Author: John Beckwith Publisher: ISBN: Category : Art, Carolingian Languages : en Pages : 286
Book Description
Beginning with the coronation of Charlemagne as Emperor of the West in A.D. 800, John Beckwith guides us through the architecture, painting, sculpture, illuminations and ivories of the three great periods of early medieval art. The Ottonian period, perhaps best known for the great center of art and craftsmanship attached to the court, presented an artistic style which had developed from early Christian and Carolingian sources--a style which was the gateway to the great artistic revival in the eleventh and twelfth centuries--the Romanesque period.
Author: Benjamin Anderson Publisher: Yale University Press ISBN: 0300219164 Category : Art Languages : en Pages : 213
Book Description
In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states--the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.
Author: William J. Diebold Publisher: Routledge ISBN: 9780367314026 Category : Art and society Languages : en Pages : 176
Book Description
This up-to-date, reliable introductory account and interpretation of early medieval art combines art, history, and ideas from around 600 to 1050. Diebold describes diversity and complexity of early medieval art by examining the relationship of word and image. The concept of word and image is broad enough to encompass the Anglo-Saxon art and oral cu
Author: Marilyn Stokstad Publisher: Routledge ISBN: 0429974663 Category : Art Languages : en Pages : 1000
Book Description
This book teaches the reader how to look at medieval art–which aspects of architecture, sculpture, or painting are important and for what reasons. It includes the art and building of what is now Western Europe from the second to the fifteenth centuries.
Author: R. A. Stalley Publisher: Oxford University Press, USA ISBN: 9780192842237 Category : Architecture Languages : en Pages : 276
Book Description
Drawing on new work published over the past twenty years, the author offers a history of building in Western Europe from 300 to 1200. Medieval castles, church spires, and monastic cloisters are just some of the areas covered.
Author: Colum Hourihane Publisher: Index of Christian Art Department of Art and Archeology Princeton ISBN: 9780983753704 Category : Art, Anglo-Saxon Languages : en Pages : 0
Book Description
An interdisciplinary collection of essays examining Irish and Anglo-Saxon art in the early medieval period.
Author: Carola Hicks Publisher: ISBN: Category : Art Languages : en Pages : 328
Book Description
"The depiction and symbolism of animals have always fascinated us. This book illustrates their crucial importance in medieval art from the sixth to the eleventh centuries, and describes their use in sculpture, manuscripts, embroidery and metalwork. It shows how the underlying Celtic and Germanic traditions combined with Mediterranean influences to produce a far stronger animal art in Britain than anywhere else in Europe. Here, pagan imagery and symbolism were transmuted into Christian art and teaching, and by studying animal subjects in the whole of the British Isles rather than one region in particular, the artistic links between the Picts, Anglo-Saxons and Irish gradually emerge. Placing the emphasis on the naturalist tradition as well as the characteristic interlacing forms, Animals In Early Medieval Art uncovers the origins of the fantastic beasts of the bestiary, and draws conclusions about the transmission of motifs and ideas in general."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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