The Cambridge Companion to the Clarinet

The Cambridge Companion to the Clarinet PDF Author: Colin James Lawson
Publisher: Cambridge University Press
ISBN: 9780521476683
Category : Music
Languages : en
Pages : 264

Book Description
Written for students, performers, and music lovers.

The Cambridge Companion to the Orchestra

The Cambridge Companion to the Orchestra PDF Author: Colin James Lawson
Publisher: Cambridge University Press
ISBN: 9780521001328
Category : Music
Languages : en
Pages : 316

Book Description
This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.

The Cambridge Companion to Eighteenth-Century Opera

The Cambridge Companion to Eighteenth-Century Opera PDF Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 0521873584
Category : Music
Languages : en
Pages : 343

Book Description
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.

The Cambridge Companion to the Saxophone

The Cambridge Companion to the Saxophone PDF Author: Richard Ingham
Publisher: Cambridge University Press
ISBN: 1107494052
Category : Music
Languages : en
Pages : 252

Book Description
The Cambridge Companion to the Saxophone, first published in 1999, tells the story of the saxophone, its history and technical development from Adolphe Sax (who invented it c. 1840) to the end of the twentieth century. It includes extensive accounts of the instrument's history in jazz, rock and classical music as well as providing practical performance guides. Discussion of the repertoire and soloists from 1850 to the present day includes accessible descriptions of contemporary techniques and trends, and moves into the electronic age with midi wind instruments. There is a discussion of the function of the saxophone in the orchestra, in 'light music' and in rock and pop studios, as well as of the saxophone quartet as an important chamber music medium. The contributors to this volume are some of the finest performers and experts on the saxophone.

The Cambridge Companion to the Piano

The Cambridge Companion to the Piano PDF Author: David Rowland
Publisher: Cambridge University Press
ISBN: 9780521479868
Category : Music
Languages : en
Pages : 268

Book Description
A Companion to the piano, one of the world's most popular instruments.

The Cambridge Companion to the String Quartet

The Cambridge Companion to the String Quartet PDF Author: Robin Stowell
Publisher: Cambridge University Press
ISBN: 1139826549
Category : Music
Languages : en
Pages : 672

Book Description
This Companion offers a concise and authoritative survey of the string quartet by eleven chamber music specialists. Its fifteen carefully structured chapters provide coverage of a stimulating range of perspectives previously unavailable in one volume. It focuses on four main areas: the social and musical background to the quartet's development; the most celebrated ensembles; string quartet playing, including aspects of contemporary and historical performing practice; and the mainstream repertory, including significant 'mixed ensemble' compositions involving string quartet. Various musical and pictorial illustrations and informative appendixes, including a chronology of the most significant works, complete this indispensable guide. Written for all string quartet enthusiasts, this Companion will enrich readers' understanding of the history of the genre, the context and significance of quartets as cultural phenomena, and the musical, technical and interpretative problems of chamber music performance. It will also enhance their experience of listening to quartets in performance and on recordings.

The Cambridge Companion to the Organ

The Cambridge Companion to the Organ PDF Author: Nicholas Thistlethwaite
Publisher: Cambridge University Press
ISBN: 1107494036
Category : Music
Languages : en
Pages : 358

Book Description
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.

The Clarinet

The Clarinet PDF Author: Eric Hoeprich
Publisher: Yale University Press
ISBN: 9780300102826
Category : Music
Languages : en
Pages : 426

Book Description
The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.

The Art of Clarinet Playing

The Art of Clarinet Playing PDF Author: Keith Stein
Publisher: Alfred Music
ISBN: 9781457400117
Category : Music
Languages : en
Pages : 84

Book Description
Keith Stein was already a phenomenal clarinetist when he attended the very first session of the National Music Camp at Interlochen, Michigan. Stein was then accepted into the Chicago Symphony, and became one of its youngest members. He earned a master of music degree at the University of Michigan, and his teaching career began at Michigan State University and Interlochen, where he remained for the next 41 years until he retired. Within this book, the author makes the player aware of all the many faulty habits he may have acquired, then offers constructive suggestions for remedying each one.

The Cambridge History of Musical Performance

The Cambridge History of Musical Performance PDF Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 1316184420
Category : Music
Languages : en
Pages : 1066

Book Description
The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.
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