Author: Jonathan Rosenbaum Publisher: University of Chicago Press ISBN: 0226726657 Category : Biography & Autobiography Languages : en Pages : 409
Book Description
This book gathers examples of the author's criticism from the span of his writing career, each of which demonstrates his passion for the way we view movies, as well as how we write about them.
Author: Jonathan Rosenbaum Publisher: JHU Press ISBN: 0801878403 Category : Performing Arts Languages : en Pages : 468
Book Description
A cogent and provocative argument about the art of film, Essential Cinema is a fiercely independent reference book of must-see movies for film lovers everywhere.
Author: Jonathan Rosenbaum Publisher: Univ of California Press ISBN: 0520086333 Category : Performing Arts Languages : en Pages : 347
Book Description
"Once or twice a generation a film critic comes along who expands or even redefines how we talk about the medium. Jonathan Rosenbaum is one of these figures."—Alan Williams, author of Republic of Images
Author: Mehrnaz Saeed-Vafa Publisher: University of Illinois Press ISBN: 0252050533 Category : Performing Arts Languages : en Pages : 265
Book Description
Before his death in 2016, Abbas Kiarostami wrote or directed more than thirty films in a career that mirrored Iranian cinema's rise as an international force. His 1997 feature Taste of Cherry made him the first Iranian filmmaker to win the Palme d'Or at Cannes. Critics' polls continue to place Close-Up (1990) and Through the Olive Trees (1994) among the masterpieces of world cinema. Yet Kiarostami's naturalistic impulses and winding complexity made him one of the most divisive—if influential—filmmakers of his time. In this expanded second edition, award-winning Iranian filmmaker Mehrnaz Saeed-Vafa and film critic Jonathan Rosenbaum renew their illuminating cross-cultural dialogue on Kiarostami's work. The pair chart the filmmaker's late-in-life turn toward art galleries, museums, still photography, and installations. They also bring their distinct but complementary perspectives to a new conversation on the experimental film Shirin. Finally, Rosenbaum offers an essay on watching Kiarostami at home while Saeed-Vafa conducts a deeply personal interview with the director on his career and his final feature, Like Someone in Love.
Author: Jonathan Rosenbaum Publisher: Chicago Review Press ISBN: 1556529937 Category : Social Science Languages : en Pages : 242
Book Description
Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever—we just can't see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times's coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.
Author: Mary M. Wiles Publisher: University of Illinois Press ISBN: 0252093720 Category : Performing Arts Languages : en Pages : 202
Book Description
As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets. His films, including Paris nous appartient, Out 1: Noli me tangere, Céline et Julie vont en bateau--Phantom Ladies Over Paris, La belle noiseuse, Secret défense, and Va savoir are extraordinary combinations of intellectual depth, playfulness, and sensuous beauty. In this study of Rivette, Mary M. Wiles provides a thorough account of the director's career from the burgeoning French New Wave to the present day, focusing on the theatricality of Rivette's films and his explorations of the relationship between cinema and fine arts such as painting, literature, music, and dance. Wiles also explores the intellectual interests that shaped Rivette's approach to film, including Sartre's existentialism, Barthes's structuralism, and the radical theater of the 1960s. The volume concludes with Wiles's insightful interview with Rivette.
Author: Jonathan Rosenbaum Publisher: University of Illinois Press ISBN: 0252050908 Category : Performing Arts Languages : en Pages : 361
Book Description
Godard. Fuller. Rivette. Endfield. Tarr. In his celebrated career as a film critic, Jonathan Rosenbaum has undertaken wide-ranging dialogues with many of the most daring and important auteurs of our time. Cinematic Encounters collects more than forty years of interviews that embrace Rosenbaum's vision of film criticism as a collaboration involving multiple voices. Rosenbaum accompanies Orson Welles on a journey back to Heart of Darkness, the unmade film meant to be Welles's Hollywood debut. Jacques Tati addresses the primacy of décor and soundtrack in his comedic masterpiece PlayTime, while Jim Jarmusch explains the influence of real and Hollywoodized Native Americans in Dead Man. By arranging the chapters chronologically, Rosenbaum invites readers to pursue thematic threads as if the discussions were dialogues between separate interviews. The result is a rare gathering of filmmakers trading thoughts on art and process, on great works and false starts, and on actors and intimate moments.
Author: Jinhee Choi Publisher: Wesleyan University Press ISBN: 0819569860 Category : Performing Arts Languages : en Pages : 264
Book Description
For the past decade, the Korean film industry has enjoyed a renaissance. With innovative storytelling and visceral effects, Korean films not only have been commercially viable in the domestic and regional markets but also have appealed to cinephiles everywhere on the international festival circuit. This book provides both an industrial and an aesthetic account of how the Korean film industry managed to turn an economic crisis—triggered in part by globalizing processes in the world film industry—into a fiscal and cultural boom. Jinhee Choi examines the ways in which Korean film production companies, backed by affluent corporations and venture capitalists, concocted a variety of winning production trends. Through close analyses of key films, Choi demonstrates how contemporary Korean cinema portrays issues immediate to its own Korean audiences while incorporating the transnational aesthetics of Hollywood and other national cinemas such as Hong Kong and Japan. Appendices include data on box office rankings, numbers of films produced and released, market shares, and film festival showings.
Author: Richard I. Suchenski Publisher: Oxford University Press ISBN: 0190274123 Category : Performing Arts Languages : en Pages : 337
Book Description
Projections of Memory is an exploration of a body of innovative cinematic works that utilize their extraordinary scope to construct monuments to the imagination that promise profound transformations of vision, selfhood, and experience. This form of cinema acts as a nexus through which currents from the other arts can interpenetrate. By examining the strategies of these projects in relation to one another and to the larger historical forces that shape them--tracing the shifts and permutations of their forms and aspirations--Projections of Memory remaps film history around some of its most ambitious achievements and helps to clarify the stakes of cinema as a twentieth-century art form.
Proudly powered by WordPress |
Theme: Rits Blog by Crimson Themes.
Author: Jonathan Rosenbaum
Author: Jonathan Rosenbaum
Author: Jonathan Rosenbaum
Author: Jonathan Rosenbaum
Author: Mehrnaz Saeed-Vafa
Author: Jonathan Rosenbaum
Author: Mary M. Wiles
Author: Jonathan Rosenbaum
Author: Jinhee Choi
Author: Richard I. Suchenski