Author: Todd McGowan Publisher: Columbia University Press ISBN: 9780231139557 Category : Biography & Autobiography Languages : en Pages : 284
Book Description
Todd McGowan studies Lynch's talent for blending the bizarre and the normal to emphasise the odd nature of normality itself. In Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.
Author: Dennis Lim Publisher: Houghton Mifflin Harcourt ISBN: 0544343751 Category : Biography & Autobiography Languages : en Pages : 197
Book Description
Part of James Atlas's Icons series, a revealing look at the life and work of David Lynch, one of the most enigmatic and influential filmmakers of our time
Author: David Lynch Publisher: Random House ISBN: 0399589201 Category : Biography & Autobiography Languages : en Pages : 580
Book Description
NEW YORK TIMES BESTSELLER • An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family “Insightful . . . an impressively industrious and comprehensive account of Lynch’s career.”—The New York Times Book Review In this unique hybrid of biography and memoir, David Lynch opens up for the first time about a life lived in pursuit of his singular vision, and the many heartaches and struggles he’s faced to bring his unorthodox projects to fruition. Lynch’s lyrical, intimate, and unfiltered personal reflections riff off biographical sections written by close collaborator Kristine McKenna and based on more than one hundred new interviews with surprisingly candid ex-wives, family members, actors, agents, musicians, and colleagues in various fields who all have their own takes on what happened. Room to Dream is a landmark book that offers a onetime all-access pass into the life and mind of one of our most enigmatic and utterly original living artists. With insights into . . . Eraserhead The Elephant Man Dune Blue Velvet Wild at Heart Twin Peaks Twin Peaks: Fire Walk with Me Lost Highway The Straight Story Mulholland Drive INLAND EMPIRE Twin Peaks: The Return Praise for Room to Dream “A memorable portrait of one of cinema’s great auteurs . . . provides a remarkable insight into [David] Lynch’s intense commitment to the ‘art life.’ ”—The Guardian “This is the best book by and about a movie director since Elia Kazan’s A Life (1988) and Michael Powell’s A Life in Movies (1986). But Room to Dream is more enchanting or appealing than those classics. . . . What makes this book endearing is its chatty, calm account of how genius in America can be a matter-of-fact defiance of reality that won’t alarm your dog or save mankind. It’s the only way to dream in so disturbed a country.”—San Francisco Chronicle
Author: Todd McGowan Publisher: State University of New York Press ISBN: 0791480364 Category : Performing Arts Languages : en Pages : 268
Book Description
Winner of the 2008 Gradiva Award, Theoretical Category, presented by the National Association for the Advancement of Psychoanalysis The Real Gaze develops a new theory of the cinema by rethinking the concept of the gaze, which has long been central in film theory. Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenge the foundations of ideology. This book demonstrates several distinct cinematic forms that vary in terms of how the gaze functions within the films. Through a detailed investigation of directors such as Orson Welles, Claire Denis, Stanley Kubrick, Spike Lee, Federico Fellini, Ron Howard, Steven Spielberg, Andrei Tarkovsky, Wim Wenders, and David Lynch, McGowan explores the political, cultural, and existential ramifications of these differing roles of the gaze.
Author: David Breskin Publisher: Da Capo Press ISBN: Category : Performing Arts Languages : en Pages : 432
Book Description
Over the last two years, Breskin interviewed seven of contemporary filmmaking's greatest directors--David Lynch, Francis Ford Coppola, Oliver Stone, Spike Lee, David Cronenberg, Tim Burton and Robert Altman. Here they discuss the role of women in their films, the relationship of politics to art, their styles and philosophies, and more.
Author: Mark Allyn Stewart Publisher: AuthorHouse ISBN: 1434349861 Category : Art Languages : en Pages : 144
Book Description
What does it all mean? Surely all of those red curtains, strobe lights and dancing dwarfs we keep seeing in David Lynch's films must mean something, right? Well actually, they do. In fact, not only do they mean something, they're all interconnected. Reading these symbols is the key to understanding not just David Lynch's films individually, but his body of work as a whole. Journey with author Mark Allyn Stewart as he travels film by film to let you in on the larger tapestry that Lynch is weaving and shows you how works such as Twin Peaks, Blue Velvet and Mulholland Dr. are all pieces of a larger picture.
Author: Tess Little Publisher: Ballantine Books ISBN: 0593238079 Category : Fiction Languages : en Pages : 337
Book Description
A glamorous birthday dinner in the Hollywood Hills ends with the famous host dead and every guest under suspicion in The Last Guest, a dark, cinematic suspense debut reminiscent of an Agatha Christie page-turner crossed with David Lynch's Mulholland Drive. “The Last Guest is a sharp, unshrinking look at the costs of submission—to power and control, to ambition and desire, even to the wish to protect those we love by forcing memory underground.”—Paula McLain, author of The Paris Wife and When the Stars Go Dark When Elspeth Bell attends the fiftieth birthday party of her ex-husband, Richard Bryant, the Hollywood director who launched her acting career, all she wants is to pass unnoticed through the glamorous crowd in his sprawling Los Angeles mansion. Instead, there are only seven other guests—and Richard's pet octopus, Persephone, watching over them from her tank as the intimate party grows more surreal (and rowdy) by the hour. Come morning, Richard is dead—and all of the guests are suspects. In the weeks that follow, each guest comes under suspicion: the school friend, the studio producer, the actress, the actor, the new partner, the manager, the cinematographer, and even Elspeth herself. What starts out as a locked-room mystery soon reveals itself to be much more complicated, as dark stories from Richard's past surface, colliding with memories of their marriage that Elspeth vowed never to revisit. She begins to wonder not just who killed Richard, but why these eight guests were invited—and what sort of man would desire to possess a creature as mysterious and unsettling as Persephone. The Last Guest is a stylish exploration of power—the power of memory, the power of perception, the power of one person over another.
Author: William Devlin Publisher: University Press of Kentucky ISBN: 0813133963 Category : Performing Arts Languages : en Pages : 258
Book Description
From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland Drive (2001). Lynch creates a new reality for both characters and audience by focusing on the individual and embracing existentialism. In The Philosophy of David Lynch, editors William J. Devlin and Shai Biderman have compiled an impressive list of contributors to explore the philosophy at the core of the filmmaker’s work. Lynch is examined as a postmodern artist, and the themes of darkness, logic, and time are discussed in depth. Other prominent issues in Lynch’s films, such as Bad faith and freedom, ethics, politics, and religion, are also considered. Investigating myriad aspects of Lynch’s influential and innovative work, The Philosophy of David Lynch provides a fascinating look at the philosophical underpinnings of the famous cult director.
Author: Martha Nochimson Publisher: University of Texas Press ISBN: 0292722958 Category : Performing Arts Languages : en Pages : 296
Book Description
Beginning with Lost Highway, director David Lynch “swerved” in a new direction, one in which very disorienting images of the physical world take center stage in his films. Seeking to understand this unusual emphasis in his work, noted Lynch scholar Martha Nochimson engaged Lynch in a long conversation of unprecedented openness, during which he shared his vision of the physical world as an uncertain place that masks important universal realities. He described how he derives this vision from the Holy Vedas of the Hindu religion, as well as from his layman’s fascination with modern physics. With this deep insight, Nochimson forges a startlingly original template for analyzing Lynch’s later films—the seemingly unlikely combination of the spiritual landscape envisioned in the Holy Vedas and the material landscape evoked by quantum mechanics and relativity. In David Lynch Swerves, Nochimson navigates the complexities of Lost Highway, The Straight Story, Mulholland Drive, and Inland Empire with uncanny skill, shedding light on the beauty of their organic compositions; their thematic critiques of the immense dangers of modern materialism; and their hopeful conceptions of human potential. She concludes with excerpts from the wide-ranging interview in which Lynch discussed his vision with her, as well as an interview with Columbia University physicist David Albert, who was one of Nochimson’s principal tutors in the discipline of quantum physics.
Author: James D. Reid Publisher: Rowman & Littlefield ISBN: 1498555942 Category : Philosophy Languages : en Pages : 281
Book Description
Agency and Imagination in the Films of David Lynch: Philosophical Perspectives offers a sustained philosophical interpretation of the filmmaker’s work in light of classic and contemporary discussions of human agency and the complex relations between our capacity to act and our ability to imagine. With the help of the pathological characters that so often leave their unforgettable mark on Lynch’s films, this book reveals several important ways in which human beings fail to achieve fuller embodiments of agency or seek substitute satisfactions in spaces of fantasy. In keeping with Lynch’s penchant for unconventional narrative techniques, James D. Reid and Candace R. Craig explore the possibility, scope, and limits of the very idea of agency itself and what it might be like to renounce concepts of agency altogether in the interpretation and depiction of human life. In a series of interlocking readings of eight feature-length films and Twin Peaks: The Return that combine suggestive philosophical analysis with close attention to cinematic detail, Reid and Craig make a convincing case for the importance of David Lynch’s work in the philosophical examination of agency, the vagaries of the human imagination, and the relevance of film for the philosophy of human action. Scholars of film studies and philosophy will find this book particularly useful.
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Author: Todd McGowan
Author: Dennis Lim
Author: David Lynch
Author: Todd McGowan
Author: David Breskin
Author: Mark Allyn Stewart
Author: Tess Little
Author: William Devlin
Author: Martha Nochimson
Author: James D. Reid