Author: Dr. SeussPublisher: Random House Books for Young Readers
ISBN: 0394800818
Category : Juvenile Nonfiction
Languages : en
Pages : 63
Book Description
Gerald tells of the very unusual animals he would add to the zoo, if he were in charge.
Edinburgh Companion to the Arab Novel in English
Author: Nouri GanaPublisher: Edinburgh University Press
ISBN: 0748685553
Category : Literary Criticism
Languages : en
Pages : 516
Book Description
The novel is a largely imported European genre, coming relatively late to the history of Arab letters. It should therefore perhaps come as no surprise that the first novel to have been written by an Arab was written in English (Ameen Rihani's The Book of Khalid, 1911). However, subsequent years saw the flourishing of, first, Arabic novels, then the Francophone Arab novel. Only in the last two decades has the Anglophone Arab novel experienced a second coming, and it is this re-emergence of literary activity that is the focus of this collection. Opening up the field of diasporic Anglo Arab literature to critical debate, the Companion presents a range of critical responses and pedagogical approaches to the Anglo Arab novel. It offers both classroom-friendly essays and critically sophisticated analyses, bringing together original critical studies of the major Anglo Arab novelists from established and emerging scholars in the field.
Author: ʻAbd al-Raḥmān Munīf
Author: Stories From the Center of the World
Author: Jordan ElgrablyPublisher: City Lights Books
ISBN: 0872869083
Category : Fiction
Languages : en
Pages : 252
Book Description
One of The Millions Most Anticipated Books for Spring! Featured in Alta Magazine's Top Books for May! Short stories from 25 emerging and established writers of Middle Eastern and North African origins, a unique collection of voices and viewpoints that illuminate life in the global Arab/Muslim world. "Provocative and subtle, nuanced and surprising, these stories demonstrate how this complicated and rich region might best be approached—through the power of literature."—Viet Thanh Nguyen, author of The Committed Stories from the Center of the World gathers new writing from the greater Middle East (or SWANA), a vast region that stretches from Southwest Asia, through the Middle East and Turkey, and across Northern Africa. The 25 authors included here come from a wide range of cultures and countries, including Palestine, Syria, Pakistan, Iran, Lebanon, Egypt, and Morocco, to name some. In “Asha and Haaji,” Hanif Kureishi takes up the cause of outsiders who become uprooted when war or disaster strikes and they flee for safe haven. In Nektaria Anastasiadou’s “The Location of the Soul According to Benyamin Alhadeff,” two students in Istanbul from different classes — and religions that have often been at odds with one another — believe they can overcome all obstacles. MK Harb’s story, “Counter Strike,” is about queer love among Beiruti adolescents; and Salar Abdoh’s “The Long Walk of the Martyrs” invites us into the world of former militants, fighters who fought ISIS or Daesh in Iraq and Syria, who are having a hard time readjusting to civilian life. In “Eleazar,” Karim Kattan tells an unexpected Palestinian story in which the usual antagonists — Israeli occupation forces — are mostly absent, while another malevolent force seems to overtake an unsuspecting family. Omar El Akkad’s “The Icarist” is a coming-of-age story about the underworld in which illegal immigrants are forced to live, and what happens when one dares to break away. Contributors include: Salar Abdoh, Leila Aboulela, Farah Ahamed, Omar El Akkad, Sarah AlKahly-Mills, Nektaria Anastasiadou, Amany Kamal Eldin, Jordan Elgrably, Omar Foda, May Haddad, Danial Haghighi, Malu Halasa, MK Harb, Alireza Iranmehr, Karim Kattan, Hanif Kureishi, Ahmed Salah Al-Mahdi, Diary Marif, Tariq Mehmood, Sahar Mustafah, Mohammed Al-Naas, Ahmed Naji, Mai Al-Nakib, Abdellah Taia, and Natasha Tynes
Arab Mass Media
Author: William A. RughPublisher: Bloomsbury Publishing USA
ISBN: 0313067856
Category : Social Science
Languages : en
Pages : 280
Book Description
Since September 11, 2001, and the wars in Afghanistan and Iraq, many television viewers in the United States have become familiar with Al Jazeera as offering an alternative take on events from that presented by mainstream U.S. media, as well as disseminating anti-American invective. Westerners have tended toward simplistic views of Arab newspapers, radio, and television, assuming that they are all under government control and that freedom of press is non-existent. William A. Rugh, a long time observer of the Arab mass media, offers a more nuanced picture of the Arab press as it relates to the political situation in the Arab world today. Although governmental influence over the media is stronger in the Middle East than in Europe or the United States, Rugh argues that there is more diversity in the Arab media than most people in the West realize. In reality, the Arab media are coming to reflect the diversity and wide range of opinions of those within the Arab world itself. In particular, the advent of privately owned Arab satellite television in the 1990s has led to significant liberalization of the media throughout the region. Rugh concludes that a democracy of ideas and voices is slowly growing in the Arab world, and he remains guardedly optimistic about the positive role the Arab media can play in processes of democratization and nation-building.
The Guardians of Erum and the Calamitous Child of Socotra
Author: A. Ali Hasan AliPublisher: A. Ali Hasan Ali
ISBN: 9948344545
Category : Fiction
Languages : en
Pages : 311
Book Description
Pursued by a powerful jinn master and a mysterious sect of occultists, Fada sets out across the lush and unforgiving ancient Arabian Peninsula on a quest to rescue his son. Legend has it that the sacrifice of a calamitous child, a child born under the Serpent-Neck star, can bring about the end of the world. Born under the Serpent-Neck star himself, jinn master Behas has sought out and killed many calamitous children to avert the destruction they portend. His next target is a boy named Dileel, the newborn son of a date farmer outside the great city of Erum. However, his plans are foisted when an occultist apprentice interferes to save the boy, and in the resulting confusion, Dileel is abducted by an unknown force. Determined to rescue his son, the humble date farmer Fada must leave behind everything he knows, enlisting powerful allies and risking his life on an unforgettable journey.
101 Middle Eastern Tales and Their Impact on Western Oral Tradition
Author: Ulrich MarzolphPublisher: Wayne State University Press
ISBN: 0814347754
Category : Literary Criticism
Languages : en
Pages : 729
Book Description
A comprehensive exploration of the Middle Eastern roots of Western narrative tradition. Against the methodological backdrop of historical and comparative folk narrative research, 101 Middle Eastern Tales and Their Impact on Western Oral Tradition surveys the history, dissemination, and characteristics of over one hundred narratives transmitted to Western tradition from or by the Middle Eastern Muslim literatures (i.e., authored written works in Arabic, Persian, and Ottoman Turkish). For a tale to be included, Ulrich Marzolph considered two criteria: that the tale originates from or at least was transmitted by a Middle Eastern source, and that it was recorded from a Western narrator's oral performance in the course of the nineteenth or twentieth century. The rationale behind these restrictive definitions is predicated on Marzolph's main concern with the long-lasting effect that some of the "Oriental" narratives exercised in Western popular tradition—those tales that have withstood the test of time. Marzolph focuses on the originally "Oriental" tales that became part and parcel of modern Western oral tradition. Since antiquity, the "Orient" constitutes the quintessential Other vis-à-vis the European cultures. While delineation against this Other served to define and reassure the Self, the "Orient" also constituted a constant source of fascination, attraction, and inspiration. Through oral retellings, numerous tales from Muslim tradition became an integral part of European oral and written tradition in the form of learned treatises, medieval sermons, late medieval fabliaux, early modern chapbooks, contemporary magazines, and more. In present times, when national narcissisms often acquire the status of strongholds delineating the Us against the Other, it is imperative to distinguish, document, visualize, and discuss the extent to which the West is not only indebted to the Muslim world but also shares common features with Muslim narrative tradition. 101 Middle Eastern Tales and Their Impact on Western Oral Tradition is an important contribution to this debate and a vital work for scholars, students, and readers of folklore and fairy tales.
Author: Laughter in Occupied Palestine
Author: Chrisoula LionisPublisher: Bloomsbury Publishing
ISBN: 0857727818
Category : Art
Languages : en
Pages : 256
Book Description
Though the current political situation in Palestine is more serious than ever, contemporary Palestinian art and film is becoming, paradoxically, increasingly funny.In Laughter in Occupied Palestine, Chrisoula Lionis analyses both the impetus behind this shift toward laughter and its consequences, arguing that laughter comes as a response to political uncertainty and the decline in nationalist hope. Revealing the crucial role of laughter in responding to the failure of the peace process and ongoing occupation, she unearths the potential of humour to facilitate understanding and empathy in a time of division. This is the first book to provide a combined overview of Palestinian art and film, showing the ways in which both art forms have developed in response to critical moments in Palestinian history over the last century. These key moments, Lionis argues, have radically transformed contemporary Palestinian collective identity and in turn Palestinian cultural output. Mapping these critical junctions - beginning with the Balfour Declaration of 1917 to the Oslo Accords in 1993 - she explores the historical trajectory of Palestinian art and film, and explains how to the failure of the peace process has led to the present proliferation of humour in Palestinian visual culture.
