Experimental Drawing, 30th Anniversary Edition

Author: Robert Kaupelis
Publisher: National Geographic Books
ISBN: 0823016226
Category : Art
Languages : en
Pages : 0

Book Description
Stimulating exercises to help beginner to advanced students push the boundaries of traditional drawing. As with most art forms, it's best to comprehend traditional drawing techniques before you break the rules. But once you've mastered the basics, you may find that you gravitate to more abstract ways of rendering everything from still lifes to figures. However, this book is not only about avant-garde style; it is experimental in that it forces the artist out of his or her comfort zone, whatever that might be. In this book, renowned New York University professor, Robert Kaupelis, shares the tutorials that he used with his students, offering illustrations of drawings and paintings from old masters to contemporary artists (and even some outstanding works from his students) to explain techniques. Covering everything from creating form through contour drawings to drawing with new technology, Experimental Drawing helps you zero in on concepts and form ideas that may take your work to a new and more intriguing level. Some of the innovative exercises you'll find here include: • Drawing models while blindfolded • Engaging in group drawing sessions popularized during the Dada era • Utilizing different drawing materials like glass, plastic, feathers, string, sponges, metal dust, and more • Reducing a post's brushstroke from six to one • Using cross-contour lines for a more abstract still life • Integrating a grid system on a carefully rendered scene to create an illusion of distorted space and movement • And much more... This classic volume's inventive and stimulating projects will help serious artists develop their own vision and their own way to draw. Includes more than 200 spectacular drawings by old and modern masters from Michelangelo to Jasper Johns.

Experimental Drawing

Author: Robert Kaupelis
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 200

Book Description
Creative exercises illustrated by old and modern masters including da Vinci, Michelangelo, Durer, Degas, Picasso, de Kooning, Dine, and Rauschenberg. Table of Contents: - Chapter One: A Few Words - Chapter Two: Some Basics--Contour, Gesture, and Modeled Drawing - Chapter Three: Organization/Structure--Making Things "Work Together" - Chapter Four: Using Light and Dark - Chapter Five: Photographs, Grids, and Projected Images - Chapter Six: Probing a Single Form-Idea - Chapter Seven: Old and Modern Masters--Appreciated and Exploited - Chapter Eight: Drawing Extended - Chapter Nine: Now to Begin...

Expressive Figure Drawing

Author: Bill Buchman
Publisher: Watson-Guptill
ISBN: 0823033147
Category : Art
Languages : en
Pages : 178

Book Description
Throughout the history of art, figure drawing has been regarded as the very foundation of an artist’s education and the center of the art-making process. Bill Buchman’s Expressive Figure Drawing presents the classic fundamentals of this genre, but with a distinctly contemporary twist—celebrating freedom, expressiveness, and creativity. This unique method incorporates more than 30 essential exercises, empowering you to draw the figure dramatically and with confidence, no matter your current level of skill. Filled with step-by-step demonstrations, inspiring images, and insightful text revealing a wide range of techniques and concepts, this book presents new ways to think about the figure and use your materials to free the artist within.

Experiential Drawing

Author: Robert Regis Dvorak
Publisher: Crisp Pub Incorporated
ISBN: 9781560520658
Category : Art
Languages : en
Pages : 135

Book Description
This spontaneous and creative approach to the drawing process focuses on careful observation and personal discovery rather than rules, increasing visual perception in simple steps. This spontaneous and creative approach to the drawing process focuses on careful observation and personal discovery rather than rules, increasing visual perception in simple steps.

Contemporary Drawing

Author: Margaret Davidson
Publisher: Watson-Guptill
ISBN: 082302718X
Category : Art
Languages : en
Pages : 192

Book Description
Drawing is experiencing an unparalleled surge in the art world. Passé notions that once defined drawing as being a preparatory stage for painting or sculpture have long since been cast aside. Drawing is now fully recognized as its own art form—in the biennials, art fairs, museum exhibitions, and beyond. Drawing has come of age. Contemporary artists are increasingly discovering that drawing is something unique and different from painting. It is an intense, sensitive, compelling, personal, and utterly direct art form, one with its own concepts, characteristics, and techniques. In addition, contemporary drawing is not governed by any particular imagery, but rather encompasses a variety of approaches, including realist, abstract, modernist, and post-modernist. Contemporary Drawing delves into the essential and far-reaching concepts of this medium, exploring surface, mark, space, composition, scale, materials, and intentionality in turn. Key techniques, such as using nature to induce marks and working with a checklist to determine a drawing’s problems, are introduced throughout. Plus, an in-depth chapter examines a number of artists, such as William Kentridge and Gego, who are breaking traditional boundaries that separate one artistic discipline from another. Lushly illustrated by a wide range of highly accomplished contemporary artists, Contemporary Drawing offers a broad perspective on this expansive and energized field of art.

Places of Invention

Author: Arthur P. Molella
Publisher: Smithsonian Institution
ISBN: 1935623680
Category : History
Languages : en
Pages : 313

Book Description
The companion book to an upcoming museum exhibition of the same name, Places of Invention seeks to answer timely questions about the nature of invention and innovation: What is it about some places that sparks invention and innovation? Is it simply being at the right place at the right time, or is it more than that? How does “place”—whether physical, social, or cultural—support, constrain, and shape innovation? Why does invention flourish in one spot but struggle in another, even very similar location? In short: Why there? Why then? Places of Invention frames current and historic conversation on the relationship between place and creativity, citing extensive scholarship in the area and two decades of investigation and study from the National Museum of American History’s Lemelson Center for the Study of Invention and Innovation. The book is built around six place case studies: Hartford, CT, late 1800s; Hollywood, CA, 1930s; Medical Alley, MN, 1950s; Bronx, NY,1970s; Silicon Valley, CA, 1970s–1980s; and Fort Collins, CO, 2010s. Interspersed with these case studies are dispatches from three “learning labs” detailing Smithsonian Affiliate museums’ work using Places of Invention as a model for documenting local invention and innovation. Written by exhibition curators, each part of the book focuses on the central thesis that invention is everywhere and fueled by unique combinations of creative people, ready resources, and inspiring surroundings. Like the locations it explores, Places of Invention shows how the history of invention can be a transformative lens for understanding local history and cultivating creativity on scales of place ranging from the personal to the national and beyond.

The 'How-to' of Sketching

Author: Serge Hollerbach
Publisher: AuthorHouse
ISBN: 1418477389
Category : Art
Languages : en
Pages : 54

Book Description
Concise, direct and practical, The "How-To" of Sketching is an invaluable guide to developing or improving your ability to sketch expressive and lively line drawings. The biggest hurdle for many beginning and improving artists is knowing where to begin and what to do on a regular basis to keep developing. Many books on drawing technique stress academic rote exercises, but don't talk much about the process of drawing itself. In his unique conversational style, Hollerbach sets the artist on the path to sharpening basic skills with specfic recommendations on which subjects to focus. He highlights practical tips with which to tackle recurring problems, such as judging proportions, establishing angles, distribution of weight, folds in clothing, hair, eyeglasses, and much more. The book is copiously illustrated with dozens of original sketches by the author, each demonstrating a particular concept or technique. This is the book you will want to carry with you all the time, along with your own sketchbook.

Drawing in Black & White

Author: Deborah Velasquez
Publisher:
ISBN: 1631592807
Category : Art
Languages : en
Pages : 147

Book Description
Learn to work with only positive and negative lines and master the basics of composition, balance, and harmony with Drawing in Black & White.

Draw 50 Princesses

Author: Lee J. Ames
Publisher: Watson-Guptill
ISBN: 077043293X
Category : Art
Languages : en
Pages : 66

Book Description
Draw 50 Princesses teaches aspiring artists how to draw with ease by following simple, step-by-step instructions. Acclaimed author Lee J. Ames shows us how to draw an enchanting variety of beautiful princesses, including beloved favorites from fairy tales like Cinderella, Sleeping Beauty, and Snow White as well as princesses from around the world. In these pages you’ll also find a castle, a throne, Prince Charming, and much more. Lee J. Ames’s drawing method has proven successful for children and adults alike over the past thirty years. The twenty-nine books in the Draw 50 series have sold more than 3 million copies and have shown everyone from amateurs to experts how to draw everything from animals to airplanes. Even the youngest artists can make these elegant ladies look great. It’s easy to draw princesses when you do it the Draw 50 way.

Anti-Book

Author: Nicholas Thoburn
Publisher: U of Minnesota Press
ISBN: 1452951993
Category : Literary Criticism
Languages : en
Pages : 379

Book Description
No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce. His critique is, instead, one immersed in the many materialities of text. Anti-Book engages with an array of writing and publishing projects, including Antonin Artaud’s paper gris-gris, Valerie Solanas’s SCUM Manifesto, Guy Debord’s sandpaper-bound Mémoires, the collective novelist Wu Ming, and the digital/print hybrid of Mute magazine. Empirically grounded, it is also a major achievement in expressing a political philosophy of writing and publishing, where the materiality of text is interlaced with conceptual production. Each chapter investigates a different form of textual media in concert with a particular concept: the small-press pamphlet as “communist object,” the magazine as “diagrammatic publishing,” political books in the modes of “root” and “rhizome,” the “multiple single” of anonymous authorship, and myth as “unidentified narrative object.” An absorbingly written contribution to contemporary media theory in all its manifestations, Anti-Book will enrich current debates about radical publishing, artists’ books and other new genre and media forms in alternative media, art publishing, media studies, cultural studies, critical theory, and social and political theory.