, Mississippi, through his imprisonment in the notorious Mississippi State Penal Farm in the late 1930s, to making a new life for himself in Memphis, Tennessee. For years only a name on old 78 records—and believed by some to be dead—White was “rediscovered” by John Fahey and ED Denson in the summer of 1963. He went on to have a productive second career, playing venues and festivals throughout the United States and in Canada, and touring Europe and Great Britain with the American Folk Blues Festival. In 1975, he was invited to Bremen, Germany, for a solo concert that was released as his final album. In July 1976, the author interviewed White shortly before his discharge from a Massachusetts hospital where he was recovering from a stroke. After spending eight days in the intensive care unit and three weeks in rehabilitation, White was ready to talk about his life. Recalling stories of “slavery time,” White told the author, “. . . some of the [formerly enslaved] guys were wise enough to hold that in their head where they could tell a young pants, where it would go down in history, you know. Just like you doing that now—something happen to you, somebody else will carry that on.” The product of years of research, The Life and Music of Booker “Bukka” White is the first full-length biography of this remarkable country blues performer. Interviewing those who knew White, including his second cousin B. B. King, Johnson has written a detailed and sometimes surprising account of how a young Black man born in the first decade of the twentieth century—the grandson of a slave—found a way to rise above his circumstances and maintain a decades-long career as a musician.
Gathering of the Tribe
Author: Mark Goodall
Publisher: SCB Distributors
ISBN: 1909394076
Category : Music
Languages : en
Pages : 427
Book Description
This is a fascinating overview of music's intriguing and enduring relationship with the dark side. Much of the music discussed in Gathering Of The Tribe deals with the special power of sound and tone. Frank Zappa may have said that ‘writing about music is like dancing about architecture,’ but this book explains how music can - or for a moment believed it could - move mountains. It is a matter of record that over the centuries composers and musicians have been consistently inspired by the occult. Few music lovers can fail to have been intrigued by the rumours of magick and mysticism that surround many of their favourite albums. In chapters that cover the different musical styles, from jazz through folk, rock, pop, noise and experimental forms, Gathering Of The Tribe sketches a fascinating overview of this provocative and enduring relationship with heavy conscious creation, offering en route a guide to the ultimate occult record collection, ranging from the Beatles to the Stones, Led Zeppelin to Nick Cave, Captain Beefheart to the Wu Tang Clan, Debussy to Throbbing Gristle, Charles Manson, Barbara the Gray Witch, Coven and more.
Publisher: SCB Distributors
ISBN: 1909394076
Category : Music
Languages : en
Pages : 427
Book Description
This is a fascinating overview of music's intriguing and enduring relationship with the dark side. Much of the music discussed in Gathering Of The Tribe deals with the special power of sound and tone. Frank Zappa may have said that ‘writing about music is like dancing about architecture,’ but this book explains how music can - or for a moment believed it could - move mountains. It is a matter of record that over the centuries composers and musicians have been consistently inspired by the occult. Few music lovers can fail to have been intrigued by the rumours of magick and mysticism that surround many of their favourite albums. In chapters that cover the different musical styles, from jazz through folk, rock, pop, noise and experimental forms, Gathering Of The Tribe sketches a fascinating overview of this provocative and enduring relationship with heavy conscious creation, offering en route a guide to the ultimate occult record collection, ranging from the Beatles to the Stones, Led Zeppelin to Nick Cave, Captain Beefheart to the Wu Tang Clan, Debussy to Throbbing Gristle, Charles Manson, Barbara the Gray Witch, Coven and more.
Mystery Train
Author: Greil Marcus
Publisher: Penguin
ISBN: 110166164X
Category : Music
Languages : en
Pages : 1525
Book Description
Now Available as an eBook Catch a train to the heart of rock ‘n’ roll with this essential study of the quintessential American art form. First published in 1975, Greil Marcus’ Mystery Train remains a benchmark study of rock ‘n’ roll and a classic in the field of music criticism. Focusing on six key artists--Robert Johnson, Harmonica Frank, Randy Newman, the Band, Sly Stone, and Elvis Presley--Marcus explores the evolution and impact of rock ‘n’ roll and its unique place in American culture. This sixth edition of Mystery Train includes an updated and rewritten Notes and Discographies section, exploring the evolution and continuing impact of the recordings featured in the book.
Publisher: Penguin
ISBN: 110166164X
Category : Music
Languages : en
Pages : 1525
Book Description
Now Available as an eBook Catch a train to the heart of rock ‘n’ roll with this essential study of the quintessential American art form. First published in 1975, Greil Marcus’ Mystery Train remains a benchmark study of rock ‘n’ roll and a classic in the field of music criticism. Focusing on six key artists--Robert Johnson, Harmonica Frank, Randy Newman, the Band, Sly Stone, and Elvis Presley--Marcus explores the evolution and impact of rock ‘n’ roll and its unique place in American culture. This sixth edition of Mystery Train includes an updated and rewritten Notes and Discographies section, exploring the evolution and continuing impact of the recordings featured in the book.
The Bohemian South
Author: Shawn Chandler Bingham
Publisher: UNC Press Books
ISBN: 1469631687
Category : Social Science
Languages : en
Pages : 357
Book Description
From the southern influence on nineteenth-century New York to the musical legacy of late-twentieth-century Athens, Georgia, to the cutting-edge cuisines of twenty-first-century Asheville, North Carolina, the bohemian South has long contested traditional views of the region. Yet, even as the fruits of this creative South have famously been celebrated, exported, and expropriated, the region long was labeled a cultural backwater. This timely and illuminating collection uses bohemia as a novel lens for reconsidering more traditional views of the South. Exploring wide-ranging locales, such as Athens, Austin, Black Mountain College, Knoxville, Memphis, New Orleans, and North Carolina's Research Triangle, each essay challenges popular interpretations of the South, while highlighting important bohemian sub- and countercultures. The Bohemian South provides an important perspective in the New South as an epicenter for progress, innovation, and experimentation. Contributors include Scott Barretta, Shawn Chandler Bingham, Jaime Cantrell, Jon Horne Carter, Alex Sayf Cummings, Lindsey A. Freeman, Grace E. Hale, Joanna Levin, Joshua Long, Daniel S. Margolies, Chris Offutt, Zandria F. Robinson, Allen Shelton, Daniel Cross Turner, Zackary Vernon, and Edward Whitley.
Publisher: UNC Press Books
ISBN: 1469631687
Category : Social Science
Languages : en
Pages : 357
Book Description
From the southern influence on nineteenth-century New York to the musical legacy of late-twentieth-century Athens, Georgia, to the cutting-edge cuisines of twenty-first-century Asheville, North Carolina, the bohemian South has long contested traditional views of the region. Yet, even as the fruits of this creative South have famously been celebrated, exported, and expropriated, the region long was labeled a cultural backwater. This timely and illuminating collection uses bohemia as a novel lens for reconsidering more traditional views of the South. Exploring wide-ranging locales, such as Athens, Austin, Black Mountain College, Knoxville, Memphis, New Orleans, and North Carolina's Research Triangle, each essay challenges popular interpretations of the South, while highlighting important bohemian sub- and countercultures. The Bohemian South provides an important perspective in the New South as an epicenter for progress, innovation, and experimentation. Contributors include Scott Barretta, Shawn Chandler Bingham, Jaime Cantrell, Jon Horne Carter, Alex Sayf Cummings, Lindsey A. Freeman, Grace E. Hale, Joanna Levin, Joshua Long, Daniel S. Margolies, Chris Offutt, Zandria F. Robinson, Allen Shelton, Daniel Cross Turner, Zackary Vernon, and Edward Whitley.