Author: Thomas Carper
Publisher: Psychology Press
ISBN: 9780415311748
Category : Language Arts & Disciplines
Languages : en
Pages : 184
Book Description
Table of contents
The Rise and Fall of Meter
Author: Meredith Martin
Publisher: Princeton University Press
ISBN: 069115273X
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Why do we often teach English poetic meter by the Greek terms iamb and trochee? How is our understanding of English meter influenced by the history of England's sense of itself in the nineteenth century? Not an old-fashioned approach to poetry, but a dynamic, contested, and inherently nontraditional field, "English meter" concerned issues of personal and national identity, class, education, patriotism, militarism, and the development of English literature as a discipline. The Rise and Fall of Meter tells the unknown story of English meter from the late eighteenth century until just after World War I. Uncovering a vast and unexplored archive in the history of poetics, Meredith Martin shows that the history of prosody is tied to the ways Victorian England argued about its national identity. Gerard Manley Hopkins, Coventry Patmore, and Robert Bridges used meter to negotiate their relationship to England and the English language; George Saintsbury, Matthew Arnold, and Henry Newbolt worried about the rise of one metrical model among multiple competitors. The pressure to conform to a stable model, however, produced reactionary misunderstandings of English meter and the culture it stood for. This unstable relationship to poetic form influenced the prose and poems of Robert Graves, Siegfried Sassoon, Wilfred Owen, W. B. Yeats, Ezra Pound, and Alice Meynell. A significant intervention in literary history, this book argues that our contemporary understanding of the rise of modernist poetic form was crucially bound to narratives of English national culture.
Publisher: Princeton University Press
ISBN: 069115273X
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Why do we often teach English poetic meter by the Greek terms iamb and trochee? How is our understanding of English meter influenced by the history of England's sense of itself in the nineteenth century? Not an old-fashioned approach to poetry, but a dynamic, contested, and inherently nontraditional field, "English meter" concerned issues of personal and national identity, class, education, patriotism, militarism, and the development of English literature as a discipline. The Rise and Fall of Meter tells the unknown story of English meter from the late eighteenth century until just after World War I. Uncovering a vast and unexplored archive in the history of poetics, Meredith Martin shows that the history of prosody is tied to the ways Victorian England argued about its national identity. Gerard Manley Hopkins, Coventry Patmore, and Robert Bridges used meter to negotiate their relationship to England and the English language; George Saintsbury, Matthew Arnold, and Henry Newbolt worried about the rise of one metrical model among multiple competitors. The pressure to conform to a stable model, however, produced reactionary misunderstandings of English meter and the culture it stood for. This unstable relationship to poetic form influenced the prose and poems of Robert Graves, Siegfried Sassoon, Wilfred Owen, W. B. Yeats, Ezra Pound, and Alice Meynell. A significant intervention in literary history, this book argues that our contemporary understanding of the rise of modernist poetic form was crucially bound to narratives of English national culture.
The Morals of Measurement
Author: Graeme Gooday
Publisher: Cambridge University Press
ISBN: 9780521430982
Category : History
Languages : en
Pages : 332
Book Description
The Morals of Measurement is a contribution to the social histories of quantification and electrical technology in nineteenth-century Britain, Germany and France. It shows how the advent of commercial electrical lighting stimulated the industrialization of electrical measurement from a skilled labour-intensive activity to a mechanized practice. Challenging traditional accounts that focus on the metrological standards used in measurement, this book shows the central importance of trust when measurement was undertaken in an increasingly complex division of labour. Alongside ambiguities about the very nature of measurement and the respective responsibilities of humans and technologies in generating error-free numbers, the book also addresses controversies over the changing identity of the measurer through the themes of body, gender and authorship. The reader will gain fresh insights into a period when measurement was widely treated as the definitive means of gaining knowledge of the world.
Publisher: Cambridge University Press
ISBN: 9780521430982
Category : History
Languages : en
Pages : 332
Book Description
The Morals of Measurement is a contribution to the social histories of quantification and electrical technology in nineteenth-century Britain, Germany and France. It shows how the advent of commercial electrical lighting stimulated the industrialization of electrical measurement from a skilled labour-intensive activity to a mechanized practice. Challenging traditional accounts that focus on the metrological standards used in measurement, this book shows the central importance of trust when measurement was undertaken in an increasingly complex division of labour. Alongside ambiguities about the very nature of measurement and the respective responsibilities of humans and technologies in generating error-free numbers, the book also addresses controversies over the changing identity of the measurer through the themes of body, gender and authorship. The reader will gain fresh insights into a period when measurement was widely treated as the definitive means of gaining knowledge of the world.
The Philosophy of Rhythm
Author: Peter Cheyne
Publisher:
ISBN: 0199347778
Category : Music
Languages : en
Pages : 441
Book Description
Rhythm is the fundamental pulse that animates poetry, music, and dance across all cultures. And yet the recent explosion of scholarly interest across disciplines in the aural dimensions of aesthetic experience--particularly in sociology, cultural and media theory, and literary studies--has yet to explore this fundamental category. This book furthers the discussion of rhythm beyond the discrete conceptual domains and technical vocabularies of musicology and prosody. With original essays by philosophers, psychologists, musicians, literary theorists, and ethno-musicologists, The Philosophy of Rhythm opens up wider-and plural-perspectives, examining formal affinities between the historically interconnected fields of music, dance, and poetry, while addressing key concepts such as embodiment, movement, pulse, and performance. Volume editors Peter Cheyne, Andy Hamilton, and Max Paddison bring together a range of key questions: What is the distinction between rhythm and pulse? What is the relationship between everyday embodied experience, and the specific experience of music, dance, and poetry? Can aesthetics offer an understanding of rhythm that helps inform our responses to visual and other arts, as well as music, dance, and poetry? And, what is the relation between psychological conceptions of entrainment, and the humane concept of rhythm and meter? Overall, The Philosophy of Rhythm appeals across disciplinary boundaries, providing a unique overview of a neglected aspect of aesthetic experience.
Publisher:
ISBN: 0199347778
Category : Music
Languages : en
Pages : 441
Book Description
Rhythm is the fundamental pulse that animates poetry, music, and dance across all cultures. And yet the recent explosion of scholarly interest across disciplines in the aural dimensions of aesthetic experience--particularly in sociology, cultural and media theory, and literary studies--has yet to explore this fundamental category. This book furthers the discussion of rhythm beyond the discrete conceptual domains and technical vocabularies of musicology and prosody. With original essays by philosophers, psychologists, musicians, literary theorists, and ethno-musicologists, The Philosophy of Rhythm opens up wider-and plural-perspectives, examining formal affinities between the historically interconnected fields of music, dance, and poetry, while addressing key concepts such as embodiment, movement, pulse, and performance. Volume editors Peter Cheyne, Andy Hamilton, and Max Paddison bring together a range of key questions: What is the distinction between rhythm and pulse? What is the relationship between everyday embodied experience, and the specific experience of music, dance, and poetry? Can aesthetics offer an understanding of rhythm that helps inform our responses to visual and other arts, as well as music, dance, and poetry? And, what is the relation between psychological conceptions of entrainment, and the humane concept of rhythm and meter? Overall, The Philosophy of Rhythm appeals across disciplinary boundaries, providing a unique overview of a neglected aspect of aesthetic experience.