Author: John Langshaw Austin
Publisher: Oxford University Press
ISBN: 019824553X
Category : Language and languages
Languages : en
Pages : 181
Book Description
This work sets out Austin's conclusions in the field to which he directed his main efforts for at least the last ten years of his life. Starting from an exhaustive examination of his already well-known distinction between performative utterances and statements, Austin here finally abandons that distinction, replacing it with a more general theory of 'illocutionary forces' of utterances which has important bearings on a wide variety of philosophicalproblems.
How to Do Things with Pornography
Author: Nancy Bauer
Publisher: Harvard University Press
ISBN: 0674286499
Category : Philosophy
Languages : en
Pages : 230
Book Description
Feminist philosophers have made important strides in altering the overwhelmingly male-centric discipline of philosophy. Yet, in Nancy Bauer’s view, most are still content to work within theoretical frameworks that are fundamentally false to human beings’ everyday experiences. This is particularly intolerable for a species of philosophy whose central aspiration is to make the world a less sexist place. How to Do Things with Pornography models a new way to write philosophically about pornography, women’s self-objectification, hook-up culture, and other contemporary phenomena. Unafraid to ask what philosophy contributes to our lives, Bauer argues that the profession’s lack of interest in this question threatens to make its enterprise irrelevant. Bauer criticizes two paradigmatic models of Western philosophizing: the Great Man model, according to which philosophy is the product of rare genius; and the scientistic model, according to which a community of researchers works together to discover once-and-for-all truths. The philosopher’s job is neither to perpetuate the inevitably sexist trope of the philosopher-genius nor to “get things right.” Rather, it is to compete with the Zeitgeist and attract people to the endeavor of reflecting on their settled ways of perceiving and understanding the world. How to Do Things with Pornography boldly enlists J. L. Austin’s How to Do Things with Words, showing that it should be read not as a theory of speech acts but as a revolutionary conception of what philosophers can do in the world with their words.
Publisher: Harvard University Press
ISBN: 0674286499
Category : Philosophy
Languages : en
Pages : 230
Book Description
Feminist philosophers have made important strides in altering the overwhelmingly male-centric discipline of philosophy. Yet, in Nancy Bauer’s view, most are still content to work within theoretical frameworks that are fundamentally false to human beings’ everyday experiences. This is particularly intolerable for a species of philosophy whose central aspiration is to make the world a less sexist place. How to Do Things with Pornography models a new way to write philosophically about pornography, women’s self-objectification, hook-up culture, and other contemporary phenomena. Unafraid to ask what philosophy contributes to our lives, Bauer argues that the profession’s lack of interest in this question threatens to make its enterprise irrelevant. Bauer criticizes two paradigmatic models of Western philosophizing: the Great Man model, according to which philosophy is the product of rare genius; and the scientistic model, according to which a community of researchers works together to discover once-and-for-all truths. The philosopher’s job is neither to perpetuate the inevitably sexist trope of the philosopher-genius nor to “get things right.” Rather, it is to compete with the Zeitgeist and attract people to the endeavor of reflecting on their settled ways of perceiving and understanding the world. How to Do Things with Pornography boldly enlists J. L. Austin’s How to Do Things with Words, showing that it should be read not as a theory of speech acts but as a revolutionary conception of what philosophers can do in the world with their words.
How Words Make Things Happen
Author: David Bromwich
Publisher: Oxford University Press
ISBN: 0191081965
Category : Literary Criticism
Languages : en
Pages : 130
Book Description
Sooner or later, our words take on meanings other than we intended. How Words Make Things Happen suggests that the conventional idea of persuasive rhetoric (which assumes a speaker's control of calculated effects) and the modern idea of literary autonomy (which assumes that 'poetry makes nothing happen') together have produced a misleading account of the relations between words and human action. Words do make things happen. But they cannot be counted on to produce the result they intend. This volume studies examples from a range of speakers and writers and offers close readings of their words. Chapter 1 considers the theory of speech-acts propounded by J.L. Austin. 'Speakers Who Convince Themselves' is the subject of chapter 2, which interprets two soliloquies by Shakespeare's characters and two by Milton's Satan. The oratory of Burke and Lincoln come in for extended treatment in chapter 3, while chapter 4 looks at the rival tendencies of moral suasion and aestheticism in the poetry of Yeats and Auden. The final chapter, a cause of controversy when first published in the London Review of Books, supports a policy of unrestricted free speech against contemporary proposals of censorship. Since we cannot know what our own words are going to do, we have no standing to justify the banishment of one set of words in favour of another.
Publisher: Oxford University Press
ISBN: 0191081965
Category : Literary Criticism
Languages : en
Pages : 130
Book Description
Sooner or later, our words take on meanings other than we intended. How Words Make Things Happen suggests that the conventional idea of persuasive rhetoric (which assumes a speaker's control of calculated effects) and the modern idea of literary autonomy (which assumes that 'poetry makes nothing happen') together have produced a misleading account of the relations between words and human action. Words do make things happen. But they cannot be counted on to produce the result they intend. This volume studies examples from a range of speakers and writers and offers close readings of their words. Chapter 1 considers the theory of speech-acts propounded by J.L. Austin. 'Speakers Who Convince Themselves' is the subject of chapter 2, which interprets two soliloquies by Shakespeare's characters and two by Milton's Satan. The oratory of Burke and Lincoln come in for extended treatment in chapter 3, while chapter 4 looks at the rival tendencies of moral suasion and aestheticism in the poetry of Yeats and Auden. The final chapter, a cause of controversy when first published in the London Review of Books, supports a policy of unrestricted free speech against contemporary proposals of censorship. Since we cannot know what our own words are going to do, we have no standing to justify the banishment of one set of words in favour of another.
How to Do Things with Books in Victorian Britain
Author: Leah Price
Publisher: Princeton University Press
ISBN: 0691159548
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
Publisher: Princeton University Press
ISBN: 0691159548
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
How to Do Things with Dead People
Author: Alice Dailey
Publisher: Cornell University Press
ISBN: 1501763679
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
How to Do Things with Dead People studies human contrivances for representing and relating to the dead. Alice Dailey takes as her principal objects of inquiry Shakespeare's English history plays, describing them as reproductive mechanisms by which living replicas of dead historical figures are regenerated in the present and re-killed. Considering the plays in these terms exposes their affinity with a transhistorical array of technologies for producing, reproducing, and interacting with dead things—technologies such as literary doppelgängers, photography, ventriloquist puppetry, X-ray imaging, glitch art, capital punishment machines, and cloning. By situating Shakespeare's historical drama in this intermedial conversation, Dailey challenges conventional assumptions about what constitutes the context of a work of art and contests foundational models of linear temporality that inform long-standing conceptions of historical periodization and teleological order. Working from an eclectic body of theories, pictures, and machines that transcend time and media, Dailey composes a searching exploration of how the living use the dead to think back and look forward, to rule, to love, to wish and create.
Publisher: Cornell University Press
ISBN: 1501763679
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
How to Do Things with Dead People studies human contrivances for representing and relating to the dead. Alice Dailey takes as her principal objects of inquiry Shakespeare's English history plays, describing them as reproductive mechanisms by which living replicas of dead historical figures are regenerated in the present and re-killed. Considering the plays in these terms exposes their affinity with a transhistorical array of technologies for producing, reproducing, and interacting with dead things—technologies such as literary doppelgängers, photography, ventriloquist puppetry, X-ray imaging, glitch art, capital punishment machines, and cloning. By situating Shakespeare's historical drama in this intermedial conversation, Dailey challenges conventional assumptions about what constitutes the context of a work of art and contests foundational models of linear temporality that inform long-standing conceptions of historical periodization and teleological order. Working from an eclectic body of theories, pictures, and machines that transcend time and media, Dailey composes a searching exploration of how the living use the dead to think back and look forward, to rule, to love, to wish and create.
Efficacité / Efficacy
Author: Véronique Plesch
Publisher: Rodopi
ISBN: 9401200734
Category : Art
Languages : fr
Pages : 308
Book Description
Preliminary Material -- Introduction /Béatrice Fraenkel -- Summaries: Résumés -- L'image “Bible des pauvres”, du postulat grégorien au mythe romantique, l'efficacité d'un argument fondateur /Isabelle Saint-Martin -- La production d'un sens nouveau: images et rubriques face au texte dramatique dans les manuscrits médiévaux /Corneliu Dragomirescu -- (In)efficacy of Words and Images in Sixteenth-Century Franciscan Missions in Mesoamerica: Semiotic Features and Cultural Consequences /Massimo Leone -- Versailles and Its Others: Efficacy and the Arts in the Absolutist Agenda /Eric T. Haskell -- Royal Inefficacy: Pastoral Subversions in the Scenes of Versailles /James J. Yoch -- L'impact de la représentation iconique dans l'économie de l'écriture autobiographique de Stendhal /Maria Ignez Mena Barreto -- Après Mallarmé: l'héritage du Coup de dés dans l'avant-garde poétique française des années dix /Serge Linares -- Ekphrasis in the Presence of the Image: Inger Christensen on Painting and Jørgen Leth on Film /Anna Estera Mrozewicz -- Showing/Telling: The Social and Medial Context of a Malleable Notion /Matthijs Engelberts -- L'intensification du lieu: la puissance expressive de la saturation ornementale /Thomas Golsenne -- Efficacités de la caricature: Georges Bigot et le salon des beaux-arts à l'Exposition intérieure de Kyoto en 1895 /Shigeru Oikawa -- Absence/Presence: The Efficacy of Text, Image, and Space at the 1937 Exposition internationale /Kate Kangaslahti -- L'œuvre comme dispositif réflexif dans l'art d'Alfredo Jaar, de 1979 à 1986 /Danielle Leenaerts -- La censure dans l'image--des images de la censure: l'Index des livres interdits /Bernward Schmidt -- De l'efficacité des images érotiques à l'efficience érotique des œuvres /Bernard Vouilloux -- Érotique de l'effondrement scénique: efficacité sadienne de l'image /Stéphane Lojkine -- Improper Appearances: Censorship and the Carriage Scene in Madame Bovary /William Olmsted -- Manet's Realism and the Erotic Gaze: Photography, Pornography, and Censorship /Lauren S. Weingarden -- Contributeurs -- Index.
Publisher: Rodopi
ISBN: 9401200734
Category : Art
Languages : fr
Pages : 308
Book Description
Preliminary Material -- Introduction /Béatrice Fraenkel -- Summaries: Résumés -- L'image “Bible des pauvres”, du postulat grégorien au mythe romantique, l'efficacité d'un argument fondateur /Isabelle Saint-Martin -- La production d'un sens nouveau: images et rubriques face au texte dramatique dans les manuscrits médiévaux /Corneliu Dragomirescu -- (In)efficacy of Words and Images in Sixteenth-Century Franciscan Missions in Mesoamerica: Semiotic Features and Cultural Consequences /Massimo Leone -- Versailles and Its Others: Efficacy and the Arts in the Absolutist Agenda /Eric T. Haskell -- Royal Inefficacy: Pastoral Subversions in the Scenes of Versailles /James J. Yoch -- L'impact de la représentation iconique dans l'économie de l'écriture autobiographique de Stendhal /Maria Ignez Mena Barreto -- Après Mallarmé: l'héritage du Coup de dés dans l'avant-garde poétique française des années dix /Serge Linares -- Ekphrasis in the Presence of the Image: Inger Christensen on Painting and Jørgen Leth on Film /Anna Estera Mrozewicz -- Showing/Telling: The Social and Medial Context of a Malleable Notion /Matthijs Engelberts -- L'intensification du lieu: la puissance expressive de la saturation ornementale /Thomas Golsenne -- Efficacités de la caricature: Georges Bigot et le salon des beaux-arts à l'Exposition intérieure de Kyoto en 1895 /Shigeru Oikawa -- Absence/Presence: The Efficacy of Text, Image, and Space at the 1937 Exposition internationale /Kate Kangaslahti -- L'œuvre comme dispositif réflexif dans l'art d'Alfredo Jaar, de 1979 à 1986 /Danielle Leenaerts -- La censure dans l'image--des images de la censure: l'Index des livres interdits /Bernward Schmidt -- De l'efficacité des images érotiques à l'efficience érotique des œuvres /Bernard Vouilloux -- Érotique de l'effondrement scénique: efficacité sadienne de l'image /Stéphane Lojkine -- Improper Appearances: Censorship and the Carriage Scene in Madame Bovary /William Olmsted -- Manet's Realism and the Erotic Gaze: Photography, Pornography, and Censorship /Lauren S. Weingarden -- Contributeurs -- Index.
Speech Acts in Literature
Author: Joseph Hillis Miller
Publisher: Stanford University Press
ISBN: 0804742162
Category : Literary Criticism
Languages : en
Pages : 253
Book Description
This book demonstrates the presence of literature within speech act theory and the utility of speech act theory in reading literary works. Though the founding text of speech act theory, J. L. Austin's How to Do Things with Words, repeatedly expels literature from the domain of felicitous speech acts, literature is an indispensable presence within Austin's book. It contains many literary references but also uses as essential tools literary devices of its own: imaginary stories that serve as examples and imaginary dialogues that forestall potential objections. How to Do Things with Words is not the triumphant establishment of a fully elaborated theory of speech acts, but the story of a failure to do that, the story of what Austin calls a "bogging down." After an introductory chapter that explores Austin's book in detail, the two following chapters show how Jacques Derrida and Paul de Man in different ways challenge Austin's speech act theory generally and his expulsion of literature specifically. Derrida shows that literature cannot be expelled from speech actsrather that what he calls "iterability" means that any speech act may be literature. De Man asserts that speech act theory involves a radical dissociation between the cognitive and positing dimensions of language, what Austin calls language's "constative" and "performative" aspects. Both Derrida and de Man elaborate new speech act theories that form the basis of new notions of responsible and effective politico-ethical decision and action. The fourth chapter explores the role of strong emotion in effective speech acts through a discussion of passages in Derrida, Wittgenstein, and Austin. The final chapter demonstrates, through close readings of three passages in Proust, the way speech act theory can be employed in an illuminating way in the accurate reading of literary works.
Publisher: Stanford University Press
ISBN: 0804742162
Category : Literary Criticism
Languages : en
Pages : 253
Book Description
This book demonstrates the presence of literature within speech act theory and the utility of speech act theory in reading literary works. Though the founding text of speech act theory, J. L. Austin's How to Do Things with Words, repeatedly expels literature from the domain of felicitous speech acts, literature is an indispensable presence within Austin's book. It contains many literary references but also uses as essential tools literary devices of its own: imaginary stories that serve as examples and imaginary dialogues that forestall potential objections. How to Do Things with Words is not the triumphant establishment of a fully elaborated theory of speech acts, but the story of a failure to do that, the story of what Austin calls a "bogging down." After an introductory chapter that explores Austin's book in detail, the two following chapters show how Jacques Derrida and Paul de Man in different ways challenge Austin's speech act theory generally and his expulsion of literature specifically. Derrida shows that literature cannot be expelled from speech actsrather that what he calls "iterability" means that any speech act may be literature. De Man asserts that speech act theory involves a radical dissociation between the cognitive and positing dimensions of language, what Austin calls language's "constative" and "performative" aspects. Both Derrida and de Man elaborate new speech act theories that form the basis of new notions of responsible and effective politico-ethical decision and action. The fourth chapter explores the role of strong emotion in effective speech acts through a discussion of passages in Derrida, Wittgenstein, and Austin. The final chapter demonstrates, through close readings of three passages in Proust, the way speech act theory can be employed in an illuminating way in the accurate reading of literary works.
How to Do Philosophy with Words
Author: Jesús Navarro
Publisher: John Benjamins Publishing Company
ISBN: 9027266042
Category : Philosophy
Languages : en
Pages : 245
Book Description
Nowadays philosophy is characterized by such heterogeneous intellectual practices that its very unity and coherence seem endangered. What is especially disconcerting is that most authors manage to largely ignore the very existence of methodological positions radically different from their own. Fortunately, there have been exceptions, and the present volume focuses on one of them: the failed debate that took place between John Searle and Jacques Derrida. This book thoroughly analyses that exchange, contextualizing it within the respective philosophical traditions of the two thinkers, with the general aim of turning their dispute into what it was not: a respectful, sensible and fruitful controversy. This episode is thus taken as an opportunity to reflect on the peculiar nature of philosophy as an intellectual practice, and to discuss some of its main themes: language as an instrument for communication, the intentionality of consciousness, and difference as a constitutive element of every text.
Publisher: John Benjamins Publishing Company
ISBN: 9027266042
Category : Philosophy
Languages : en
Pages : 245
Book Description
Nowadays philosophy is characterized by such heterogeneous intellectual practices that its very unity and coherence seem endangered. What is especially disconcerting is that most authors manage to largely ignore the very existence of methodological positions radically different from their own. Fortunately, there have been exceptions, and the present volume focuses on one of them: the failed debate that took place between John Searle and Jacques Derrida. This book thoroughly analyses that exchange, contextualizing it within the respective philosophical traditions of the two thinkers, with the general aim of turning their dispute into what it was not: a respectful, sensible and fruitful controversy. This episode is thus taken as an opportunity to reflect on the peculiar nature of philosophy as an intellectual practice, and to discuss some of its main themes: language as an instrument for communication, the intentionality of consciousness, and difference as a constitutive element of every text.
John Searle's Philosophy of Language
Author: Savas L. Tsohatzidis
Publisher: Cambridge University Press
ISBN: 9780521685344
Category : Philosophy
Languages : en
Pages : 308
Book Description
This is a volume of original essays on key aspects of John Searle's philosophy of language. It examines Searle's work in relation to current issues of central significance, including internalism versus externalism about mental and linguistic content, truth-conditional versus non-truth-conditional conceptions of content, the relative priorities of thought and language in the explanation of intentionality, the status of the distinction between force and sense in the theory of meaning, the issue of meaning scepticism in relation to rule-following, and the proper characterization of 'what is said' in relation to the semantics/pragmatics distinction. Written by a distinguished team of contemporary philosophers, and prefaced by an illuminating essay by Searle, the volume aims to contribute to a deeper understanding of Searle's work in philosophy of language, and to suggest innovative approaches to fundamental questions in that area.
Publisher: Cambridge University Press
ISBN: 9780521685344
Category : Philosophy
Languages : en
Pages : 308
Book Description
This is a volume of original essays on key aspects of John Searle's philosophy of language. It examines Searle's work in relation to current issues of central significance, including internalism versus externalism about mental and linguistic content, truth-conditional versus non-truth-conditional conceptions of content, the relative priorities of thought and language in the explanation of intentionality, the status of the distinction between force and sense in the theory of meaning, the issue of meaning scepticism in relation to rule-following, and the proper characterization of 'what is said' in relation to the semantics/pragmatics distinction. Written by a distinguished team of contemporary philosophers, and prefaced by an illuminating essay by Searle, the volume aims to contribute to a deeper understanding of Searle's work in philosophy of language, and to suggest innovative approaches to fundamental questions in that area.