Author: Martyn L. Schorr
Publisher:
ISBN: 1616730447
Category :
Languages : en
Pages : 178
Book Description
Motion, Emotion, and Love
Author: Thomas Carson Mark
Publisher:
ISBN: 9781579999018
Category : Music
Languages : en
Pages : 0
Book Description
"[This] is a practical guide to building intentional and inspirational practice time, bringing true artistry to every element of a performance, and developing strong personal communication with an audience. For auadiences, the book explains the vital role of the audience in a performance, revealing to them a new level of involvement and collaboration with the performer and with other members of the audience. ..."--Book jacket.
Publisher:
ISBN: 9781579999018
Category : Music
Languages : en
Pages : 0
Book Description
"[This] is a practical guide to building intentional and inspirational practice time, bringing true artistry to every element of a performance, and developing strong personal communication with an audience. For auadiences, the book explains the vital role of the audience in a performance, revealing to them a new level of involvement and collaboration with the performer and with other members of the audience. ..."--Book jacket.
Stop-Motion Filming and Performance
Author: Tom Brierton
Publisher: McFarland
ISBN: 078649008X
Category : Performing Arts
Languages : en
Pages : 109
Book Description
Stop-motion animation has long been perceived as a technical practice rather than a creative, demanding art. Though stop-motion requires considerable technical knowledge, it also involves aesthetics and artistry that go beyond the technician's realm. Just as important as puppet mechanics are lighting, filters, lenses, camera angle and placement, and dramatic pose and movement. This manual is a complete guide to the aesthetics of stop-motion animation. Information is organized in an intuitive, easy-to-use structure, following the order an animator uses in setting up and then executing a scene. The first half concentrates on the aesthetics of lighting and cameras, a primary concern in any shot, with details of camera placement, various lenses and myriad lighting techniques. The second half deals with the process of performance art, an oft-overlooked aspect of stop-motion animation. Included is a commentary on body language, facial expression, gesture, movement and emotion--key concepts that are exemplified through the acting process. The work also offers an introduction to narrative form and a glossary of related terms.
Publisher: McFarland
ISBN: 078649008X
Category : Performing Arts
Languages : en
Pages : 109
Book Description
Stop-motion animation has long been perceived as a technical practice rather than a creative, demanding art. Though stop-motion requires considerable technical knowledge, it also involves aesthetics and artistry that go beyond the technician's realm. Just as important as puppet mechanics are lighting, filters, lenses, camera angle and placement, and dramatic pose and movement. This manual is a complete guide to the aesthetics of stop-motion animation. Information is organized in an intuitive, easy-to-use structure, following the order an animator uses in setting up and then executing a scene. The first half concentrates on the aesthetics of lighting and cameras, a primary concern in any shot, with details of camera placement, various lenses and myriad lighting techniques. The second half deals with the process of performance art, an oft-overlooked aspect of stop-motion animation. Included is a commentary on body language, facial expression, gesture, movement and emotion--key concepts that are exemplified through the acting process. The work also offers an introduction to narrative form and a glossary of related terms.
Dramaturgy in Motion
Author: Katherine Profeta
Publisher: University of Wisconsin Pres
ISBN: 0299305945
Category : Performing Arts
Languages : en
Pages : 285
Book Description
This groundbreaking book moves beyond the conventional association of dramaturgy with plays to consider the substance and process of dramaturgy for dance and movement performance. Focusing on text and language, research, audience, movement, and interculturalism, the author provides vivid, practical examples from her collaboration with renowned choreographer Ralph Lemon.
Publisher: University of Wisconsin Pres
ISBN: 0299305945
Category : Performing Arts
Languages : en
Pages : 285
Book Description
This groundbreaking book moves beyond the conventional association of dramaturgy with plays to consider the substance and process of dramaturgy for dance and movement performance. Focusing on text and language, research, audience, movement, and interculturalism, the author provides vivid, practical examples from her collaboration with renowned choreographer Ralph Lemon.
Stop Motion
Author: Barry Purves
Publisher: Taylor & Francis
ISBN: 0240520602
Category : Art
Languages : en
Pages : 357
Book Description
In-depth discussion of the creativity behind making stop motion animated films from the masters of the craft - including Tom Brierton, Adam Elliot, Mark Hall, Peter Lord, Ken Priebe, David Sproxton and many others.
Publisher: Taylor & Francis
ISBN: 0240520602
Category : Art
Languages : en
Pages : 357
Book Description
In-depth discussion of the creativity behind making stop motion animated films from the masters of the craft - including Tom Brierton, Adam Elliot, Mark Hall, Peter Lord, Ken Priebe, David Sproxton and many others.
Perspectives in Motion
Author: Kendra Stepputat
Publisher: Berghahn Books
ISBN: 1800730039
Category : Performing Arts
Languages : en
Pages : 339
Book Description
Focusing on visual approaches to performance in global cultural contexts, Perspectives in Motion explores the work of Adrienne L. Kaeppler, a pioneering researcher who has made a number of interdisciplinary contributions over five decades to dance and performance studies. Through a diverse range of case studies from Oceania, Asia, and Europe, and interdisciplinary approaches, this edited collection offers new critical and ethnographic frameworks for understanding and experiencing practices of music and dance across the globe.
Publisher: Berghahn Books
ISBN: 1800730039
Category : Performing Arts
Languages : en
Pages : 339
Book Description
Focusing on visual approaches to performance in global cultural contexts, Perspectives in Motion explores the work of Adrienne L. Kaeppler, a pioneering researcher who has made a number of interdisciplinary contributions over five decades to dance and performance studies. Through a diverse range of case studies from Oceania, Asia, and Europe, and interdisciplinary approaches, this edited collection offers new critical and ethnographic frameworks for understanding and experiencing practices of music and dance across the globe.
Performance Studies in Motion
Author: Atay Citron
Publisher: A&C Black
ISBN: 1408184133
Category : Performing Arts
Languages : en
Pages : 555
Book Description
Performance Studies in Motion offers multiple perspectives on the current field of performance studies and suggests its future directions. Featuring new essays by pioneers Richard Schechner and Barbara Kirshenblatt-Gimblett, and by international scholars and practitioners, it shows how performance can offer a new way of seeing the world, and testifies to the dynamism of this discipline. Beginning with an overview of the development of performance studies, the essays offer new insights into: contemporary experimental and postdramatic theatre; participatory performance and museum exhibitions; the performance of politicians, political institutions and grassroots protest movements; theatricality at war and in contemporary religious rituals, and performative practices in therapy, education and life sciences. Employing original reflexive approaches to concrete case studies and situations, contributors introduce a variety of applications of performance studies methodologies to contemporary culture, art and society, creating new interdisciplinary links between the arts, humanities, and social and natural sciences. With studies from and about places as diverse as Austria, Belgium, China, France, Germany, Israel, Korea, Palestine, the Philippines, Poland, Rwanda and the USA, Performance Studies in Motion showcases the vitality and breadth of the field today.
Publisher: A&C Black
ISBN: 1408184133
Category : Performing Arts
Languages : en
Pages : 555
Book Description
Performance Studies in Motion offers multiple perspectives on the current field of performance studies and suggests its future directions. Featuring new essays by pioneers Richard Schechner and Barbara Kirshenblatt-Gimblett, and by international scholars and practitioners, it shows how performance can offer a new way of seeing the world, and testifies to the dynamism of this discipline. Beginning with an overview of the development of performance studies, the essays offer new insights into: contemporary experimental and postdramatic theatre; participatory performance and museum exhibitions; the performance of politicians, political institutions and grassroots protest movements; theatricality at war and in contemporary religious rituals, and performative practices in therapy, education and life sciences. Employing original reflexive approaches to concrete case studies and situations, contributors introduce a variety of applications of performance studies methodologies to contemporary culture, art and society, creating new interdisciplinary links between the arts, humanities, and social and natural sciences. With studies from and about places as diverse as Austria, Belgium, China, France, Germany, Israel, Korea, Palestine, the Philippines, Poland, Rwanda and the USA, Performance Studies in Motion showcases the vitality and breadth of the field today.
Muscle Car Special Editions
Author: Duncan Scott Brown
Publisher: CarTech Inc
ISBN: 1613255799
Category : Transportation
Languages : en
Pages : 192
Book Description
“Get one before one gets you!” Motion Performance’s catchy sales pitch for builder Joel Rosen’s Phase III Specialty Muscle Cars sums up the escalating performance scene in the late 1960s. Special edition muscle cars were essential to keep pace. Joel and other independent car builders (such as Carroll Shelby, George Hurst, Dick Harrell, Mr. Norm, and Jim Wangers) did what the factories couldn’t do: take the muscle car and turn it into a tire-burning monster. Although the Pontiac GTO established the muscle car category in 1964, a host of corporate safety restrictions restrained factories from offering turn-key race cars off the showroom floor. Independent car builders enhanced appearance and amplified performance in an attempt to do what the manufacturers wouldn’t. Motion Performance issued a written guarantee: Phase III cars would run 11.5 at 120 mph down the quarter-mile! Some of the most iconic nameplates in automotive history were applied in this era with names that included Cheetah, Black Panther, Royal Bobcat, Super Hugger, Manta Ray, Super Snake, Deuce, Fast Track, and The Machine. How did manufacturers stealthily promote these special edition muscle cars as “halo cars” while pretending not to endorse them? What happened to these innovators when factories assimilated their ideas? It’s all covered inside. Muscle car historian Duncan Brown takes us through these special edition muscle cars, their creators, and the behind-the-scenes forces that shaped these wild beasts into legends that left a lasting legacy.
Publisher: CarTech Inc
ISBN: 1613255799
Category : Transportation
Languages : en
Pages : 192
Book Description
“Get one before one gets you!” Motion Performance’s catchy sales pitch for builder Joel Rosen’s Phase III Specialty Muscle Cars sums up the escalating performance scene in the late 1960s. Special edition muscle cars were essential to keep pace. Joel and other independent car builders (such as Carroll Shelby, George Hurst, Dick Harrell, Mr. Norm, and Jim Wangers) did what the factories couldn’t do: take the muscle car and turn it into a tire-burning monster. Although the Pontiac GTO established the muscle car category in 1964, a host of corporate safety restrictions restrained factories from offering turn-key race cars off the showroom floor. Independent car builders enhanced appearance and amplified performance in an attempt to do what the manufacturers wouldn’t. Motion Performance issued a written guarantee: Phase III cars would run 11.5 at 120 mph down the quarter-mile! Some of the most iconic nameplates in automotive history were applied in this era with names that included Cheetah, Black Panther, Royal Bobcat, Super Hugger, Manta Ray, Super Snake, Deuce, Fast Track, and The Machine. How did manufacturers stealthily promote these special edition muscle cars as “halo cars” while pretending not to endorse them? What happened to these innovators when factories assimilated their ideas? It’s all covered inside. Muscle car historian Duncan Brown takes us through these special edition muscle cars, their creators, and the behind-the-scenes forces that shaped these wild beasts into legends that left a lasting legacy.