Author: John Anderson Publisher: University of Illinois Press ISBN: 9780252029936 Category : Motion picture producers and directors Languages : en Pages : 152
Book Description
Edward Yang is an influential filmmaker and founder of the Taiwanese New Wave of the 1980s. Film critic John Anderson offers an overview of the work of the writer-director, which is heavily influenced by his Taiwanese roots.
Author: Michael Berry Publisher: Columbia University Press ISBN: 9780231133302 Category : Motion pictures Languages : en Pages : 592
Book Description
Interviews with Ang Lee (Crouching Tiger, Hidden Dragon) and other Chinese directors about their work & the ways it has impacted both on the film industry in China as well as on the world scene.
Author: Carlos Rojas Publisher: Oxford University Press ISBN: 019976560X Category : History Languages : en Pages : 730
Book Description
What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity — all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages.
Author: Yang Jisheng Publisher: Macmillan ISBN: 0374277931 Category : Business & Economics Languages : en Pages : 658
Book Description
An account of the famine that killed roughly thirty-six million Chinese during the Great Leap Forward examines how the communist ideologies and collectivization campaigns perpetuated by the country's leaders caused the catastrophe.
Author: Edward V. Yang Publisher: iUniverse ISBN: 1491706864 Category : Self-Help Languages : en Pages : 208
Book Description
Even though instant communications and strides in transportation have made it easier for individuals to travel and communicate, the great divide across global cultures continues. Nowhere is this more evident than between the cultures of China in the East and the United States in the West. With Chinas elevation to global superpower status, it is vital for Americans to improve their understanding of the principles that are core to the way our friends and counterparts in China think and act. In Confucius Says There Are No Fortune Cookies in China, authors Edward V. Yang, Kate Ou, and Dennis Smith discuss the customs, history, and business practices in China, with an eye toward enhancing relationships through a better understanding of the culture of the East through American eyes. Yang, Ou, and Smith translate more than one hundred combined years of real-world living and working experience in China and across Asia into practical, everyday lessons intended for anyone wishing to build better business and personal relationships in China. This guide contains one hundred lessons, including common sayings, proverbs, idioms, quotes from ancient Chinese philosophers, and the authors own experiences. Yang shares fundamental lessons derived from his personal experienceknowledge gained through his upbringing, through his traditional Chinese and US education, through his work experience in Asia and the United States, and, most importantly, through his mistakes.
Author: Jim Cheng Publisher: Columbia University Press ISBN: 0231540337 Category : Performing Arts Languages : en Pages : 586
Book Description
Compiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the disparate voices of Chinese film scholarship, charting its unique intellectual arc. Organized intuitively, the volume begins with reference materials (bibliographies, cinematographies, directories, indexes, dictionaries, and handbooks) and then moves through film history (the colonial period, Taiwan dialect film, new Taiwan cinema, the 2/28 incident); film genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); film reviews; film theory and technique; interdisciplinary studies (Taiwan and mainland China, Taiwan and Japan, film and aboriginal peoples, film and literature, film and nationality); biographical materials; film stories, screenplays, and scripts; film technology; and miscellaneous aspects of Taiwanese film scholarship (artifacts, acts of censorship, copyright law, distribution channels, film festivals, and industry practice). Works written in multiple languages include transliteration/romanized and original script entries, which follow universal AACR-2 and American cataloguing standards, and professional notations by the editors to aid in the use of sources.
Author: Yi Edward Yang Publisher: Rowman & Littlefield ISBN: 1498583458 Category : Political Science Languages : en Pages : 311
Book Description
Fueled by its surging economic strength, China has been increasingly utilizing economic tools such as trade, foreign aid, foreign direct investment, and sanctions to pursue strategic and security interests on the world stage. This approach, known as economic statecraft, has thus far received mixed policy results and ambivalent reactions from the international community. This book presents a collection of global assessment of China's economic statecraft. The contributors to this volume answer three key questions: What are the challenges faced by China’s economic statecraft? Why is China sometimes able to achieve its foreign policy objectives via economic statecraft and sometimes not? How do foreign countries, particularly the targets of China’s economic statecraft, respond to China's strategies? This comprehensive study examines economic statecraft in the context of more than a dozen nations and international organizations across four continents, thus providing a truly global perspective.
Author: Ivy I-chu Chang Publisher: Springer ISBN: 9811335672 Category : Performing Arts Languages : en Pages : 279
Book Description
This book investigates the aesthetics and politics of Post/Taiwan-New-Cinema by examining fifteen movies by six directors and frequent award winners in international film festivals. The book considers the works of such prominent directors as Edward Yang, Tsai Ming-liang and Chang Tsuo-chi and their influence on Asian films, as well as emergent phenomenal directors such as Wei Te-sheng, Zero Chou, and Chung Mong-hong. It also explores the possibility of transnational and trans-local social sphere in the interstices of layered colonial legacies, nation-state domination, and global capitalism. Considering Taiwan cinema in the wake of globalization, it analyses how these films represent the socio-political transition among multiple colonial legacies, global capitalism, and the changing cross-strait relation between Taiwan and the Mainland China. The book discusses how these films represent nomadic urban middle class, displaced transnational migrant workers, roaming children and young gangsters, and explores how the continuity/disjuncture of globalization has not only carved into historical and personal memories and individual bodies, but also influenced the transnational production modes and marketing strategies of cinema.
Author: Emilie Yueh-yu Yeh Publisher: Columbia University Press ISBN: 9780231128988 Category : Fiction Languages : en Pages : 316
Book Description
The year 2003 marked the fiftieth anniversary of James Watson's and Francis Crick's discovery of the structure of DNA, which began a revolution in the biological sciences and radically altered the way humans view life and themselves. In this poetic account Erwin Fleissner, an eminent cancer researcher and teacher, offers a personal and professional reflection on the most significant developments in molecular genetics and cell biology over the past fifty years. Vital Harmonies is a sweeping look at these crucial scientific advances and an insider's perspective on what scientists have actually learned from them. Contrasting the humanistic side of scientific research with more deterministic or "mechanical" explanations of life processes, Fleissner discusses everything from natural selection to the tradition of rational inquiry stemming from the Enlightenment. He goes on to describe the structures of macromolecules and their "organizing" principles as well as cancer genes, stem cells, and the Human Genome Project. He also explores neuronal cells and the emergence of consciousness and how biological evolution is the foundation of our personal reality as well as our global responsibility. Fleissner asserts that scientific investigations cannot negate our essential "humanness" nor should the public fear them. Taking an optimistic perspective, he argues that a deeper knowledge of ourselves as biological entities will provide us, ultimately, with greater health, serenity, and self-knowledge. Vital Harmonies gives readers, whatever their background, an engaging analysis of some of the most important questions facing humanity today.
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Author: John Anderson
Author: Michael Berry
Author: Edmond Wong
Author: Carlos Rojas
Author: Yang Jisheng
Author: Edward V. Yang
Author: Jim Cheng
Author: Yi Edward Yang
Author: Ivy I-chu Chang
Author: Emilie Yueh-yu Yeh