Author: E. Simms Campbell
Publisher:
ISBN: 9781616461331
Category : Art
Languages : en
Pages : 196
Book Description
E. Simms Campbell was the first African-American cartoonist to be published in nationally distributed magazines. His watercolor comic art was published in Esquire, Cosmopolitan, The New Yorker, and many other magazines, and his artistic talent was sought out by numerous advertisers. Cuties was his gag panel, and this volume brings together his two Cuties in Arms collections from 1941 and 1943, during those war years when soldier-oriented humor was particularly popular. "I prefer cartooning. You see, I like jokes, and it's hard to put a joke into an oil painting. Have you ever noticed how quiet people are in art galleries? Well, I don't think that's what pictures should do to you. They should make you want to laugh, talk, shout, anything but hang your head." -E. Simms Campbell, interviewed in Sterling Brown's Southern Road (1932)
Going There
Author: Richard J. Powell
Publisher: Yale University Press
ISBN: 0300245742
Category : Art
Languages : en
Pages : 241
Book Description
A kaleidoscopic survey of black satire in 20th- and 21st-century American art In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century—in all their complexity, humor, and provocation—Powell raises important questions about the social power of art. Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art.
Publisher: Yale University Press
ISBN: 0300245742
Category : Art
Languages : en
Pages : 241
Book Description
A kaleidoscopic survey of black satire in 20th- and 21st-century American art In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century—in all their complexity, humor, and provocation—Powell raises important questions about the social power of art. Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art.
Encyclopedia of Black Comics
Author: Sheena Howard
Publisher: Fulcrum Publishing
ISBN: 1682751686
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
The Encyclopedia of Black Comics, focuses on people of African descent who have published significant works in the United States or have worked across various aspects of the comics industry. The book focuses on creators in the field of comics: inkers, illustrators, artists, writers, editors, Black comic historians, Black comic convention creators, website creators, archivists and academics—as well as individuals who may not fit into any category but have made notable achievements within and/or across Black comic culture.
Publisher: Fulcrum Publishing
ISBN: 1682751686
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
The Encyclopedia of Black Comics, focuses on people of African descent who have published significant works in the United States or have worked across various aspects of the comics industry. The book focuses on creators in the field of comics: inkers, illustrators, artists, writers, editors, Black comic historians, Black comic convention creators, website creators, archivists and academics—as well as individuals who may not fit into any category but have made notable achievements within and/or across Black comic culture.
Race Capital?
Author: Andrew M. Fearnley
Publisher: Columbia University Press
ISBN: 0231544804
Category : History
Languages : en
Pages : 357
Book Description
For close to a century, Harlem has been the iconic black neighborhood widely seen as the heart of African American life and culture, both celebrated as the vanguard of black self-determination and lamented as the face of segregation. But with Harlem’s demographic, physical, and commercial landscapes rapidly changing, the neighborhood’s status as a setting and symbol of black political and cultural life looks uncertain. As debate swirls around Harlem’s present and future, Race Capital? revisits a century of the area’s history, culture, and imagery, exploring how and why it achieved its distinctiveness and significance and offering new accounts of Harlem’s evolving symbolic power. In this book, leading scholars consider crucial aspects of Harlem’s social, political, and intellectual history; its artistic, cultural, and economic life; and its representation across an array of media and genres. Together they reveal a community at once local and transnational, coalescing and conflicted; one that articulated new visions of a cosmopolitan black modernity while clashing over distinctions of ethnicity, gender, class, and sexuality. Topics explored include Harlem as a literary phenomenon; recent critiques of Harlem exceptionalism; gambling and black business history; the neighborhood’s transnational character; its importance in the black freedom struggle; black queer spaces; and public policy and neighborhood change in historical context. Spanning a century, from the emergence of the Harlem Renaissance to present-day controversies over gentrification, Race Capital? models new Harlem scholarship that interrogates exceptionalism while taking seriously the importance of place and locality, offering vistas onto new directions for African American and diasporic studies.
Publisher: Columbia University Press
ISBN: 0231544804
Category : History
Languages : en
Pages : 357
Book Description
For close to a century, Harlem has been the iconic black neighborhood widely seen as the heart of African American life and culture, both celebrated as the vanguard of black self-determination and lamented as the face of segregation. But with Harlem’s demographic, physical, and commercial landscapes rapidly changing, the neighborhood’s status as a setting and symbol of black political and cultural life looks uncertain. As debate swirls around Harlem’s present and future, Race Capital? revisits a century of the area’s history, culture, and imagery, exploring how and why it achieved its distinctiveness and significance and offering new accounts of Harlem’s evolving symbolic power. In this book, leading scholars consider crucial aspects of Harlem’s social, political, and intellectual history; its artistic, cultural, and economic life; and its representation across an array of media and genres. Together they reveal a community at once local and transnational, coalescing and conflicted; one that articulated new visions of a cosmopolitan black modernity while clashing over distinctions of ethnicity, gender, class, and sexuality. Topics explored include Harlem as a literary phenomenon; recent critiques of Harlem exceptionalism; gambling and black business history; the neighborhood’s transnational character; its importance in the black freedom struggle; black queer spaces; and public policy and neighborhood change in historical context. Spanning a century, from the emergence of the Harlem Renaissance to present-day controversies over gentrification, Race Capital? models new Harlem scholarship that interrogates exceptionalism while taking seriously the importance of place and locality, offering vistas onto new directions for African American and diasporic studies.
Top Hats and Flappers
Author: Russell Patterson
Publisher: Fantagraphics Books
ISBN: 156097737X
Category : Art
Languages : en
Pages : 186
Book Description
One of the most influential artists of his generation, Patterson's impact spanned decades. The list of Patterson's "alumni" ranged from virtually every published pin-up cartoonist to notables like Walt Disney and Hugh Hefner, who noted it was Patterson, not John Held, Jr. or F. Scott Fitzgerald, who best defined the strut and fret of American life between the two World Wars. Along with an introductory essay by illustration art historian Armando Mendez, this volume showcases Patterson at his pinnacle, featuring many his most important and dynamic magazine covers and illustrations. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial}
Publisher: Fantagraphics Books
ISBN: 156097737X
Category : Art
Languages : en
Pages : 186
Book Description
One of the most influential artists of his generation, Patterson's impact spanned decades. The list of Patterson's "alumni" ranged from virtually every published pin-up cartoonist to notables like Walt Disney and Hugh Hefner, who noted it was Patterson, not John Held, Jr. or F. Scott Fitzgerald, who best defined the strut and fret of American life between the two World Wars. Along with an introductory essay by illustration art historian Armando Mendez, this volume showcases Patterson at his pinnacle, featuring many his most important and dynamic magazine covers and illustrations. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial}
Invisible Men: The Trailblazing Black Artists of Comic Books
Author: Ken Quattro
Publisher: National Geographic Books
ISBN: 1684055865
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
Hear the riveting stories of Black artists who drew--mostly covertly behind the scenes--superhero, horror, and romance comics in the early years of the industry. The life stories of each man's personal struggles and triumphs are represented as they broke through into a world formerly occupied only by whites. Using primary source material from World War II-era Black newspapers and magazines, this compelling book profiles pioneers like E.C. Stoner, a descendant of one of George Washington's slaves, who became a renowned fine artist of the Harlem Renaissance and the first Black artist to draw comic books. Perhaps more fascinating is Owen Middleton who was sentenced to life in Sing Sing. Middleton's imprisonment became a cause célèbre championed by Will Durant, which led to Middleton's release and subsequent comics career. Then there is Matt Baker, the most revered of the Black artists, whose exquisite art spotlights stunning women and men, and who drew the first groundbreaking Black comic book hero, Vooda! The book is gorgeously illustrated with rare examples of each artist's work, including full stories from mainstream comic books from rare titles like All-Negro Comics and Negro Heroes, plus unpublished artist's photos. Invisible Men features Ken Quattro's impeccable research and lean writing detailing the social and cultural environments that formed these extraordinary, yet invisible, men!
Publisher: National Geographic Books
ISBN: 1684055865
Category : Comics & Graphic Novels
Languages : en
Pages : 0
Book Description
Hear the riveting stories of Black artists who drew--mostly covertly behind the scenes--superhero, horror, and romance comics in the early years of the industry. The life stories of each man's personal struggles and triumphs are represented as they broke through into a world formerly occupied only by whites. Using primary source material from World War II-era Black newspapers and magazines, this compelling book profiles pioneers like E.C. Stoner, a descendant of one of George Washington's slaves, who became a renowned fine artist of the Harlem Renaissance and the first Black artist to draw comic books. Perhaps more fascinating is Owen Middleton who was sentenced to life in Sing Sing. Middleton's imprisonment became a cause célèbre championed by Will Durant, which led to Middleton's release and subsequent comics career. Then there is Matt Baker, the most revered of the Black artists, whose exquisite art spotlights stunning women and men, and who drew the first groundbreaking Black comic book hero, Vooda! The book is gorgeously illustrated with rare examples of each artist's work, including full stories from mainstream comic books from rare titles like All-Negro Comics and Negro Heroes, plus unpublished artist's photos. Invisible Men features Ken Quattro's impeccable research and lean writing detailing the social and cultural environments that formed these extraordinary, yet invisible, men!
Currents, Contemporary Directions in the Visual Arts
Author: Howard J. Smagula
Publisher: Englewood Cliffs, N.J. : Prentice-Hall
ISBN:
Category : Art
Languages : en
Pages : 368
Book Description
"Currents presents the full spectrum of contemporary art activity from painting to environmental sculpture, from photography to performance. The present is looked at in the context of the past. Historical precedents, important shifts in focus, and significant individual contributions give the book a depth and comprehensiveness that are unique. Through profiles of important artists and explorations of widely used materials and techniques, Howard J. Smagula skillfully reveals the meanings which underlie much of today's best art."--Back cover.
Publisher: Englewood Cliffs, N.J. : Prentice-Hall
ISBN:
Category : Art
Languages : en
Pages : 368
Book Description
"Currents presents the full spectrum of contemporary art activity from painting to environmental sculpture, from photography to performance. The present is looked at in the context of the past. Historical precedents, important shifts in focus, and significant individual contributions give the book a depth and comprehensiveness that are unique. Through profiles of important artists and explorations of widely used materials and techniques, Howard J. Smagula skillfully reveals the meanings which underlie much of today's best art."--Back cover.