The Complete Brecht Toolkit

The Complete Brecht Toolkit PDF Author: Stephen Unwin
Publisher:
ISBN: 9781854595508
Category : Theater
Languages : en
Pages : 0

Book Description
"Examines, one by one, Brecht's many, sometimes contradictory ideas about theatre - and how he put them into practice. Here are explanations of all the famous key terms, such as Alienation Effect, Epic Theatre and Gestus, as well as the many others which go to make up what we think of as 'Brechtian theatre'. There follows a section which looks at the practical application of these theories in Acting, Language, Music, Design and Direction."--P. [4] of cover.

The Complete Stanislavsky Toolkit

The Complete Stanislavsky Toolkit PDF Author: Bella Merlin
Publisher: Theatre Communications Group
ISBN: 9781848424067
Category : Method acting
Languages : en
Pages : 340

Book Description
A revised and updated edition of Bella Merlin's essential guide to Stanislavsky. The Complete Stanislavsky Toolkit collects together for the first time the terms and ideas developed by Stanislavsky throughout his career. It is organised into three sections: Actor-Training, Rehearsal Processes and Performance Practices. Key terms are explained and defined as they naturally occur in this process. They are illustrated with examples from both his own work and that of other practitioners. Each stage of the process is explored with sequences of practical exercises designed to help today's actors and students become thoroughly familiar with the tools in Stanislavsky's toolkit. 'Bella Merlin magically converts her extensive knowledge into real-world practice and on-the-floor technique.

So You Want to be a Theatre Director?

So You Want to be a Theatre Director? PDF Author: Stephen Unwin
Publisher: Nick Hern Books
ISBN: 1854597795
Category : Drama
Languages : en
Pages : 256

Book Description
A hands-on, step-by-step guide to directing plays--by one of Britain's leading theatre directors.

Beyond Stanislavsky

Beyond Stanislavsky PDF Author: Bella Merlin
Publisher: Routledge
ISBN: 1135867372
Category : Performing Arts
Languages : en
Pages : 285

Book Description
Beyond Stanislavsky takes the reader through a course in the new system, complete with exercises. Infused with the author's personal experience this is never a set of dry instructions, but a vital engagement with Stanislavsky's mature ideas on actor training.

Brecht and Method

Brecht and Method PDF Author: Fredric Jameson
Publisher: Verso
ISBN: 9781859842492
Category : Drama
Languages : en
Pages : 196

Book Description
Fredric Jameson argues that Brecht's method was a multi-layered process of reflection and self-reflection, reference and self-reference, which allows individuals to situate themselves historically and think for themselves.

The Literary Theory Toolkit

The Literary Theory Toolkit PDF Author: Herman Rapaport
Publisher: John Wiley & Sons
ISBN: 1405170476
Category : Literary Criticism
Languages : en
Pages : 326

Book Description
The Literary Theory Toolkit offers readers a rich compendium of key terms, concepts, and arguments necessary for the study of literature in a critical-theoretical context. Includes varied examples drawn from readily available literary texts spanning all periods and genres Features a chapter on performance, something not usually covered in similar texts Covers differing theories of the public sphere, ideology, power, and the social relations necessary for the understanding of approaches to literature

The Complete Stanislavsky Toolkit

The Complete Stanislavsky Toolkit PDF Author: Bella Merlin
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 364

Book Description
A practical, hands-on guide to Stanislavsky's famous 'system' and to his later rehearsal processes - for actors, directors, teachers and students. From the author of Beyond Stanislavsky.The Complete Stanislavsky Toolkit collects together for the first time the terms and ideas developed by Stanislavsky throughout his career.It is organised into three sections: Actor-Training, Rehearsal Processes and Performance Practices. Key terms are explained and defined as they naturally occur in this process. They are illustrated with examples from both his own work and that of other practitioners.Each stage of the process is explored with sequences of practical exercises designed to help today's actors and students become thoroughly familiar with the tools in Stanislavsky's toolkit.

Brecht

Brecht PDF Author: David Zoob
Publisher:
ISBN: 9781848425361
Category : Acting
Languages : en
Pages : 240

Book Description
A bold and exciting new approach to Bertolt Brecht, making his theories and ideas about theatre accessible to a new generation of actors, directors, students and theatre-makers, and showing how they can be put into practice. Theatre practitioner and academic David Zoob demystifies Brecht's theories, and offers an approach to study and performance that can be applied to a wide range of texts and theatre styles. With close analysis of texts by writers including Shakespeare, Chekhov, Miller, Pinter, and of course Brecht himself, the author demonstrates how Brechtian techniques can provide practical pathways to exploring plays across the canon, as well as non-traditional forms of theatre. Also included are dozens of exercises to help turn theory into practice, and explore what Brecht's ideas mean for actors and directors, both in training and rehearsal. Whether you're a student, a teacher, an actor or a theatre-maker, this book will change the way you view and work with Brecht. 'Zoob has engaged with Brecht's many and varied principles for a politicised theatre and channelled them into a wide range of novel and innovative exercises that are applicable to a great many dramas and can equally interrogate devised material... Excellent ' David Barnett, Professor of Theatre, University of York, and author of Brecht in Practice

Training of the American Actor (Large Print 16pt)

Training of the American Actor (Large Print 16pt) PDF Author: Arthur Bartow
Publisher: ReadHowYouWant.com
ISBN: 1458781267
Category : Drama
Languages : en
Pages : 530

Book Description
The first comprehensive survey and study of the major techniques developed by and for the American actor over the past 60 years. Presented side-by-side, each of the 10 disciplines included is described in detail by one of today's foremost practitioners. An invaluable resource both for the young actor embarking on a career and for the theatre professional polishing his or her craft. ''successful acting must reflect a society's current beliefs. The men and women who developed each new technique were convinced that previous methods were not equal to the full challenges of their time and place, and the techniques in this book have been adapted to current needs in order to continue to be successful methods for training actors. The actor's journey is an individual one, and the actor seeks a form, or a variety of forms, of training that will assist in unlocking his own creative gifts of expression.''

Twentieth Century Actor Training

Twentieth Century Actor Training PDF Author: Alison Hodge
Publisher: Psychology Press
ISBN: 0415194512
Category : Art
Languages : en
Pages : 271

Book Description
THE SECOND EDITION OF THIS TITLE, ENTITLED ACTOR TRAINING, IS NOW AVAILABLE. Actor training is arguably the central phenomenon of twentieth century theatre making. Here for the first time, the theories, training exercises and productions of fourteen directors are analysed in a single volume, each one written by a leading expert. The practitioners included are: * Stella Adler * Bertolt Brecht * Joseph Chaikin * Jacques Copeau * Joan Littlewood * Vsevelod Meyerhold * Konstantin Stanislavsky * Eugenio Barba * Peter Brook * Michael Chekhov * Jerzy Grotowski * Sanford Meisner * Wlodimierz Staniewski * Lee Strasbourg Each chapter provides a unique account of specific training exercises and an analysis of their relationship to the practitioners theoretical and aesthetic concerns. The collection examines the relationship between actor training and production and considers how directly the actor training relates to performance. With detailed accounts of the principles, exercises and their application to many of the landmark productions of the past hundred years, this book will be invaluable to students, teachers, practitioners, and academics alike.
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