Author: Charles Bouleau Publisher: Courier Corporation ISBN: 0486795500 Category : Art Languages : en Pages : 276
Book Description
Richly illustrated examination of Western visual arts shows how great masters and modern painters employed the "golden mean" and other geometrical patterns. Cult classic and essential guide for art history students.
Author: Tavis Leaf Glover Publisher: Tavis Leaf Glover ISBN: 1733761225 Category : Art Languages : en Pages : 510
Book Description
Serious visual artists can now easily understand and apply the secret geometry that masters used to create remarkable art. Superior mathematical skills aren’t required because there are hundreds of excellent step-by-step diagrams to explain everything with simplicity. Learn how the ancient and modern masters used dynamic symmetry to promote unity, movement, rhythm, and strength. These qualities, along with many others, allowed their art to have visual clarity, impact, and stand the test of time. This is an essential book for painters, photographers, sculptors, and cinematographers that hold composition and design with a high priority. For far too long, artists have been stuck with the basic tools of artistic composition, like the rule of thirds and leading lines. Unfortunately, we’re incapable of reaching the master level if all we know are the basics. Powerful tools like dynamic symmetry and other composition techniques have been kept a secret from all of us. It’s time to learn of them, push past any plateau that stands in our way, and finally unlock our true potential!
Author: Tavis Leaf Glover Publisher: Tavis Leaf Glover ISBN: 1320107699 Category : Art Languages : en Pages : 98
Book Description
There’s nothing more important to the future of your artwork than to educate and nurture the unique talent you were born to share with the world. The Canon of Design represents artistic integrity, and enables you to leave your mark on this earth as one of the most talented visual communicators ever known. Learn the language of design to stand with the great masters and reflect the beauty prominently found in nature. This field manual is written to you, for you, and will help shorten your journey to achieving artistic excellence!
Author: William V. Dunning Publisher: Syracuse University Press ISBN: 9780815625087 Category : Art Languages : en Pages : 276
Book Description
No artist, critic, or art historian disputes the importance of recording how and why our conceptions and methods of depicting pictorial space have changed from ancient to modern times, and yet no previous book has provided a comprehensive history centered around these changing images of pictorial space and the ways in which their evolution reflects ideological changes in society. Dunning traces the two thousand year evolution of the conception and the depiction of space in European (primarily Italian and French) and American painting. Unraveling one illusory image after another into their particular elements, he explains the development of new styles and images in painting as a continuous rearrangement of these basic elements. Following this progression through the Greco-Roman period, the Italian Renaissance, impressionism, and the end of modern art, the author concludes with today's postmodern concentration on linguistic aspects in painting, a change from the former emphasis on space and illusion. Changing Images of Pictorial Space, with over forty illustrations, will be of interest to a wide audience—from art historians, painters, and art educators to general readers who wish to understand more about one of the central organizing principles in all schools and periods of art.
Author: Jay Hambidge Publisher: Jepson Press ISBN: 1444688707 Category : Languages : en Pages : 196
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Mark Lamster Publisher: Anchor ISBN: 0307387356 Category : Biography & Autobiography Languages : en Pages : 346
Book Description
Although his popularity is eclipsed by Rembrandt today, Peter Paul Rubens was revered by his contemporaries as the greatest painter of his era, if not of all history. His undeniable artistic genius, bolstered by a modest disposition and a reputation as a man of tact and discretion, made him a favorite among monarchs and political leaders across Europe—and gave him the perfect cover for the clandestine activities that shaped the landscape of seventeenth-century politics. In Master of Shadows, Mark Lamster brilliantly recreates the culture, religious conflicts, and political intrigues of Rubens’s time, following the painter from Antwerp to London, Madrid, Paris, and Rome and providing an insightful exploration of Rubens’s art as well as the private passions that influenced it.
Author: Joma Sipe Publisher: Quest Books ISBN: 0835609049 Category : Body, Mind & Spirit Languages : en Pages : 130
Book Description
The visionary art of Portuguese artist Joma Sipe is all about light-not the ordinary light of day but the light of spiritual illumination, which brilliantly radiates from the over one hundred, full-color images in this stunning book. Sipe thinks of his work as sacred geometry that unites this temporal world with higher planes. Each painting thrills with the dispersion and concentration of light that seems to emanate from every line. Sipe regards it as springing from the heart of the universal Energy that shines forth in everything that exists. According to Sipe, his paintings come completely from inner inspiration. As if by their own volition, the thin silver or gold ink pen he holds will begin to move until the canvas is filled. Sipe then energizes certain points in the drawing with crystals, a process that infuses the work with spiritual intensity. Finally, he adds light and soft-color computer effects to achieve an ethereal quality. Many works in this volume are also accompanied by his mystical poetry. Since childhood, Sipe has been influenced by painters of the late nineteenth-century Symbolist Movement. He feels profoundly connected with early Theosophist H. P. Blavatsky and believes his works “not only provide an image of the nucleus of the universal brotherhood of humanity, they also mirror the laws of nature and the powers latent in humankind.” Sipe has also studied Rudolf Steiner, Eliphas Levy, G. I. Gurdieff, the contemporary Gnostics, and the spirituality of Hindu teacher Paramahansa Yogananda and Eckart Tolle, who in turn led him to A Course in Miracles. His knowledge of occult anatomy and the chakras, meditation, alchemy, and the Kabbalah contributes to the wealth of esoteric wisdom he brings to bear in his art. All helps him reflect on canvas his powerful sense of the sacred that seems to illuminate the very being of the viewer as well as of the artist and his visionary world.
Author: Robert Bork Publisher: Routledge ISBN: 1351888978 Category : History Languages : en Pages : 783
Book Description
The flowering of Gothic architecture depended to a striking extent on the use of drawing as a tool of design. By drawing precise "blueprints" with simple tools such as the compass and straightedge, Gothic draftsmen were able to develop a linearized architecture of unprecedented complexity and sophistication. Examination of their surviving drawings can provide valuable and remarkably intimate information about the Gothic design process. Gothic drawings include compass pricks, uninked construction lines, and other telltale traces of the draftsman's geometrically based working method. The proportions of the drawings, moreover, are those actually intended by the designer, uncompromised by errors introduced in the construction process. All of these features make these drawings ideal subjects for the study of Gothic design practice, but their geometry has to date received little systematic attention. This book offers a new perspective on Gothic architectural creativity. It shows, in a series of rigorous geometrical case studies, how Gothic design evolved over time, in two senses: in the hours of the draftsman's labor, and across the centuries of the late Middle Ages. In each case study, a series of computer graphics show in unprecedented detail how a medieval designer could have developed his architectural concept step by step, using only basic geometrical operations. Taken together, these analyses demonstrate both remarkable methodological continuity across the Gothic era, and the progressive development of new and sophisticated permutations on venerable design themes. This rich tradition ultimately gave way in the Renaissance not because of any inherent problem with Gothic architecture, but because the visual language of Classicism appealed more directly to the pretensions of Humanist princes than the more abstract geometrical order of Gothic design, as the book's final chapter demonstrates.
Author: Francesca Fiorani Publisher: Macmillan + ORM ISBN: 0374715297 Category : Art Languages : en Pages : 373
Book Description
"[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best." —Parul Sehgal, The New York Times | Editors' Choice An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? Historians of Renaissance art have long supposed that Leonardo became increasingly interested in science as he grew older and turned his insatiable curiosity in new directions. They have argued that there are, in effect, two Leonardos—an artist and an inventor. In this pathbreaking new interpretation, the art historian Francesca Fiorani offers a different view. Taking a fresh look at Leonardo’s celebrated but challenging notebooks, as well as other sources, Fiorani argues that Leonardo became familiar with advanced thinking about human vision when he was still an apprentice in a Florence studio—and used his understanding of optical science to develop and perfect his painting techniques. For Leonardo, the task of the painter was to capture the interior life of a human subject, to paint the soul. And even at the outset of his career, he believed that mastering the scientific study of light, shadow, and the atmosphere was essential to doing so. Eventually, he set down these ideas in a book—A Treatise on Painting—that he considered his greatest achievement, though it would be disfigured, ignored, and lost in subsequent centuries. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when that understanding was forgotten.
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Author: Charles Bouleau
Author: Tavis Leaf Glover
Author: Tavis Leaf Glover
Author: William V. Dunning
Author: Michel Jacobs
Author: Jay Hambidge
Author: Mark Lamster
Author: Joma Sipe
Author: Robert Bork
Author: Francesca Fiorani