Author: Michael Hitchcock
Publisher: Routledge
ISBN: 1351954229
Category : Social Science
Languages : en
Pages : 361
Book Description
The word ’batik’ is possibly of Malay origin from the word ’tik’ meaning ’to drip’ or ’to drop.’ The term is applied to a resist dye technique invented independently in locations as diverse as Ancient Egypt, Japan and Turkestan. Batik is a remarkably flexible textile technique and is suited to small-scale methods of production, but demand from the fashion and tourism industries is increasing. This volume brings together the experiences and concerns of the international community of batik producers. It gives voice to their suggestions for ensuring that the producers of this traditional craft are integrated into its increasingly global production rather than excluded from it. Building on the work of batik designers and producers the book discusses the emergence of a global craft consciousness. Batik producers report on innovative measures taken both individually and collectively to hold their market position while commercial producers frequently annex and mass-produce traditional batik design. The book concludes with a discussion of marketing and production innovations and tourism which enable the producers of batik to maintain the integrity of their designs whilst harnessing the benefits of new commercial forms.
Malaysian Batik
Author: Noor Azlina Yunus
Publisher: Tuttle Publishing
ISBN: 1462908780
Category : Antiques & Collectibles
Languages : en
Pages : 438
Book Description
Malaysian Batik: Reinventing a Tradition, traces the history of batik, the materials, methods and motifs of the block-stamped and hand drawn methods, and the ways in which Malaysian batik has been transformed into a craft with international appeal. Batik is more than wax and dye applied to a length of cloth. It is an art form practiced by people around Asia. With its its bolder, abstract designs and its brighter palette, Malaysian batik is a distinctly different type of batik that has brought an exciting new dimension to this ancient method of fabric art. Historically seen as a craft, batik making in Malaysia today has segued into more of an art form, both in its creation and its uses. Historically, batik fabric was fashioned into sarongs to be worn by people across all walks of life. More often now batik fabrics are used for lifestyle products, as art pieces and, above all, for contemporary high fashion. The pieces that are created display an originality of composition and design, an effective use of color, a high level of technical expertise and a flair for working in the medium that are the hallmarks of great works of art. Many of the recent advances in Malaysian batik are due to the initiatives of the Yayasan Budi Penyayang, which has revitalized the Malaysian batik industry by adapting it to suit fashion needs and utilized the Asian fashion industry to promote and display its beauty.
Publisher: Tuttle Publishing
ISBN: 1462908780
Category : Antiques & Collectibles
Languages : en
Pages : 438
Book Description
Malaysian Batik: Reinventing a Tradition, traces the history of batik, the materials, methods and motifs of the block-stamped and hand drawn methods, and the ways in which Malaysian batik has been transformed into a craft with international appeal. Batik is more than wax and dye applied to a length of cloth. It is an art form practiced by people around Asia. With its its bolder, abstract designs and its brighter palette, Malaysian batik is a distinctly different type of batik that has brought an exciting new dimension to this ancient method of fabric art. Historically seen as a craft, batik making in Malaysia today has segued into more of an art form, both in its creation and its uses. Historically, batik fabric was fashioned into sarongs to be worn by people across all walks of life. More often now batik fabrics are used for lifestyle products, as art pieces and, above all, for contemporary high fashion. The pieces that are created display an originality of composition and design, an effective use of color, a high level of technical expertise and a flair for working in the medium that are the hallmarks of great works of art. Many of the recent advances in Malaysian batik are due to the initiatives of the Yayasan Budi Penyayang, which has revitalized the Malaysian batik industry by adapting it to suit fashion needs and utilized the Asian fashion industry to promote and display its beauty.
蜡染
Author: Chor Lin Lee
Publisher: Didier Millet,Csi
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 152
Book Description
For the Javanese, batik is more than just shirts and sarung, The patterns and motifs express their various local identities; they are statements of Javanese life and philosophy.
Publisher: Didier Millet,Csi
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 152
Book Description
For the Javanese, batik is more than just shirts and sarung, The patterns and motifs express their various local identities; they are statements of Javanese life and philosophy.
ICONECT 2019
Author: Murtono
Publisher: European Alliance for Innovation
ISBN: 1631901974
Category : Education
Languages : en
Pages : 553
Book Description
The complex problems of education and technological development and information demands, then takes its main innovations in learning. The purpose of this Education is Innovation in order to improve the quality, effectiveness, efficiency, relevance and productivity, making the learning process more meaningful and fun for children. Innovation can be performed in all subjects, learning methods, media and evaluation. Innovation-based learning local culture values will yield the superior character that will benefit children in the face of a globalized world. So is innovation technology-based learning, make learning be fun so that children become active and creative ideas, thoughts, research related to the innovation of education can be presented in International Conference Education, Culture and technology is preferred. The theme of this Conference: Innovation of Education to Improve Character Value for Childern.
Publisher: European Alliance for Innovation
ISBN: 1631901974
Category : Education
Languages : en
Pages : 553
Book Description
The complex problems of education and technological development and information demands, then takes its main innovations in learning. The purpose of this Education is Innovation in order to improve the quality, effectiveness, efficiency, relevance and productivity, making the learning process more meaningful and fun for children. Innovation can be performed in all subjects, learning methods, media and evaluation. Innovation-based learning local culture values will yield the superior character that will benefit children in the face of a globalized world. So is innovation technology-based learning, make learning be fun so that children become active and creative ideas, thoughts, research related to the innovation of education can be presented in International Conference Education, Culture and technology is preferred. The theme of this Conference: Innovation of Education to Improve Character Value for Childern.
Identity in Crossroad Civilisations
Author: Erich Kolig
Publisher: Amsterdam University Press
ISBN: 9089641270
Category : Political Science
Languages : en
Pages : 263
Book Description
Deze bundel gaat over de vorming van identiteit door het samenspel van etniciteit, nationalisme en de effecten van globalisering. De essays in Crossroad Civilisations: Ethnicity, Nationalism and Globalism in Asia maken de gelaagdheid en de complexiteit hiervan duidelijk.
Publisher: Amsterdam University Press
ISBN: 9089641270
Category : Political Science
Languages : en
Pages : 263
Book Description
Deze bundel gaat over de vorming van identiteit door het samenspel van etniciteit, nationalisme en de effecten van globalisering. De essays in Crossroad Civilisations: Ethnicity, Nationalism and Globalism in Asia maken de gelaagdheid en de complexiteit hiervan duidelijk.
The Domestication of Desire
Author: Suzanne April Brenner
Publisher: Princeton University Press
ISBN: 140084391X
Category : Social Science
Languages : en
Pages : 319
Book Description
While doing fieldwork in the modernizing Javanese city of Solo during the late 1980s, Suzanne Brenner came upon a neighborhood that seemed like a museum of a bygone era: Laweyan, a once-thriving production center of batik textiles, had embraced modernity under Dutch colonial rule, only to fend off the modernizing forces of the Indonesian state during the late twentieth century. Focusing on this community, Brenner examines what she calls the making of the "unmodern." She portrays a merchant enclave clinging to its distinctive forms of social life and highlights the unique power of women in the marketplace and the home--two domains closely linked to each other through local economies of production and exchange. Against the social, political, and economic developments of late-colonial and postcolonial Java, Brenner describes how an innovative, commercially successful lifestyle became an anachronism in Indonesian society, thereby challenging the idea that tradition invariably gives way to modernity in an evolutionary progression. Brenner's analysis centers on the importance of gender to processes of social transformation. In Laweyan, the base of economic and social power has shifted from families, in which women were the main producers of wealth and cultural value, to the Indonesian state, which has worked to reorient families toward national political agendas. How such attempts affect women's lives and the meaning of the family itself are key considerations as Brenner questions long-held assumptions about the division between "domestic" and "public" spheres in modern society.
Publisher: Princeton University Press
ISBN: 140084391X
Category : Social Science
Languages : en
Pages : 319
Book Description
While doing fieldwork in the modernizing Javanese city of Solo during the late 1980s, Suzanne Brenner came upon a neighborhood that seemed like a museum of a bygone era: Laweyan, a once-thriving production center of batik textiles, had embraced modernity under Dutch colonial rule, only to fend off the modernizing forces of the Indonesian state during the late twentieth century. Focusing on this community, Brenner examines what she calls the making of the "unmodern." She portrays a merchant enclave clinging to its distinctive forms of social life and highlights the unique power of women in the marketplace and the home--two domains closely linked to each other through local economies of production and exchange. Against the social, political, and economic developments of late-colonial and postcolonial Java, Brenner describes how an innovative, commercially successful lifestyle became an anachronism in Indonesian society, thereby challenging the idea that tradition invariably gives way to modernity in an evolutionary progression. Brenner's analysis centers on the importance of gender to processes of social transformation. In Laweyan, the base of economic and social power has shifted from families, in which women were the main producers of wealth and cultural value, to the Indonesian state, which has worked to reorient families toward national political agendas. How such attempts affect women's lives and the meaning of the family itself are key considerations as Brenner questions long-held assumptions about the division between "domestic" and "public" spheres in modern society.
Performing National Identity
Author:
Publisher: BRILL
ISBN: 940120523X
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
National identity is not some naturally given or metaphysically sanctioned racial or territorial essence that only needs to be conceptualised or spelt out in discursive texts; it emerges from, takes shape in, and is constantly defined and redefined in individual and collective performances. It is in performances—ranging from the scenarios of everyday interactions to ‘cultural performances’ such as pageants, festivals, political manifestations or sports, to the artistic performances of music, dance, theatre, literature, the visual and culinary arts and more recent media—that cultural identity and a sense of nationhood are fashioned. National identity is not an essence one is born with but something acquired in and through performances. Particularly important here are intercultural performances and transactions, and that not only in a colonial and postcolonial dimension, where such performative aspects have already been considered, but also in inner-European transactions. ‘Englishness’ or ‘Britishness’ and Italianità, the subject of this anthology, are staged both within each culture and, more importantly, in joint performances of difference across cultural borders. Performing difference highlights differences that ‘make a difference’; it ‘draws a line’ between self and other—boundary lines that are, however, constantly being redrawn and renegotiated, and remain instable and shifting.
Publisher: BRILL
ISBN: 940120523X
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
National identity is not some naturally given or metaphysically sanctioned racial or territorial essence that only needs to be conceptualised or spelt out in discursive texts; it emerges from, takes shape in, and is constantly defined and redefined in individual and collective performances. It is in performances—ranging from the scenarios of everyday interactions to ‘cultural performances’ such as pageants, festivals, political manifestations or sports, to the artistic performances of music, dance, theatre, literature, the visual and culinary arts and more recent media—that cultural identity and a sense of nationhood are fashioned. National identity is not an essence one is born with but something acquired in and through performances. Particularly important here are intercultural performances and transactions, and that not only in a colonial and postcolonial dimension, where such performative aspects have already been considered, but also in inner-European transactions. ‘Englishness’ or ‘Britishness’ and Italianità, the subject of this anthology, are staged both within each culture and, more importantly, in joint performances of difference across cultural borders. Performing difference highlights differences that ‘make a difference’; it ‘draws a line’ between self and other—boundary lines that are, however, constantly being redrawn and renegotiated, and remain instable and shifting.