Modern Japanese Painting Techniques

Author: Shinichi Fukui
Publisher: Tuttle Publishing
ISBN: 1462922910
Category : Art
Languages : en
Pages : 149

Book Description
This book makes it easy to create and admire wonderful Japanese-style paintings and portraits! Modern Japanese-style paintings are recognizable by their restrained use of three-dimensionality and perspective, reliance upon expressive lines, and the bold use of color to direct the viewer's eye. There are other ways that artists imbue their work with Japanese- inspired attributes, including through the skillful use of shape, texture, and facial expression. Author Shinichi Fukui introduces readers to 7 notable modern Japanese artists (Kazuo Kawakami, Chiaki Takasugi, Miho Tanaka, Ryohei Nishiyama, Jose Franky, Ryohei Murata, and Keiji Yano) who specialize in shin hanga-style portraiture of Japanese women. He then presents instructions to create 21 different original paintings--from sketching models, preparing and mixing paints, blocking in color, and rendering fine details. Using these techniques, and a bit of acrylic paint, readers will be able to create eye-catching works of art that express a timeless Japanese aesthetic.

Making Modern Japanese-Style Painting

Author: Chelsea Foxwell
Publisher: University of Chicago Press
ISBN: 022611080X
Category : Art
Languages : en
Pages : 296

Book Description
Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion.

Sumi-e

Author: Shozo Sato
Publisher: Tuttle Publishing
ISBN: 1462916287
Category : Art
Languages : en
Pages : 201

Book Description
In this Japanese ink painting book renowned Japanese master Shozo Sato offers his own personal teaching on the beautiful art of sumi-e painting. Sumi-e: The Art of Japanese Ink Painting provides step-by-step, photo-by-photo instructions to guide learners in the correct form, motions and techniques of Japanese sumi-e painting. Featuring gorgeous images and practical advice, it includes guided instructions for 35 different paintings. From waterfalls to bamboo, learners paint their way to understanding sumi-e--a style of painting that is characteristically Asian and has been practiced for well over 1,000 years. Although it's sometimes confused with calligraphy, as the tools used are the same, sumi-e instead tries to capture the essence of an object or scene in the fewest possible strokes. This all-in-one resource also provides a timeline of brush painting history, a glossary of terms, a guide to sources and an index--making it a tool to use and treasure, for amateurs and professionals alike. This sumi-e introduction is ideal for anyone with a love of Japanese art or the desire to learn to paint in a classic Asian style.

Parallel Modernism

Author: Chinghsin Wu
Publisher: University of California Press
ISBN: 0520299825
Category : Art
Languages : en
Pages : 247

Book Description
This significant historical study recasts modern art in Japan as a “parallel modernism” that was visually similar to Euroamerican modernism, but developed according to its own internal logic. Using the art and thought of prominent Japanese modern artist Koga Harue (1895–1933) as a lens to understand this process, Chinghsin Wu explores how watercolor, cubism, expressionism, and surrealism emerged and developed in Japan in ways that paralleled similar trends in the west, but also rejected and diverged from them. In this first English-language book on Koga Harue, Wu provides close readings of virtually all of the artist’s major works and provides unprecedented access to the critical writing about modernism in Japan during the 1920s and 1930s through primary source documentation, including translations of period art criticism, artist statements, letters, and journals.

Designing Nature

Author: John T. Carpenter
Publisher: Metropolitan Museum of Art
ISBN: 1588394719
Category : Art, Japanese
Languages : en
Pages : 218

Book Description
Exhibition of paintings, lacquerwork, ceramics, textiles, calligraphy, and other media all in the Rinpa style from 1600 to the present day.

Japanese Ink Painting

Author: Ryukyu Saito
Publisher: Tuttle Publishing
ISBN: 1462907229
Category : Art
Languages : en
Pages : 104

Book Description
Japanese Ink Painting: Lessons in Suiboku Technique teaches beginners the fundamental techniques of suiboku, a form of Japanese ink painting. Suiboku is considered to be a type of Japanese painting known as sumi-e. It adds water to emphasize the shading of black into gray in one brush-stroke. With origins in China and a spiritual basis in Zen Buddhism, this form of brush painting--expressing nature's colors through shades of black ink monochrome--has been enjoyed throughout the centuries in Japan as a hobby for the amateur. This Japanese painting book offers step-by-step lessons with easy-to-understand explanations through nearly 60 illustrations. The numerous photographs at the end of the book, in addition to the works of great masters in the art of suiboku, include several paintings by the author's pupils to prove what the amateur can achieve through careful observance of instructions and patient practice. As the author points out, this book is designed for the beginner, and "even the amateur can learn by himself and enjoy suiboku as a hobby."

Oriental Watercolor Techniques

Author: Frederick Wong
Publisher: Courier Corporation
ISBN: 9780486409498
Category : Art
Languages : en
Pages : 176

Book Description
How to use Asian tools, equipment and techniques to create modern paintings in the Oriental tradition. 188 illustrations provide close-up details of trees, skies, water, snow, and architecture to show how the author achieves his haunting, atmospheric effects.

Porcelain Stories

Author: Julie Emerson
Publisher:
ISBN:
Category : China
Languages : en
Pages : 330

Book Description

Ogata Kōrin

Author: Frank Feltens
Publisher: Yale University Press
ISBN: 0300256914
Category : Art
Languages : en
Pages : 242

Book Description
A lush portrait introducing one of the most important Japanese artists of the Edo period Best known for his paintings Irises and Red and White Plum Blossoms, Ogata Kōrin (1658-1716) was a highly successful artist who worked in many genres and media--including hanging scrolls, screen paintings, fan paintings, lacquer, textiles, and ceramics. Combining archival research, social history, and visual analysis, Frank Feltens situates Kōrin within the broader art culture of early modern Japan. He shows how financial pressures, client preferences, and the impulse toward personal branding in a competitive field shaped Kōrin's approach to art-making throughout his career. Feltens also offers a keen visual reading of the artist's work, highlighting the ways Kōrin's artistic innovations succeeded across media, such as his introduction of painterly techniques into lacquer design and his creation of ceramics that mimicked the appearance of ink paintings. This book, the first major study of Kōrin in English, provides an intimate and thought-provoking portrait of one of Japan's most significant artists.

Modern Japanese Art and the Meiji State

Author: Dōshin Satō
Publisher: Getty Publications
ISBN: 1606060597
Category : Art
Languages : en
Pages : 378

Book Description
This is an insightful and intelligent re-thinking of Japanese art history & its Western influences. This broad-ranging and profoundly influential analysis describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century. In the 1870-80s, artists and government administrators in Japan encountered the Western 'system of the arts' for the first time. Under pressure to exhibit and sell its artistic products abroad, Japan's new Meiji government came face-to-face with the need to create European-style art schools and museums - and even to establish Japanese words for art, painting, artist, and sculpture. "Modern Japanese Art" is a full re-conceptualization of the field of Japanese art history, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history.