Author: John Armitage
Publisher: A&C Black
ISBN: 1847143512
Category : Social Science
Languages : en
Pages : 214
Book Description
Cyberspace and cybertechnology have impacted on every aspect of our lives. Western society, culture, politics and economics are now all intricately bound with cyberspace. Living With Cyberspace brings together the leading cyber-theorists of North America, Britain and Australia to map the present and the future of cyberspace.Presenting a guidebook to our new world, both the theory and the practice, the book covers subjects as diverse as androids, biotech, electronic commerce, the acceleration of everyday life, access to information, the alliance between the military and the entertainment industries, feminism, democratic practice and human consciousness itself.Together, the essays--divided into separately introduced sections on society , culture, politics and economics--present a systematic and state-of-the-art overview of technology and society in the 21st Century.Contributors: John Armitage, Verena Andermatt Conley, James Der Derian, William H. Dutton, Phil Graham, Tim Jordan, Wan-Ying Ling, David Lyon, Ian Miles, Joanne Roberts, Saskia Sassen, Cathryn Vasseleu, McKenzie Wark, Frank Webster.
Visual Culture and the Forensic
Author: David Houston Jones
Publisher: Routledge
ISBN: 100054673X
Category : Art
Languages : en
Pages : 162
Book Description
David Houston Jones builds a bridge between practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example in performance and installation art as well as photography. Contemporary work in these areas responds both to forensic evidence, including crime scene photography, and to some of the assumptions underpinning its consumption. It asks how we look, and in whose name, foregrounding and scrutinising the enduring presence of voyeurism in visual media and instituting new forms of ethical engagement. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. It displays an enduring debt to the discursive model of testimony which has so far been insufficiently recognised, and which forms the basis for a new ethical understanding of the forensic. Jones’s analysis brings this methodology to bear upon a strand of contemporary visual activity that has the power to significantly redefine our understandings of the production, analysis and deployment of evidence. Artists examined include Forensic Architecture, Simon Norfolk, Melanie Pullen, Angela Strassheim, John Gerrard, Julian Charrière, Trevor Paglen, Laura Poitras and Sophie Ristelhueber. The book will be of interest to scholars working in art history, visual culture, literary studies, modern languages, photography and critical theory.
Publisher: Routledge
ISBN: 100054673X
Category : Art
Languages : en
Pages : 162
Book Description
David Houston Jones builds a bridge between practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example in performance and installation art as well as photography. Contemporary work in these areas responds both to forensic evidence, including crime scene photography, and to some of the assumptions underpinning its consumption. It asks how we look, and in whose name, foregrounding and scrutinising the enduring presence of voyeurism in visual media and instituting new forms of ethical engagement. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. It displays an enduring debt to the discursive model of testimony which has so far been insufficiently recognised, and which forms the basis for a new ethical understanding of the forensic. Jones’s analysis brings this methodology to bear upon a strand of contemporary visual activity that has the power to significantly redefine our understandings of the production, analysis and deployment of evidence. Artists examined include Forensic Architecture, Simon Norfolk, Melanie Pullen, Angela Strassheim, John Gerrard, Julian Charrière, Trevor Paglen, Laura Poitras and Sophie Ristelhueber. The book will be of interest to scholars working in art history, visual culture, literary studies, modern languages, photography and critical theory.
Contours of Culture
Author: Robbie B.H. Goh
Publisher: Hong Kong University Press
ISBN: 9789622097315
Category : Social Science
Languages : en
Pages : 282
Book Description
This volume discusses the urban history and cultural landscape of Singapore in relation to theories of textual dialogics, multiculturalism and the cultural and political unconscious. Multidisciplinary in approach, it takes as its data not only government policy and official discourses, and the more quantitative elements of population census information on religion, income, race and nationality, but also a wide range of related cultural discourses in film, literature, media texts, social behaviour and other interventions and interpretations of the city. The main parameters of Singapore’s socio-national construction—public housing, social elitism, racial and linguistic plurality and their management, colonial remnants and their transformation—are explained and analysed in terms of Singapore’s colonial past, its rapid modernization, and its current push to compete as a global city and tourist destination. This multidisciplinary book should be of interest to a correspondingly wide readership, including architects and urban planners, political scientists, cultural analysts and theorists, colonial discourse scholars, urban geographers and sociologists, Asian studies specialists, graduate and undergraduate students in the above areas, and a general readership interested in cities and cultures. “This is a remarkable book. By taking a series of readings of Singapore’s urban culture, it chronicles the emergence of a new city form which, through the coming together of quite particular narratives of modernity, nationhood and identity may well be providing a much more general spatial model for Asian cities. Simultaneously, it provides a gripping account of how to read the possibilities and tensions that this model throws up.” —Nigel J. Thrift, Oxford University “Goh’s theoretically sophisticated and creative analysis of Singapore’s society, space and culture and his brilliant critique of the city’s official policies of self-representation is a marvellous tour de force. An astute urban semiotician and interpreter of cultural signs, Goh draws on films, figures and fiction to provide a fascinating reading of a city preparing for global competition. Questions of ethnicity, class, sexuality, national identity, architecture and space are brought together in an imaginative—as well as provocative—exercise of symbolic explication and analysis. Essential for studies of Asian urbanism and a model for students of the (so-called) ‘global city’.” —Anthony King, State University of New York at Binghamton “In Contours of Culture Robbie Goh has achieved what many specialists in cultural studies have attempted only metaphorically, by successfully fusing the materiality of spatiality with the symbolic realm of cultural processes. The result is an absorbing and nuanced interpretation of the meaning of the landscapes of Singapore, where space serves as a text that reflects and reproduces the political cultures of a global city in a state of constant re-invention.” —David Ley, University of British Columbia, Canada
Publisher: Hong Kong University Press
ISBN: 9789622097315
Category : Social Science
Languages : en
Pages : 282
Book Description
This volume discusses the urban history and cultural landscape of Singapore in relation to theories of textual dialogics, multiculturalism and the cultural and political unconscious. Multidisciplinary in approach, it takes as its data not only government policy and official discourses, and the more quantitative elements of population census information on religion, income, race and nationality, but also a wide range of related cultural discourses in film, literature, media texts, social behaviour and other interventions and interpretations of the city. The main parameters of Singapore’s socio-national construction—public housing, social elitism, racial and linguistic plurality and their management, colonial remnants and their transformation—are explained and analysed in terms of Singapore’s colonial past, its rapid modernization, and its current push to compete as a global city and tourist destination. This multidisciplinary book should be of interest to a correspondingly wide readership, including architects and urban planners, political scientists, cultural analysts and theorists, colonial discourse scholars, urban geographers and sociologists, Asian studies specialists, graduate and undergraduate students in the above areas, and a general readership interested in cities and cultures. “This is a remarkable book. By taking a series of readings of Singapore’s urban culture, it chronicles the emergence of a new city form which, through the coming together of quite particular narratives of modernity, nationhood and identity may well be providing a much more general spatial model for Asian cities. Simultaneously, it provides a gripping account of how to read the possibilities and tensions that this model throws up.” —Nigel J. Thrift, Oxford University “Goh’s theoretically sophisticated and creative analysis of Singapore’s society, space and culture and his brilliant critique of the city’s official policies of self-representation is a marvellous tour de force. An astute urban semiotician and interpreter of cultural signs, Goh draws on films, figures and fiction to provide a fascinating reading of a city preparing for global competition. Questions of ethnicity, class, sexuality, national identity, architecture and space are brought together in an imaginative—as well as provocative—exercise of symbolic explication and analysis. Essential for studies of Asian urbanism and a model for students of the (so-called) ‘global city’.” —Anthony King, State University of New York at Binghamton “In Contours of Culture Robbie Goh has achieved what many specialists in cultural studies have attempted only metaphorically, by successfully fusing the materiality of spatiality with the symbolic realm of cultural processes. The result is an absorbing and nuanced interpretation of the meaning of the landscapes of Singapore, where space serves as a text that reflects and reproduces the political cultures of a global city in a state of constant re-invention.” —David Ley, University of British Columbia, Canada
Modern and Contemporary Yorkshire Poetry
Author: Kyra Piperides
Publisher: Taylor & Francis
ISBN: 1000910393
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
Delving into the landscapes and politics of twentieth- and twenty-first-century South, East, and West Yorkshire, Modern and Contemporary Yorkshire Poetry: Cultural Identities, Political Crises theorises Yorkshire as a distinct region of poetry in its own right. In outlining the commonalities and parameters of this branch of poetry, Modern and Contemporary Yorkshire Poetry engages the work with a selection of poets writing in and about the region since 1945, including Philip Larkin, Ted Hughes, Simon Armitage, Helen Mort, Zaffar Kunial, Kate Fox, and Vicky Foster. Charting the developments in Yorkshire poetry, this book explores several key contexts – including deindustrialisation, the Miners’ Strikes, and Brexit – in detail, evidencing the impacts of these sociopolitical events on the poetry of a region. Modern and Contemporary Yorkshire Poetry investigates 75 years of poetry to ask the question: what is Yorkshire poetry? In other words, what is it that connects poems by these writers, whilst setting them apart from poetry of other UK regions?
Publisher: Taylor & Francis
ISBN: 1000910393
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
Delving into the landscapes and politics of twentieth- and twenty-first-century South, East, and West Yorkshire, Modern and Contemporary Yorkshire Poetry: Cultural Identities, Political Crises theorises Yorkshire as a distinct region of poetry in its own right. In outlining the commonalities and parameters of this branch of poetry, Modern and Contemporary Yorkshire Poetry engages the work with a selection of poets writing in and about the region since 1945, including Philip Larkin, Ted Hughes, Simon Armitage, Helen Mort, Zaffar Kunial, Kate Fox, and Vicky Foster. Charting the developments in Yorkshire poetry, this book explores several key contexts – including deindustrialisation, the Miners’ Strikes, and Brexit – in detail, evidencing the impacts of these sociopolitical events on the poetry of a region. Modern and Contemporary Yorkshire Poetry investigates 75 years of poetry to ask the question: what is Yorkshire poetry? In other words, what is it that connects poems by these writers, whilst setting them apart from poetry of other UK regions?
Temporalities, Texts, Ideologies
Author: Bobby Xinyue
Publisher: Bloomsbury Publishing
ISBN: 1350257230
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Temporalities, Texts, Ideologies provides a new analysis of the significance of time in Classical and early modern literature, demonstrating that literary temporality continually intervenes in questions of ontology, hierarchy and politics. Examining a diverse range of texts from Homeric epic to eighteenth-century poems on the Last Judgement, this collection of essays contends that temporality in literature sits at the heart of how authors from antiquity through to the early modern period understood and negotiated the structures that shaped their lives and may shape lives to come. Approaching the topic through four themes, the essays in this volume highlight the ways in which time is construed as relational, contestable and politically inflected. The authors show that variations in temporalities enable texts to critique the interactions or tensions between tradition and change, agency and determinism, social system and individual experience. The result is a refreshing approach to literary figurations of time that responds to the recent 'temporal turn' in the humanities, engages with current critical trends (such as ontological analysis and ecological criticism), and opens up an exciting new direction for future research on the connection between time, text, and context.
Publisher: Bloomsbury Publishing
ISBN: 1350257230
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Temporalities, Texts, Ideologies provides a new analysis of the significance of time in Classical and early modern literature, demonstrating that literary temporality continually intervenes in questions of ontology, hierarchy and politics. Examining a diverse range of texts from Homeric epic to eighteenth-century poems on the Last Judgement, this collection of essays contends that temporality in literature sits at the heart of how authors from antiquity through to the early modern period understood and negotiated the structures that shaped their lives and may shape lives to come. Approaching the topic through four themes, the essays in this volume highlight the ways in which time is construed as relational, contestable and politically inflected. The authors show that variations in temporalities enable texts to critique the interactions or tensions between tradition and change, agency and determinism, social system and individual experience. The result is a refreshing approach to literary figurations of time that responds to the recent 'temporal turn' in the humanities, engages with current critical trends (such as ontological analysis and ecological criticism), and opens up an exciting new direction for future research on the connection between time, text, and context.
Desiring Martyrs
Author: Harry O. Maier
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110682710
Category : History
Languages : en
Pages : 276
Book Description
Martyrs create space and time through the actions they take, the fate they suffer, the stories they prompt, the cultural narratives against which they take place and the retelling of their tales in different places and contexts. The title "Desiring Martyrs" is meant in two senses. First, it refers to protagonists and antagonists of the martyrdom narratives who as literary characters seek martyrs and the way they inscribe certain kinds of cultural and social desire. Second, it describes the later celebration of martyrs via narrative, martyrdom acts, monuments, inscriptions, martyria, liturgical commemoration, pilgrimage, etc. Here there is a cultural desire to tell or remember a particular kind of story about the past that serves particular communal interests and goals. By applying the spatial turn to these ancient texts the volume seeks to advance a still nascent social geographical understanding of emergent Christian and Jewish martyrdom. It explores how martyr narratives engage pre-existing time-space configurations to result in new appropriations of earlier traditions.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110682710
Category : History
Languages : en
Pages : 276
Book Description
Martyrs create space and time through the actions they take, the fate they suffer, the stories they prompt, the cultural narratives against which they take place and the retelling of their tales in different places and contexts. The title "Desiring Martyrs" is meant in two senses. First, it refers to protagonists and antagonists of the martyrdom narratives who as literary characters seek martyrs and the way they inscribe certain kinds of cultural and social desire. Second, it describes the later celebration of martyrs via narrative, martyrdom acts, monuments, inscriptions, martyria, liturgical commemoration, pilgrimage, etc. Here there is a cultural desire to tell or remember a particular kind of story about the past that serves particular communal interests and goals. By applying the spatial turn to these ancient texts the volume seeks to advance a still nascent social geographical understanding of emergent Christian and Jewish martyrdom. It explores how martyr narratives engage pre-existing time-space configurations to result in new appropriations of earlier traditions.
The 15-Minute City
Author: Carlos Moreno
Publisher: John Wiley & Sons
ISBN: 1394228147
Category : Architecture
Languages : en
Pages : 313
Book Description
A fresh and innovative perspective on urban issues and creating sustainable cities In The 15-Minute City: A Solution for Saving Our Time and Our Planet, human city pioneer and international scientific advisor Carlos Moreno delivers an exciting and insightful discussion of the deceptively simple and revolutionary idea that everyday destinations like schools, stores, and offices should only be a short walk or bike ride away from home. This book tells the story of an idea that spread from city to city, describing a new way of looking at living that addresses many of the most intractable challenges of our time. Hundreds of mayors worldwide have already embraced the concept as a way to help recover from the pandemic, and the idea continues to gain speed. You'll learn why more and more cities are planning to make cars far less necessary for contemporary city-dwellers and how they're planning to achieve that goal. You'll also find: Strategies for cities to recover and adapt to benefit residents, saving them precious time Techniques to change the habits of automobile-dependent city residents and maximize social benefits of living in a human-centric city Scientifically developed, research-backed solutions for enduring urban issues and problems Deeply committed to science, progress, and creativity, Moreno presents an essential and timely resource in The 15-Minute City, which will prove invaluable to anyone with an interest in modern and innovative approaches to consistently challenging urban issues that have bedeviled policy makers and city residents since the invention of the car.
Publisher: John Wiley & Sons
ISBN: 1394228147
Category : Architecture
Languages : en
Pages : 313
Book Description
A fresh and innovative perspective on urban issues and creating sustainable cities In The 15-Minute City: A Solution for Saving Our Time and Our Planet, human city pioneer and international scientific advisor Carlos Moreno delivers an exciting and insightful discussion of the deceptively simple and revolutionary idea that everyday destinations like schools, stores, and offices should only be a short walk or bike ride away from home. This book tells the story of an idea that spread from city to city, describing a new way of looking at living that addresses many of the most intractable challenges of our time. Hundreds of mayors worldwide have already embraced the concept as a way to help recover from the pandemic, and the idea continues to gain speed. You'll learn why more and more cities are planning to make cars far less necessary for contemporary city-dwellers and how they're planning to achieve that goal. You'll also find: Strategies for cities to recover and adapt to benefit residents, saving them precious time Techniques to change the habits of automobile-dependent city residents and maximize social benefits of living in a human-centric city Scientifically developed, research-backed solutions for enduring urban issues and problems Deeply committed to science, progress, and creativity, Moreno presents an essential and timely resource in The 15-Minute City, which will prove invaluable to anyone with an interest in modern and innovative approaches to consistently challenging urban issues that have bedeviled policy makers and city residents since the invention of the car.
Photography and Its Violations
Author: John Roberts
Publisher: Columbia University Press
ISBN: 0231538243
Category : Philosophy
Languages : en
Pages : 233
Book Description
Theorists critique photography for "objectifying" its subjects and manipulating appearances for the sake of art. In this bold counterargument, John Roberts recasts photography's violating powers of disclosure and aesthetic technique as part of a complex "social ontology" that exposes the hierarchies, divisions, and exclusions behind appearances. The photographer must "arrive unannounced" and "get in the way of the world," Roberts argues, committing photography to the truth-claims of the spectator over the self-interests and sensitivities of the subject. Yet even though the violating capacity of the photograph results from external power relations, the photographer is still faced with an ethical choice: whether to advance photography's truth-claims on the basis of these powers or to diminish or veil these powers to protect the integrity of the subject. Photography's acts of intrusion and destabilization, then, constantly test the photographer at the point of production, in the darkroom, and at the computer, especially in our 24-hour digital image culture. In this game-changing work, Roberts refunctions photography's place in the world, politically and theoretically restoring its reputation as a truth-producing medium.
Publisher: Columbia University Press
ISBN: 0231538243
Category : Philosophy
Languages : en
Pages : 233
Book Description
Theorists critique photography for "objectifying" its subjects and manipulating appearances for the sake of art. In this bold counterargument, John Roberts recasts photography's violating powers of disclosure and aesthetic technique as part of a complex "social ontology" that exposes the hierarchies, divisions, and exclusions behind appearances. The photographer must "arrive unannounced" and "get in the way of the world," Roberts argues, committing photography to the truth-claims of the spectator over the self-interests and sensitivities of the subject. Yet even though the violating capacity of the photograph results from external power relations, the photographer is still faced with an ethical choice: whether to advance photography's truth-claims on the basis of these powers or to diminish or veil these powers to protect the integrity of the subject. Photography's acts of intrusion and destabilization, then, constantly test the photographer at the point of production, in the darkroom, and at the computer, especially in our 24-hour digital image culture. In this game-changing work, Roberts refunctions photography's place in the world, politically and theoretically restoring its reputation as a truth-producing medium.
An Incurable Past
Author: Mériam N. Belli
Publisher: University Press of Florida
ISBN: 081305995X
Category : History
Languages : en
Pages : 313
Book Description
"Spanning virtually the entire twentieth century and as timely as the outbreak of the 2011 ‘January Revolution,’ this work has much to say about where Egypt has been, who Egyptians are and, ultimately, where they may take their country." --Joel Gordon, author of Nasser: Hero of the Arab Nation "A truly extraordinary accomplishment that is thought provoking, creative, and inspiring. Belli is the first in Middle Eastern studies to examine the cultural history of twentieth-century Egypt through the interactions between education and remembrance. Her revised theoretical approach is applicable not only to Middle Eastern societies and cultures, but to others worldwide." --Israel Gershoni, Tel Aviv University "An interesting history of memory that is diverse, dynamic, and disparate. Makes an outstanding contribution to our understandings of Egyptian national identity and memory." --Nancy L. Stockdale, University of North Texas Examining history not as it was recorded, but as it is remembered, An Incurable Past contextualizes the classist and deeply disappointing post-Nasserist period that has inspired today’s Egyptian revolutionaries. Public performances, songs, stories, oral histories, and everyday speech reveal not just the history of mid-twentieth-century Egypt, but also the ways in which ordinary people experience and remember the past. Constructing a ground-breaking theoretical framework, Mériam Belli demonstrates the fragility of the "collectivity" and the urgent need to replace the current method for studying collective memory with a new approach she defines as "historical utterances." Contextual and relational, these links between intimate and public historical narratives are an integral part of a society’s dialogue about its past, present, and future. Three major vernacular expressions constitute the historical utterances that illuminate the Nasserite experience and its present. The first is universal schooling and education. The second is anti-colonial struggle, as exemplified by Port Said’s effigy burning festival. The third is the public’s responses to the "miraculous millenarian" apparition of the Virgin Mary. Using an extensive array of sources, ranging from official archives and press reportage to fiction, public rituals, and oral interviews, Belli’s findings penetrate issues of class, religion, and social and political activism. She shows that personal testimonies and public representations allow us a deep understanding of Egypt’s construction of the modern in its many sociocultural layers. Mériam N. Belli is associate professor of history at the University of Iowa.
Publisher: University Press of Florida
ISBN: 081305995X
Category : History
Languages : en
Pages : 313
Book Description
"Spanning virtually the entire twentieth century and as timely as the outbreak of the 2011 ‘January Revolution,’ this work has much to say about where Egypt has been, who Egyptians are and, ultimately, where they may take their country." --Joel Gordon, author of Nasser: Hero of the Arab Nation "A truly extraordinary accomplishment that is thought provoking, creative, and inspiring. Belli is the first in Middle Eastern studies to examine the cultural history of twentieth-century Egypt through the interactions between education and remembrance. Her revised theoretical approach is applicable not only to Middle Eastern societies and cultures, but to others worldwide." --Israel Gershoni, Tel Aviv University "An interesting history of memory that is diverse, dynamic, and disparate. Makes an outstanding contribution to our understandings of Egyptian national identity and memory." --Nancy L. Stockdale, University of North Texas Examining history not as it was recorded, but as it is remembered, An Incurable Past contextualizes the classist and deeply disappointing post-Nasserist period that has inspired today’s Egyptian revolutionaries. Public performances, songs, stories, oral histories, and everyday speech reveal not just the history of mid-twentieth-century Egypt, but also the ways in which ordinary people experience and remember the past. Constructing a ground-breaking theoretical framework, Mériam Belli demonstrates the fragility of the "collectivity" and the urgent need to replace the current method for studying collective memory with a new approach she defines as "historical utterances." Contextual and relational, these links between intimate and public historical narratives are an integral part of a society’s dialogue about its past, present, and future. Three major vernacular expressions constitute the historical utterances that illuminate the Nasserite experience and its present. The first is universal schooling and education. The second is anti-colonial struggle, as exemplified by Port Said’s effigy burning festival. The third is the public’s responses to the "miraculous millenarian" apparition of the Virgin Mary. Using an extensive array of sources, ranging from official archives and press reportage to fiction, public rituals, and oral interviews, Belli’s findings penetrate issues of class, religion, and social and political activism. She shows that personal testimonies and public representations allow us a deep understanding of Egypt’s construction of the modern in its many sociocultural layers. Mériam N. Belli is associate professor of history at the University of Iowa.