Author: Elsie SingmasterPublisher:
ISBN: 9780689121630
Category : Pennsylvania
Languages : en
Pages : 284
Book Description
Author: Richard SlotkinRío Azul
Author: Richard E. W. AdamsPublisher: University of Oklahoma Press
ISBN: 9780806130767
Category : Social Science
Languages : en
Pages : 282
Book Description
Deep within the forest in northern Guatemala lie the ruins of Río Azul, a Maya city that reached one-third the size of Tikal. Discovered and partially explored in the early 1960s, Río Azul and the surrounding region were more fully investigated between 1983 and 1987 by an archaeological team led by Richard E. W. Adams. In this summary, Adams integrates the findings of field archaeologists with those of the epigraphers and art historians to recreate the life of this Maya city from the little-known Early Classic period. Remains in the Río Azul area date from 900 B.C. to A.D. 850. The data indicate that, unlike most Maya cities that have been studied, Río Azul was a frontier town, an administrative center, with alternating defense and trade outpost functions. About A.D. 385, the Río Azul region was conquered and the city founded by Tikal, serving as a Teotihuacan-linked garrison for that capital. Nearly all of the more than seven hundred structures found within Río Azul were erected between A.D. 390 and 530. Acres of pavement were laid down around some thirty complexes of residences, temples, and tombs notable for the brightly painted red hieroglyphs and murals on their walls. The elaborate complexes and sumptuous artifacts suggest a city with a heavy proportion of aristocratic families and retainers. Around A.D. 530, Río Azul appears to have been suddenly destroyed. The city was abandoned, then reoccupied--only to stagnate and finally collapse, like many other Classic Maya cities, in the late ninth century.
Regeneration Through Violence
Author: Richard SlotkinPublisher: Open Road Media
ISBN: 1504090357
Category : Social Science
Languages : en
Pages : 817
Book Description
National Book Award Finalist: A study of national myths, lore, and identity that “will interest all those concerned with American cultural history” (American Political Science Review). Winner of the American Historical Association’s Albert J. Beveridge Award for Best Book in American History In Regeneration Through Violence, the first of his trilogy on the mythology of the American West, historian and cultural critic Richard Slotkin demonstrates how the attitudes and traditions that shape American culture evolved from the social and psychological anxieties of European settlers struggling in a strange new world to claim the land and displace Native Americans. Using the popular literature of the seventeenth, eighteenth, and early nineteenth centuries—including captivity narratives, the Daniel Boone tales, and the writings of Hawthorne, Thoreau, and Melville—Slotkin traces the full development of this myth. “Deserves the careful attention of everyone concerned with the history of American culture or literature. ”—Comparative Literature “Slotkin’s large aim is to understand what kind of national myths emerged from the American frontier experience. . . . [He] discusses at length the newcomers’ search for an understanding of their first years in the New World [and] emphasizes the myths that arose from the experiences of whites with Indians and with the land.” —Western American Literature
Author: Richard SlotkinAbe
Author: Richard SlotkinPublisher: Macmillan
ISBN: 9780805066395
Category : Fiction
Languages : en
Pages : 496
Book Description
A stunning work of historical imagination, Abe immerses the reader in the past Abraham Lincoln kept hidden: the isolating poverty and frontier violence that shaped his character. Marked by the death of his beloved mother and the struggle to keep reading and learning in the face of his father's fierce disapproval, Abe perseveres, growing into the man who changed the course of American history. Abe comes of age in the course of a dramatic flatboat journey down the Ohio and Mississippi Rivers to New Orleans. Along the way, Abe and his companions encounter slavery firsthand and experience the violence -- and the pleasures -- of rough river towns, plantations, and the cities of Natchez and New Orleans. Numerous historical figures make appearances alongside the colorful characters of the Mississippi: preachers and vigilantes, planters and thieves, prostitutes and lady reformers. Transformed by what he has seen and done, Abe returns to make his final break with his father and to step out of the wilderness into New Salem -- and history. Richard Slotkin's Abe draws deeply on historical scholarship, but it is not biography. Instead, it is a vivid, persuasive re-creation of the life young Lincoln might have lived, and of the people, scenes, and influences that helped produce the character and conscience of the man often called the greatest of all Americans.
Commie Cowboys
Author: Ryan W. McMakenPublisher: Ludwig von Mises Institute
ISBN:
Category : History
Languages : en
Pages : 134
Book Description
The Western genre has long been associated with right-wing and libertarian politics, and is said to promote individualism and free-market economics. In a new look at the Western, however, Ryan McMaken shows that the Western is in fact often anti-capitalist, and in many ways, the genre attacks the dominant ideology of nineteenth-century America: classical liberalism. The classical Westerns of the mid-twentieth century often feature wealthy capitalist villains who oppress the cowardly and defenseless shopkeepers and farmers of the frontier. The gunfighter, a representative of the law and order provided by the nation-state, intervenes to provide safety and justice. In addition to attacks on capitalism, the Western attacks other prized values of the bourgeois middle classes including Christianity, education and urbanization. McMaken examines these themes as used in the films of John Ford, Anthony Mann, and Howard Hawks. These pioneers of the classical Westerns are then contrasted with later innovators such as Sergio Leone, Sam Peckinpah, and Clint Eastwood. Also included are discussions of the role of the LITTLE HOUSE ON THE PRAIRIE series, Victorian literature, and the nature of crime on the historical frontier. With a foreword by Paul A. Cantor, author of GILLIGAN UNBOUND and THE INVISIBLE HAND IN POPULAR CULTURE.
Author: William CrononGunfight: The Battle over the Right to Bear Arms in America
Author: Adam WinklerPublisher: W. W. Norton & Company
ISBN: 0393082296
Category : History
Languages : en
Pages : 376
Book Description
A provocative history that reveals how guns—not abortion, race, or religion—are at the heart of America's cultural divide. Gunfight is a timely work examining America’s four-centuries-long political battle over gun control and the right to bear arms. In this definitive and provocative history, Adam Winkler reveals how guns—not abortion, race, or religion—are at the heart of America’s cultural divide. Using the landmark 2008 case District of Columbia v. Heller—which invalidated a law banning handguns in the nation’s capital—as a springboard, Winkler brilliantly weaves together the dramatic stories of gun-rights advocates and gun-control lobbyists, providing often unexpected insights into the venomous debate that now cleaves our nation.
Invisible Natives
Author: A. J. PratsPublisher: Cornell University Press
ISBN: 9780801487545
Category : Indians in motion pictures
Languages : en
Pages : 348
Book Description
This incisive, provocative, and wide-ranging book casts a critical eye on the representation of Native Americans in the Western film since the genre's beginnings. Armando José Prats shows the ways in which film reflects cultural transformations in the course of America's historical encounter with "the Indian." He also explores the relation between the myth of conquest and American history. Among the films he discusses at length are Northwest Passage, Stagecoach, The Searchers, Hombre, Hondo, Ulzana's Raid, The Last of the Mohicans, and Dances With Wolves.Throughout, Prats emphasizes the irony that the Western seems to be able to represent Native Americans only by rendering them absent. In addition, he points out that Native Americans who appear in Westerns are almost always male; Native women rarely figure into the plot, and are often portrayed by white women rendered "Indian" by narrative necessity. Invisible Natives offers an intriguing view of the possibilities and consequences--as well as the historical sources and cultural origins--of the Western's strategies for evading the actual portrayal of Native Americans.
