The Performance of 16th-Century Music

The Performance of 16th-Century Music PDF Author: Anne Smith
Publisher: Oxford University Press
ISBN: 0199793085
Category : Music
Languages : en
Pages : 257

Book Description
Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period. She takes readers through the significance of part-book notation; solmization; rhythmic flexibility; and elements of structure in relation to rhetoric of the time; while familiarizing them with contemporary criteria and standards of excellence for performance. Through The Performance of 16th-Century Music, today's musicians will gain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest, most glorious potential.

The Performance of 16th-Century Music

The Performance of 16th-Century Music PDF Author: Anne Smith
Publisher: OUP USA
ISBN: 0199742626
Category : Music
Languages : en
Pages : 257

Book Description
Modern musical training tends to focus primarily on performance practices of the Classical and Romantic periods, and most performers come to the music of the Renaissance with well-honed but anachronistic ideas and concepts. As a result, elemental differences between 16th-century repertoire and that of later epochs tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music offers a remedy for the performer, presenting the information and guidance that will enable them to better understand the music and advance their technical and expressive abilities. Drawing from nearly 40 years of performing, teaching, and studying this repertoire and its theoretical sources, renowned early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period. She takes the reader through part-books and choirbooks; solmization; rhythmic inequality; and elements of structure in relation to rhetoric of the time; while familiarizing them with contemporary criteria and standards of excellence for performance. Through The Performance of 16th-Century Music, today's musicians will gain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest and glorious potential.

Studies in the Printing, Publishing and Performance of Music in the 16th Century

Studies in the Printing, Publishing and Performance of Music in the 16th Century PDF Author: Stanley Boorman
Publisher:
ISBN: 9781003418733
Category : HISTORY
Languages : en
Pages : 0

Book Description
The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manuscript) was perceived, and used in performance. This series of close studies of the structure and content of 16th-century and early 17th-century editions (and some manuscripts) of music draws conclusions in a number of areas - printing techniques for music; the habits of different type-setters and scribes, and their view of performing practice; publishers' approaches to the musical market and its abilities and interests; apparent changes of plan in preparing editions; questions of authorship; evidence in editions and manuscripts for interpreting different levels of notation; ways in which scribes could influence performers' decisions, and others by which composers could exploit unusual sonorities.

Luis Milán on Sixteenth-Century Performance Practice

Luis Milán on Sixteenth-Century Performance Practice PDF Author: Luis Gasser
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 240

Book Description
". . . valuable . . . impressive . . ." —The Times Literary Supplement "For anyone interested in Milán's music, this is an excellent source of information." —Renaissance Quarterly Luis Milán (1536-1561) was a lutenist, singer, composer, and poet. His collection of lute tablatures, El Maestro, is the first book of instrumental music known to have been printed in Spain. Luis Gásser discusses Milán's attention to modality, his use of meter, and the ornamentation in his songs and fantasías.

A Performer's Guide to Seventeenth-Century Music

A Performer's Guide to Seventeenth-Century Music PDF Author: Stewart Carter
Publisher: Indiana University Press
ISBN: 0253005280
Category : Music
Languages : en
Pages : 558

Book Description
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.

Women and Music in Sixteenth-Century Ferrara

Women and Music in Sixteenth-Century Ferrara PDF Author: Laurie Stras
Publisher: Cambridge University Press
ISBN: 1107154073
Category : Music
Languages : en
Pages : 417

Book Description
Rethinks and retells the history of music in sixteenth-century Ferrara, putting women, of the court and convent, at the narrative centre.

A Performer's Guide to Renaissance Music, Second Edition

A Performer's Guide to Renaissance Music, Second Edition PDF Author: Jeffery Kite-Powell
Publisher: Indiana University Press
ISBN: 0253348668
Category : Music
Languages : en
Pages : 498

Book Description
Vocal/choral issues. The solo voice in the Renaissance / Ellen Hargis ; On singing and the vocal ensemble I / Alexander Blachly ; On singing and the vocal ensemble II / Alejandro Planchart ; Practical matters of vocal performance / Anthony Rooley -- Wind, string, and percussion instruments. Recorder ; Renaissance flute / Herbert Myers ; Capped double reeds : crumhorn--Kortholt--Schreierpfeif / Jeffery Kite-Powell ; Shawm and curtal / Ross Duffin ; Racket : rackett, Rankett (Ger.), cervelas (Fr.), cervello (It.) / Jeffery Kite-Powell ; Bagpipe / Adam Knight Gilbert ; Cornett / Douglas Kirk ; Sackbut / Stewart Carter -- Bowed instruments / Wendy Gillespie -- The violin / David Douglass -- Plucked instruments / Paul O'Dette -- The harp / Herbert Myers -- Early percussion / Benjamin Harms -- Keyboard instruments / Jack Ashworth -- Practical considerations/instrumentation. Proto-continuo / Jack Ashworth and Paul O'Dette ; Mixed ensembles / James Tyler ; Large ensembles / Jeffery Kite-Powell ; Rehearsal tips for directors / Adam Knight Gilbert ; Performance editions / Frederick Gable -- Performance practice. Tuning and temperament / Ross Duffin ; Pitch and transposition / Herbert Myers ; Ornamentation in sixteenth-century music / Bruce Dickey ; Pronunciation guides / Ross Duffin -- Aspects of theory. Eight brief rules for composing a si placet altus, ca. 1470-1510 / Adam Knight Gilbert ; Renaissance theory / Sarah Mead -- Introduction to Renaissance dance. Early Renaissance dance, 1450-1520 / Yvonne Kendall -- For the early music director. Starting from scratch / Jeffery Kite-Powell.

Music and Women of the Commedia dell' Arte

Music and Women of the Commedia dell' Arte PDF Author: Anne MacNeil
Publisher: Liturgical Press
ISBN: 9780198166894
Category : Music
Languages : en
Pages : 470

Book Description
Music and the Commedia dell'Arte narrates the story of the most famous commedia dell'arte troupe of the late Renaissance, focusing in particular on the representation of women on stage and on the role of music-making in their craft. In its thorough integration of the fields of music history,theatre history, performance studies, women's studies and Classics, this is the first comprehensive analysis of the leading actresses of the Compagnia dei Gelosi and their contributions to the Renaissance stage. Including an extensive survey of documents concerning comedians, their patrons,colleagues and audiences, Music and the Commedia dell'Arte provides a rich context for the study of musical-theatrical performance before the advent of opera and re-defines our perceptions of women, music and theatre in the Renaissance.

Renaissance Music

Renaissance Music PDF Author: Kenneth Kreitner
Publisher: Routledge
ISBN: 1351551469
Category : Music
Languages : en
Pages : 545

Book Description
We know what, say, a Josquin mass looks like?but what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.

Studies in the Printing, Publishing and Performance of Music in the 16th Century

Studies in the Printing, Publishing and Performance of Music in the 16th Century PDF Author: Stanley Boorman
Publisher: Taylor & Francis
ISBN: 1000939154
Category : History
Languages : en
Pages : 330

Book Description
The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manuscript) was perceived, and used in performance. This series of close studies of the structure and content of 16th-century and early 17th-century editions (and some manuscripts) of music draws conclusions in a number of areas - printing techniques for music; the habits of different type-setters and scribes, and their view of performing practice; publishers' approaches to the musical market and its abilities and interests; apparent changes of plan in preparing editions; questions of authorship; evidence in editions and manuscripts for interpreting different levels of notation; ways in which scribes could influence performers' decisions, and others by which composers could exploit unusual sonorities.
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