Author: William ShakespearePublisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Author: William ShakespeareThis Is Shakespeare
Author: Emma SmithPublisher: Vintage
ISBN: 1524748552
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
The Taming of the Shrew
Author: William ShakespearePublisher: OUP Oxford
ISBN: 9780198392231
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
The Taming of the Shrew is a popular text for study by secondary students the world over. This edition includes illustrations, preliminary notes, reading lists and classroom notes.
As You Like It (2009 Edition)
Author: William ShakespearePublisher: OUP Oxford
ISBN: 9780198328698
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
As You Like It is a popular text for study by secondary students the world over. This edition includes illustrations, preliminary notes, reading lists (including websites) and classroom notes.
The Division of the Kingdoms
Author: Gary TaylorPublisher: Oxford University Press
ISBN: 9780198129509
Category : Technology & Engineering
Languages : en
Pages : 489
Book Description
King Lear, widely regarded as Shakespeare's greatest tragedy, survives in two substantially different early texts, the Quarto of 1608 and the First Folio of 1623. Since the 18th century, however, editors have fused these two documents to produce a third, composite text that forms the basis of all modern productions and critical interpretations. Recently scholars have begun to challenge this editorial tradition, arguing that the Quarto and Folio texts represent distinct and coherent versions of the play that should not be combined. These essays, by an international team of scholars, re-examine the early texts from a series of distinct but interlocking perspectives, in a wide-ranging discussion with profound implications for all readers of Shakespeare.
The New Oxford Shakespeare
Author: William ShakespearePublisher: Oxford University Press
ISBN: 0199591156
Category : English drama
Languages : en
Pages : 3393
Book Description
The Complete Works: Modern Critical Edition is part of the landmark New Oxford Shakespeare--an entirely new consideration of all of Shakespeare's works, edited afresh from all the surviving original versions of his work, and drawing on the latest literary, textual, and theatrical scholarship.This single illustrated volume is expertly edited to frame the surviving original versions of Shakespeare's plays, poems, and early musical scores around the latest literary, textual, and theatrical scholarship to date.
The History of King Lear, Acted at the Queens Theatre (Classic Reprint)
Author: Nahum TatePublisher: Forgotten Books
ISBN: 9780259384083
Category : Drama
Languages : en
Pages : 58
Book Description
Excerpt from The History of King Lear, Acted at the Queens Theatre And, as my Patron, thought on in my Pray ers. I eat. Away, the Bow is bent, make £10111 the Shaft. Kent. No let it fall and drench within my Heart. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Tempest (2010 edition)
Author: William ShakespearePublisher: OUP Oxford
ISBN: 9780198325000
Category : Juvenile Nonfiction
Languages : en
Pages : 0
Book Description
The Tempest is a popular text for study by secondary students the world over. This edition includes illustrations, preliminary notes, reading lists (including websites) and classroom notes.
The One King Lear
Author: Brian VickersPublisher: Harvard University Press
ISBN: 0674970330
Category : Literary Criticism
Languages : en
Pages : 412
Book Description
King Lear exists in two different texts: the Quarto (1608) and the Folio (1623). Because each supplies passages missing in the other, for over 200 years editors combined the two to form a single text, the basis for all modern productions. Then in the 1980s a group of influential scholars argued that the two texts represent different versions of King Lear, that Shakespeare revised his play in light of theatrical performance. The two-text theory has since hardened into orthodoxy. Now for the first time in a book-length argument, one of the world’s most eminent Shakespeare scholars challenges the two-text theory. At stake is the way Shakespeare’s greatest play is read and performed. Sir Brian Vickers demonstrates that the cuts in the Quarto were in fact carried out by the printer because he had underestimated the amount of paper he would need. Paper was an expensive commodity in the early modern period, and printers counted the number of lines or words in a manuscript before ordering their supply. As for the Folio, whereas the revisionists claim that Shakespeare cut the text in order to alter the balance between characters, Vickers sees no evidence of his agency. These cuts were likely made by the theater company to speed up the action. Vickers includes responses to the revisionist theory made by leading literary scholars, who show that the Folio cuts damage the play’s moral and emotional structure and are impracticable on the stage.
