Author: Marie Riegels Melchior
Publisher: A&C Black
ISBN: 1472567935
Category : Art
Languages : en
Pages : 233
Book Description
Why is fashion "in fashion" in museums today? This timely volume brings together expert scholars and curators to examine the reasons behind fashion's popularity in the twenty-first century museum and the impact this has had on wider museum practice. Chapters explore the role of fashion in the museum across a range of international case studies including the Costume Institute at the Metropolitan Museum of Art in New York, The Fashion Museum at Bath, ModeMuseum in Antwerp and many more. Contributions look at topics such as how fashion has made museums accessible to diverse audiences and how curators present broader themes and issues such as gender, class and technology innovatively through exhibiting fashion. Drawing on approaches from dress history, fashion studies, museum studies and curatorship, this engaging book will be key reading for students and scholars across a range of disciplines.
The Australian Army Uniform and the Government Clothing Factory
Author: Anneke van Mosseveld
Publisher: Springer
ISBN: 3319714252
Category : History
Languages : en
Pages : 278
Book Description
This book reveals the business history of the Australian Government Clothing Factory as it introduced innovative changes in the production and design of the Australian Army uniform during the twentieth century. While adopting a Schumpeterian interpretation of the concept of innovation, Anneke van Mosseveld traces the driving forces behind innovation and delivers a comprehensive explanation of the resulting changes in the combat uniform. Using an array of archival sources, this book displays details of extensive collaborations between the factory, the Army and scientists in the development of camouflage patterns and military textiles. It uncovers a system of intellectual property management to protect the designs of the uniform, and delivers new insights into the wider economic influences and industry linkages of the Government owned factory.
Publisher: Springer
ISBN: 3319714252
Category : History
Languages : en
Pages : 278
Book Description
This book reveals the business history of the Australian Government Clothing Factory as it introduced innovative changes in the production and design of the Australian Army uniform during the twentieth century. While adopting a Schumpeterian interpretation of the concept of innovation, Anneke van Mosseveld traces the driving forces behind innovation and delivers a comprehensive explanation of the resulting changes in the combat uniform. Using an array of archival sources, this book displays details of extensive collaborations between the factory, the Army and scientists in the development of camouflage patterns and military textiles. It uncovers a system of intellectual property management to protect the designs of the uniform, and delivers new insights into the wider economic influences and industry linkages of the Government owned factory.
Behind the Label
Author: Charles Kernaghan
Publisher: DIANE Publishing
ISBN: 0788173502
Category : Human rights
Languages : en
Pages : 108
Book Description
Reveals how foreign investors have reaped great harvests under China's 'celebrated' economic reforms unleased in the early eighties, while workers' rights have been flouted. Shows how factories in China operate behind a veil of secrecy & are part of a growing subcontracting network. Many Americans are not even aware of where their garments are being produced or what the human rights conditions are. Names the specific companies that are involved in this abusive trade by contracting production in China. Appendices list resource groups, company profiles/working conditions, companies' contract information, imprisoned unionists, etc.
Publisher: DIANE Publishing
ISBN: 0788173502
Category : Human rights
Languages : en
Pages : 108
Book Description
Reveals how foreign investors have reaped great harvests under China's 'celebrated' economic reforms unleased in the early eighties, while workers' rights have been flouted. Shows how factories in China operate behind a veil of secrecy & are part of a growing subcontracting network. Many Americans are not even aware of where their garments are being produced or what the human rights conditions are. Names the specific companies that are involved in this abusive trade by contracting production in China. Appendices list resource groups, company profiles/working conditions, companies' contract information, imprisoned unionists, etc.
FashionEast
Author: Djurdja Bartlett
Publisher: MIT Press
ISBN: 0262026503
Category : Crafts & Hobbies
Languages : en
Pages : 339
Book Description
A richly illustrated, comprehensive study of fashion under socialism, from state-sponsored prototypes to unofficial imitations of Paris fashion. The idea of fashion under socialism conjures up images of babushka headscarves and black market blue jeans. And yet, as Djurdja Bartlett shows in this groundbreaking book, the socialist East had an intimate relationship with fashion. Official antagonism—which cast fashion as frivolous and anti-revolutionary—eventually gave way to grudging acceptance and creeping consumerism. Bartlett outlines three phases in socialist fashion, and illustrates them with abundant images from magazines of the period: postrevolutionary utopian dress, official state-sanctioned socialist fashion, and samizdat-style everyday fashion. Utopian dress, ranging from the geometric abstraction of the constructivists under Bolshevism in the Soviet Union to the no-frills desexualized uniform of a factory worker in Czechoslovakia, reflected the revolutionary urge for a clean break with the past. The highly centralized socialist fashion system, part of Stalinist industrialization, offered official prototypes of high fashion that were never available in stores—mythical images of smart and luxurious dresses that symbolized the economic progress that socialist regimes dreamed of. Everyday fashion, starting in the 1950s, was an unofficial, do-it-yourself enterprise: Western fashions obtained through semiclandestine channels or sewn at home. The state tolerated the demand for Western fashion, promising the burgeoning middle class consumer goods in exchange for political loyalty. Bartlett traces the progress of socialist fashion in the Soviet Union, Czechoslovakia, Hungary, East Germany, Poland, and Yugoslavia, drawing on state-sponsored socialist women's magazines, etiquette books, socialist manuals on dress, private archives, and her own interviews with designers, fashion editors, and other key figures. Fashion, she suggests, with all its ephemerality and dynamism, was in perpetual conflict with the socialist regimes' fear of change and need for control. It was, to echo the famous first sentence from the Communist Manifesto, the spectre that haunted socialism until the end.
Publisher: MIT Press
ISBN: 0262026503
Category : Crafts & Hobbies
Languages : en
Pages : 339
Book Description
A richly illustrated, comprehensive study of fashion under socialism, from state-sponsored prototypes to unofficial imitations of Paris fashion. The idea of fashion under socialism conjures up images of babushka headscarves and black market blue jeans. And yet, as Djurdja Bartlett shows in this groundbreaking book, the socialist East had an intimate relationship with fashion. Official antagonism—which cast fashion as frivolous and anti-revolutionary—eventually gave way to grudging acceptance and creeping consumerism. Bartlett outlines three phases in socialist fashion, and illustrates them with abundant images from magazines of the period: postrevolutionary utopian dress, official state-sanctioned socialist fashion, and samizdat-style everyday fashion. Utopian dress, ranging from the geometric abstraction of the constructivists under Bolshevism in the Soviet Union to the no-frills desexualized uniform of a factory worker in Czechoslovakia, reflected the revolutionary urge for a clean break with the past. The highly centralized socialist fashion system, part of Stalinist industrialization, offered official prototypes of high fashion that were never available in stores—mythical images of smart and luxurious dresses that symbolized the economic progress that socialist regimes dreamed of. Everyday fashion, starting in the 1950s, was an unofficial, do-it-yourself enterprise: Western fashions obtained through semiclandestine channels or sewn at home. The state tolerated the demand for Western fashion, promising the burgeoning middle class consumer goods in exchange for political loyalty. Bartlett traces the progress of socialist fashion in the Soviet Union, Czechoslovakia, Hungary, East Germany, Poland, and Yugoslavia, drawing on state-sponsored socialist women's magazines, etiquette books, socialist manuals on dress, private archives, and her own interviews with designers, fashion editors, and other key figures. Fashion, she suggests, with all its ephemerality and dynamism, was in perpetual conflict with the socialist regimes' fear of change and need for control. It was, to echo the famous first sentence from the Communist Manifesto, the spectre that haunted socialism until the end.
Fashion Design
Author: Ruth Huoh
Publisher: Greenhaven Publishing LLC
ISBN: 1534561048
Category : Juvenile Nonfiction
Languages : en
Pages : 106
Book Description
Can something people use every day be considered art? This is the core of the discussion surrounding the artistic merits of fashion design. To some, fashion is an art form; to others, it is too functional to be considered art. Both points of view are presented through detailed text, supported by quotes from fashion experts and famous designers. Engaging sidebars and detailed photographs bring the world of fashion into focus. Readers will enjoy this fresh take on an artistic industry that impacts our everyday lives.
Publisher: Greenhaven Publishing LLC
ISBN: 1534561048
Category : Juvenile Nonfiction
Languages : en
Pages : 106
Book Description
Can something people use every day be considered art? This is the core of the discussion surrounding the artistic merits of fashion design. To some, fashion is an art form; to others, it is too functional to be considered art. Both points of view are presented through detailed text, supported by quotes from fashion experts and famous designers. Engaging sidebars and detailed photographs bring the world of fashion into focus. Readers will enjoy this fresh take on an artistic industry that impacts our everyday lives.
Fashion Law
Author: Guillermo C. Jimenez
Publisher: A&C Black
ISBN: 1609018958
Category : Business & Economics
Languages : en
Pages : 417
Book Description
In todays' highly competitive global market, fashion designers, entrepreneurs and executives need state, federal, and international laws to protect their intellectual property-their brands and the products by which their customers recognize them. Fashion Law provides a concise and practical guide to the full range of legal issues faced by a fashion company as it grows from infancy to international stature. Updated to reflect recent legal decisions and regulatory developments, this revised edition covers such a vital issues as intellectual property protection and litigation, licensing, anti-counterfeiting, start-ups and finance, commercial transactions, retail property leasing, employment regulations, advertising and marketing, celebrity endorsements, international trade. Features of the text help to make legal concepts accessible to the lay reader. More than 25 leading attorneys practicing in the emerging legal specialty of fashion law contributed the chapters for this authoritative text, and their expertise provides a foundation for fashion professionals and their legal advisors to work together effectively. New to this Edition~Expanded section on Intellectual Property protection, including an all new Chapter 6 on Litigation~All new Chapter 10 on Fashion Finance Features~Box Features provide real-life examples that demonstrate the role that law plays in the fashion business, including landmark court cases and current events~Practice Tips discuss legal issues that should be considered as fashion designers and executives establish procedures for conducting their business~Sample Clauses familiarize readers with the legal language that covers the rights and responsibilities of the parties to agreements. Instructor's Guide and PowerPoint presentations available.
Publisher: A&C Black
ISBN: 1609018958
Category : Business & Economics
Languages : en
Pages : 417
Book Description
In todays' highly competitive global market, fashion designers, entrepreneurs and executives need state, federal, and international laws to protect their intellectual property-their brands and the products by which their customers recognize them. Fashion Law provides a concise and practical guide to the full range of legal issues faced by a fashion company as it grows from infancy to international stature. Updated to reflect recent legal decisions and regulatory developments, this revised edition covers such a vital issues as intellectual property protection and litigation, licensing, anti-counterfeiting, start-ups and finance, commercial transactions, retail property leasing, employment regulations, advertising and marketing, celebrity endorsements, international trade. Features of the text help to make legal concepts accessible to the lay reader. More than 25 leading attorneys practicing in the emerging legal specialty of fashion law contributed the chapters for this authoritative text, and their expertise provides a foundation for fashion professionals and their legal advisors to work together effectively. New to this Edition~Expanded section on Intellectual Property protection, including an all new Chapter 6 on Litigation~All new Chapter 10 on Fashion Finance Features~Box Features provide real-life examples that demonstrate the role that law plays in the fashion business, including landmark court cases and current events~Practice Tips discuss legal issues that should be considered as fashion designers and executives establish procedures for conducting their business~Sample Clauses familiarize readers with the legal language that covers the rights and responsibilities of the parties to agreements. Instructor's Guide and PowerPoint presentations available.
The Ordinary & The Extraordinary
Author: Frank N Pieke
Publisher: Routledge
ISBN: 1136167617
Category : Social Science
Languages : en
Pages : 300
Book Description
First Published in 1996. This study is the outcome of eight-months' fieldwork in Beijing, the capital of the People's Republic of China (PRC), from 8 November 1988 to 17 June 1989. The original purpose of the fieldwork had been to acquire a grass-roots perspective on the dynamics of Chinese state socialist society under the impact of ten years of reform. This was extended to include People's Movement. The central questions this book therefore tries to answer are: how can these two different fieldwork experiences be reconciled with each other, and what do they tell us about the dynamics of Chinese culture and society?
Publisher: Routledge
ISBN: 1136167617
Category : Social Science
Languages : en
Pages : 300
Book Description
First Published in 1996. This study is the outcome of eight-months' fieldwork in Beijing, the capital of the People's Republic of China (PRC), from 8 November 1988 to 17 June 1989. The original purpose of the fieldwork had been to acquire a grass-roots perspective on the dynamics of Chinese state socialist society under the impact of ten years of reform. This was extended to include People's Movement. The central questions this book therefore tries to answer are: how can these two different fieldwork experiences be reconciled with each other, and what do they tell us about the dynamics of Chinese culture and society?
Diffractive Technospaces
Author: Federica Timeto
Publisher: Routledge
ISBN: 1317151003
Category : Social Science
Languages : en
Pages : 219
Book Description
The entanglements of information and materiality in our media environment, that new information and communication technologies make increasingly mobile and locative, changes the mediations between space and society. The fluidity and continual reworking of the boundaries of contemporary technospaces - the sociotechnical environments in which humans and machines relate and intersect - is key to the production and consumption of contemporary technologies. Theoretical analyses of communication and space have tended to engage in the representation of such changes without interrogating the representational instruments used at a broader methodological level. Articulating a non-representational perspective on knowledge production and artistic practices, combined with an analysis of space, this book offers a new performative and relational re-turn to representation in contemporary technospaces. The radically materialist, posthumanist and performative position from which this situated aesthetics of technospaces is elaborated, aligns this book not only with non-representational theory, but also with the theories of material feminism, feminist geography, situated epistemologies, science and technology studies, actor-network theory, performance studies and new media studies.
Publisher: Routledge
ISBN: 1317151003
Category : Social Science
Languages : en
Pages : 219
Book Description
The entanglements of information and materiality in our media environment, that new information and communication technologies make increasingly mobile and locative, changes the mediations between space and society. The fluidity and continual reworking of the boundaries of contemporary technospaces - the sociotechnical environments in which humans and machines relate and intersect - is key to the production and consumption of contemporary technologies. Theoretical analyses of communication and space have tended to engage in the representation of such changes without interrogating the representational instruments used at a broader methodological level. Articulating a non-representational perspective on knowledge production and artistic practices, combined with an analysis of space, this book offers a new performative and relational re-turn to representation in contemporary technospaces. The radically materialist, posthumanist and performative position from which this situated aesthetics of technospaces is elaborated, aligns this book not only with non-representational theory, but also with the theories of material feminism, feminist geography, situated epistemologies, science and technology studies, actor-network theory, performance studies and new media studies.