How Music Works

How Music Works PDF Author: David Byrne
Publisher: Crown
ISBN: 0804188947
Category : Music
Languages : en
Pages : 386

Book Description
NEW YORK TIMES BESTSELLER • David Byrne’s incisive and enthusiastic look at the musical art form, from its very inceptions to the influences that shape it, whether acoustical, economic, social, or technological—now updated with a new chapter on digital curation. “How Music Works is a buoyant hybrid of social history, anthropological survey, autobiography, personal philosophy, and business manual”—The Boston Globe Utilizing his incomparable career and inspired collaborations with Talking Heads, Brian Eno, and many others, David Byrne taps deeply into his lifetime of knowledge to explore the panoptic elements of music, how it shapes the human experience, and reveals the impetus behind how we create, consume, distribute, and enjoy the songs, symphonies, and rhythms that provide the backbeat of life. Byrne’s magnum opus uncovers thrilling realizations about the redemptive liberation that music brings us all.

How Music Works

How Music Works PDF Author: John Powell
Publisher: Hachette+ORM
ISBN: 0316183679
Category : Science
Languages : en
Pages : 209

Book Description
"Any readers whose love of music has somehow not led them to explore the technical side before will surely find the result a thoroughly accessible, and occasionally revelatory, primer."—Seattle Post-Intelligencer What makes a musical note different from any other sound? How can you tell if you have perfect pitch? Why do ten violins sound only twice as loud as one? Do your Bob Dylan albums sound better on CD vinyl? John Powell, a scientist and musician, answers these questions and many more in How Music Works, an intriguing and original guide to acoustics. In a clear and engaging voice, Powell leads you on a fascinating journey through the world of music, with lively discussions of the secrets behind harmony timbre, keys, chords, loudness, musical composition, and more. From how musical notes came to be (you can thank a group of stodgy men in 1939 London for that one), to how scales help you memorize songs, to how to make and oboe from a drinking straw, John Powell distills the science and psychology of music with wit and charm.

The Music Instinct

The Music Instinct PDF Author: Philip Ball
Publisher: Oxford University Press
ISBN: 0199780072
Category : Music
Languages : en
Pages : 464

Book Description
From Bach fugues to Indonesian gamelan, from nursery rhymes to rock, music has cast its light into every corner of human culture. But why music excites such deep passions, and how we make sense of musical sound at all, are questions that have until recently remained unanswered. Now in The Music Instinct, award-winning writer Philip Ball provides the first comprehensive, accessible survey of what is known--and still unknown--about how music works its magic, and why, as much as eating and sleeping, it seems indispensable to humanity. Deftly weaving together the latest findings in brain science with history, mathematics, and philosophy, The Music Instinct not only deepens our appreciation of the music we love, but shows that we would not be ourselves without it. The Sunday Times hailed it as "a wonderful account of why music matters," with Ball's "passion for music evident on every page."

Music and How it Works

Music and How it Works PDF Author: DK
Publisher: Penguin
ISBN: 0744038294
Category : Juvenile Nonfiction
Languages : en
Pages : 98

Book Description
Take a visual journey through the world of music and learn the science behind it, too. Budding music fans will love discovering musical geniuses of every era, from Mozart and classical music to Bowie and pop, as well as finding out how music is created and what links it all together. The book looks at music throughout history, beginning with the first known melody from the Fertile Crescent and covering modern music phenomena, from K Pop to hip-hop. Instruments and genres from across the world are featured, with "playlists" of key pieces encouraging kids to look up pieces to hear for themselves. STEAM spreads delve into the psychology and math behind music, from how it affects our mood to how it can improve our minds. Covering India's Ragas, Indonesia's Gamelan, Japan's city pop, and more, this book will help children discover a love of music.

How Music Works

How Music Works PDF Author: Rolf Bader
Publisher: Springer Nature
ISBN: 3030671550
Category : Technology & Engineering
Languages : en
Pages : 287

Book Description
How do we understand culture and shape its future? How do we cross the bridge between culture as ideas and feelings and physical, cultural objects, all this within the endless variety and complexity of modern and traditional societies? This book proposes a Physical Culture Theory, taking culture as a self-organizing impulse pattern of electric forces. Bridging the gap to consciousness, the Physical Culture Theory proposes that consciousness content, what we think, hear, feel, or see is also just this: spatio-temporal electric fields. Music is a perfect candidate to elaborate on such a Physical Culture Theory. Music is all three, musical instrument acoustics, music psychology, and music ethnology. They emerge into living musical systems like all life is self-organization. Therefore the Physical Culture Theory knows no split between nature and nurture, hard and soft sciences, brains and musical instruments. It formulates mathematically complex systems as Physical Models rather than Artificial Intelligence. It includes ethical rules for maintaining life and finds culture and arts to be Human Rights. Enlarging these ideas and mathematical methods into all fields of culture, ecology, economy, or the like will be the task for the next decades to come.

Summary of David Byrne's How Music Works

Summary of David Byrne's How Music Works PDF Author: Everest Media,
Publisher: Everest Media LLC
ISBN:
Category : Music
Languages : en
Pages : 60

Book Description
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The path of creation is different from the romantic notion of how creative work emerges out of an upwelling of passion. We unconsciously and instinctively make work that fits the preexisting formats. We work backward, creating work that fits the available venues. #2 The room at CBGB, where some of the music I wrote was first heard, was remarkably good for sound absorption and uneven acoustic reflections. Because of the lack of reverberation, one could be fairly certain that details of one’s music would be heard. #3 The New York club was initially meant to be a bluegrass and country venue like Tootsie’s Orchid Lounge in Nashville. The audience behavior was similar in both places, and the music was identical. #4 The music and dance styles of these cultures are metaphors for the social and sexual mores of the societies they emerge from. The music perfectly suits the available niche, and it is absolutely ideally suited for this situation.

The Cambridge Companion to Michael Tippett

The Cambridge Companion to Michael Tippett PDF Author: Kenneth Gloag
Publisher: Cambridge University Press
ISBN: 1107021979
Category : Biography & Autobiography
Languages : en
Pages : 335

Book Description
This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve.

Musical ontology

Musical ontology PDF Author: Lisa Giombini
Publisher: Mimesis
ISBN: 8869771539
Category : Philosophy
Languages : en
Pages : 287

Book Description
What is musical ontology? Why should we as philosophers address it, if ever? These questions constitute the Ariadne’s thread running throughout this whole work. The number of papers, volumes and essays that have recently been dedicated to the topic of art and musical ontology is so vast that trying to get a grip on the debate seems like trying to find ones bearings without a compass. This book is a guide to help hapless readers find their way through this philosophical jungle. It is constructed on three levels: the presentation of the debate on musical ontology, a meta-ontological inquiry and a sort of meta-meta-ontological overview, in which both the ontological and the meta-ontological are examined. It does not contain any apology for musical ontology, nor any attempt to definitively get it off the hook. The approach is aporetic, in the spirit of an open investigation in which more questions than answers are posited. But this is the whole point. If this study manages to provide the readers with the necessary theoretical tools to answer these questions for themselves, it could be considered a success.
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