The Language of Comics

The Language of Comics PDF Author: Mario Saraceni
Publisher: Psychology Press
ISBN: 9780415214223
Category : Humor
Languages : en
Pages : 132

Book Description
The Language of Comics provides a history of comics from the end of the nineteenth century to the present and explores the 'semiotics of comics'.

The Language of Comics

The Language of Comics PDF Author: Robin Varnum
Publisher: Univ. Press of Mississippi
ISBN: 9781578064144
Category : Art
Languages : en
Pages : 222

Book Description
With essays by Jan Baetens, David A. Beronä, Frank L. Cioffi, N. C. Christopher Couch, Robert C. Harvey, Gene Kannenberg, Jr., Catherine Khordoc, David Kunzle, Marion D. Perret, and Todd Taylor In our culture, which depends increasingly on images for instruction and recreation, it is important to ask how words and images make meaning when they are combined. Comics, one of the most widely read media of the twentieth century, serves as an ideal for focusing an investigation on the word-and-image question. This collection of essays attempts to give an answer. The first six see words and images as separate art forms that play with or against each other. David Kunzle finds that words restrict the meaning of the art of Adolphe Willette and Theophile-Alexandre Steinlen in Le Chat Noir. David A. Beronä, examining wordless novels, argues that the ability to read pictures depends on the ability to read words. Todd Taylor draws on classical rhetoric to demonstrate that images in The Road Runner are more persuasive than words. N. C. Christopher Couch--writing on The Yellow Kid--and Robert C. Harvey--discussing early New Yorker cartoons--are both interested in the historical development of the partnership between words and images in comics. Frank L. Cioffi traces a disjunctive relationship of opposites in the work of Andrzej Mleczko, Ben Katchor, R. Crumb, and Art Spiegelman. The last four essays explore the integration of words and images. Among five comic book adaptations of Hamlet Marion D. Perret finds one in which words and images form a dialectic. Jan Baetens critiques the semiotically inspired theory of Phillippe Marion. Catherine Khordoc explores speech balloons in Asterix the Gaul. Gene Kannenberg, Jr., demonstrates how the Chicago-based artist Chris Ware blurs the difference between word and image. The Language of Comics, however, is the first collection of critical essays on comics to explore a single issue as it affects a variety of comics. Robin Varnum, an instructor of English at the American International College in Springfield, Massachusetts, has been published in Writing on the Edge, Journal of Advanced Composition, Harvard Library Bulletin, and Rhetoric Society Quarterly. Christina T. Gibbons, an independent scholar living in Brattleboro, Vermont, has been published in Journal of Regional Cultures.

The Visual Language of Comics

The Visual Language of Comics PDF Author: Neil Cohn
Publisher: A&C Black
ISBN: 1441174516
Category : Language Arts & Disciplines
Languages : en
Pages : 240

Book Description
Drawings and sequential images are an integral part of human expression dating back at least as far as cave paintings, and in contemporary society appear most prominently in comics. Despite this fundamental part of human identity, little work has explored the comprehension and cognitive underpinnings of visual narratives-until now. This work presents a provocative theory: that drawings and sequential images are structured the same as language. Building on contemporary theories from linguistics and cognitive psychology, it argues that comics are written in a visual language of sequential images that combines with text. Like spoken and signed languages, visual narratives use a lexicon of systematic patterns stored in memory, strategies for combining these patterns into meaningful units, and a hierarchic grammar governing the combination of sequential images into coherent expressions. Filled with examples and illustrations, this book details each of these levels of structure, explains how cross-cultural differences arise in diverse visual languages of the world, and describes what the newest neuroscience research reveals about the brain's comprehension of visual narratives. From this emerges the foundation for a new line of research within the linguistic and cognitive sciences, raising intriguing questions about the connections between language and the diversity of humans' expressive behaviours in the mind and brain.

Comics and Language

Comics and Language PDF Author: Hannah Miodrag
Publisher: Univ. Press of Mississippi
ISBN: 1617038040
Category : Literary Collections
Languages : en
Pages : 282

Book Description
A new theoretical framework that critiques many of the assumptions of comics studies

Understanding Comics

Understanding Comics PDF Author: Scott McCloud
Publisher: Harper Collins
ISBN: 006097625X
Category : Comics & Graphic Novels
Languages : en
Pages : 226

Book Description
Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, this innovative comic book provides a detailed look at the history, meaning, and art of comics and cartooning.

The Art of Comics

The Art of Comics PDF Author: Aaron Meskin
Publisher: John Wiley & Sons
ISBN: 1118799461
Category : Philosophy
Languages : en
Pages : 4

Book Description
THE ART OF COMICS The Art of Comics: A Philosophical Introduction is the first-ever collection of essays published in English devoted to the philosophical questions raised by the art of comics. The volume, which includes a preface by the renowned comics author Warren Ellis, contains ten cutting-edge essays on a range of philosophical topics raised by comics and graphic novels. These include the definition of comics, the nature of comics genres, the relationship between comics and other arts such as film and literature, the way words and pictures combine in comics, comics authorship, the “language” of comics, and the metaphysics of comics. The book also contains an in-depth introduction by the co-editors which provides an overview of both the book and its subject, as well as a brief history of comics and an overview of extant work on the philosophy of comics. In an area of growing philosophical interest, this volume constitutes a great leap forward in the development of this fast expanding field, and makes a major contribution to the philosophy of art.

Who Understands Comics?

Who Understands Comics? PDF Author: Neil Cohn
Publisher: Bloomsbury Publishing
ISBN: 135015606X
Category : Literary Criticism
Languages : en
Pages : 256

Book Description
Drawings and sequential images are so pervasive in contemporary society that we may take their understanding for granted. But how transparent are they really, and how universally are they understood? Combining recent advances from linguistics, cognitive science, and clinical psychology, this book argues that visual narratives involve greater complexity and require a lot more decoding than widely thought. Although increasingly used beyond the sphere of entertainment as materials in humanitarian, educational, and experimental contexts, Neil Cohn demonstrates that their universal comprehension cannot be assumed. Instead, understanding a visual language requires a fluency that is contingent on exposure and practice with a graphic system. Bringing together a rich but scattered literature on how people comprehend, and learn to comprehend, a sequence of images, this book coalesces research from a diverse range of fields into a broader interdisciplinary view of visual narrative to ask: Who Understands Comics?

Comics as History, Comics as Literature

Comics as History, Comics as Literature PDF Author: Annessa Ann Babic
Publisher: Rowman & Littlefield
ISBN: 1611475570
Category : Literary Criticism
Languages : en
Pages : 274

Book Description
This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market versus the American one. Few resources currently exist showing the cross-disciplinary aspects of comics. Some of the chapters examine the use of Wonder Woman during World War II, the development and culture of French comics, and theories of Locke and Hobbs in regards to the state of nature and the bonds of community. More so, the continual use of comics for the retelling of classic tales and current events demonstrates that the genre has long passed the phase of for children’s eyes only. Additionally, this anthology also weaves graphic novels into the dialogue with comics.

The Lexicon of Comicana

The Lexicon of Comicana PDF Author: Mort Walker
Publisher: Backinprint.com
ISBN: 9780595089024
Category : Cartooning
Languages : en
Pages : 0

Book Description
"Written as a satire on the comic devices cartoonists use, [this] book quickly became a textbook for art students. Walker researched cartoons around the world to collect this international set of cartoon symbols. The names he invented for them now appear in dictionaries."--Page 4 of cover
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