Author: John Zorn
Publisher: Arcana
ISBN: 9780978833732
Category : Music
Languages : en
Pages : 280
Book Description
Initiated in 1997 and now in its eighth installment, John Zorn's acclaimed Arcana series is a major source of new music theory and practice in the 21st century. This special anniversary edition presents writings spanning classical music, jazz, rock, improvisation, world music, film soundtracks and more by exciting young artists, established masters and visionary mavericks, including Jad Atoui, Steve Beresford, Per Bloland, Brian Chase, Kris Davis, Robert Dick, Rinde Eckert, Wendy Eisenberg, Harris Eisenstadt, Suzanne Farrin, Dave Fiuczynski, David Garland, Michael Gordon, Simon Hanes, Barbara Hannigan, John Hollenbeck, Matt Hollenberg, Jon Irabagon, Julian Lage, Ava Mendoza, Matt Mitchell, Nicole Mitchell, Vadim Neselovskyi, Linda May Han Oh, Shane Parish, Chris Pitsiokos, Sofia Rei, Ted Reichman, Sara Serpa, Marc Urselli, Ken Vandermark and Dan Weiss.
Arcana VI
Author: John Zorn
Publisher: Arcana
ISBN: 9780978833756
Category : Music
Languages : en
Pages : 0
Book Description
A major resource for new music theory and practice in the twenty-first century, the acclaimed Arcana series looks at the inner workings of the artistic process through manifestoes, scores, interviews, notes and critical papers written by the practitioners themselves, providing insight into the work, mind and methodologies of some of the most remarkable creative minds of our time. Contributors to this volume include Duck Baker, Eve Beglarian, Karl Berger, Chuck Bettis, Claire Chase, Anna Clyne, John Corigliano, Jeremiah Cymerman, David Fulmer, Jeff Gauthier, Alan Gilbert, Judd Greenstein, Mary Halvorson, Hillary Hahn, Jesse Harris, David Lang, Mary Jane Leach, Steve Lehman, Steve Mackey, Rudresh Mahanthappa, Denman Maroney, Brad Mehldau, Jessica Pavone, Toby Picker, Gyan Riley, Jon Rose, Steve Schick, Jen Shyu, Dave Taylor, Richard Teitelbaum, Julia Wolfe, Kenny Wollesen, Nate Wooley and Charles Wuorinen.
Publisher: Arcana
ISBN: 9780978833756
Category : Music
Languages : en
Pages : 0
Book Description
A major resource for new music theory and practice in the twenty-first century, the acclaimed Arcana series looks at the inner workings of the artistic process through manifestoes, scores, interviews, notes and critical papers written by the practitioners themselves, providing insight into the work, mind and methodologies of some of the most remarkable creative minds of our time. Contributors to this volume include Duck Baker, Eve Beglarian, Karl Berger, Chuck Bettis, Claire Chase, Anna Clyne, John Corigliano, Jeremiah Cymerman, David Fulmer, Jeff Gauthier, Alan Gilbert, Judd Greenstein, Mary Halvorson, Hillary Hahn, Jesse Harris, David Lang, Mary Jane Leach, Steve Lehman, Steve Mackey, Rudresh Mahanthappa, Denman Maroney, Brad Mehldau, Jessica Pavone, Toby Picker, Gyan Riley, Jon Rose, Steve Schick, Jen Shyu, Dave Taylor, Richard Teitelbaum, Julia Wolfe, Kenny Wollesen, Nate Wooley and Charles Wuorinen.
Arcana
Author: John Zorn
Publisher: Hips Road/Tzadik
ISBN:
Category : Music
Languages : en
Pages : 392
Book Description
Experimental music has been called "difficult," perhaps more in relation to the open-mindedness needed to let it settle between your ears than the break from traditional technique required to play it. But does that explain the scarcity of critical writing about this music form relative to visual arts -- film, photography, sculpture, painting -- that also use experimentation as a main creative force? Arcana: Musicians on Music is an answer to that call. Delving into recent development in avantgarde music, this long overdue anthology looks at the current generation of experimental players and composers. Collecting writings, working notes, scores, interviews, and manifestos, editor John Zarn gets deep under the surface of experimental music, and looks at the creative methods and philosophies of some of the most innovative experimental musicians. Among the 29 contributors are: Mark Dresser, John Oswald, Marilyn Crispell, Bill Frisell, Ikue Mari, Larry Ochs, Elliott Sharp, Anthony Coleman, Fred Frith,David Roseboom, George Lewis, Guy Klucevsek, Peter Garland, Z'ev, and Gerry Hemmingway. Containing discographies and bios on the musicians presented, this book is an excellent resource for fans and critics as well as a good introduction for the curious.
Publisher: Hips Road/Tzadik
ISBN:
Category : Music
Languages : en
Pages : 392
Book Description
Experimental music has been called "difficult," perhaps more in relation to the open-mindedness needed to let it settle between your ears than the break from traditional technique required to play it. But does that explain the scarcity of critical writing about this music form relative to visual arts -- film, photography, sculpture, painting -- that also use experimentation as a main creative force? Arcana: Musicians on Music is an answer to that call. Delving into recent development in avantgarde music, this long overdue anthology looks at the current generation of experimental players and composers. Collecting writings, working notes, scores, interviews, and manifestos, editor John Zarn gets deep under the surface of experimental music, and looks at the creative methods and philosophies of some of the most innovative experimental musicians. Among the 29 contributors are: Mark Dresser, John Oswald, Marilyn Crispell, Bill Frisell, Ikue Mari, Larry Ochs, Elliott Sharp, Anthony Coleman, Fred Frith,David Roseboom, George Lewis, Guy Klucevsek, Peter Garland, Z'ev, and Gerry Hemmingway. Containing discographies and bios on the musicians presented, this book is an excellent resource for fans and critics as well as a good introduction for the curious.
Voicetracks
Author: Norie Neumark
Publisher: MIT Press
ISBN: 0262553287
Category : Art
Languages : en
Pages : 231
Book Description
The affects, aesthetics, and ethics of voice in the new materialist turn, explored through encounters with creative works in media and the arts. Moved by the Aboriginal understandings of songlines or dreaming tracks, Norie Neumark's Voicetracks seeks to deepen an understanding of voice through listening to a variety of voicing/sound/voice projects from Australia, Europe and the United States. Not content with the often dry tone of academic writing, the author engages a “wayfaring” process that brings together theories of sound, animal, and posthumanist studies in order to change the ways we think about and act with the assemblages of living creatures, things, places, and histories around us. Neumark evokes both the literal—the actual voices within the works she examines—and the metaphorical—in a new materialist exploration of voice encompassing human, animal, thing, and assemblages. She engages with artists working with animal sounds and voices; voices of place, placed voices in installation works; voices of technology; and “unvoicing,” disturbances in the image/voice relationship and in the idea of what voice is. She writes about remixes, the Barbie Liberation Organisation, and breath in Beijing, about cat videos, speaking fences in Australia, and an artist who reads (to) the birds. Finally, she considers ethics and politics, and describes how her own work has shaped her understandings and apprehensions of voice.
Publisher: MIT Press
ISBN: 0262553287
Category : Art
Languages : en
Pages : 231
Book Description
The affects, aesthetics, and ethics of voice in the new materialist turn, explored through encounters with creative works in media and the arts. Moved by the Aboriginal understandings of songlines or dreaming tracks, Norie Neumark's Voicetracks seeks to deepen an understanding of voice through listening to a variety of voicing/sound/voice projects from Australia, Europe and the United States. Not content with the often dry tone of academic writing, the author engages a “wayfaring” process that brings together theories of sound, animal, and posthumanist studies in order to change the ways we think about and act with the assemblages of living creatures, things, places, and histories around us. Neumark evokes both the literal—the actual voices within the works she examines—and the metaphorical—in a new materialist exploration of voice encompassing human, animal, thing, and assemblages. She engages with artists working with animal sounds and voices; voices of place, placed voices in installation works; voices of technology; and “unvoicing,” disturbances in the image/voice relationship and in the idea of what voice is. She writes about remixes, the Barbie Liberation Organisation, and breath in Beijing, about cat videos, speaking fences in Australia, and an artist who reads (to) the birds. Finally, she considers ethics and politics, and describes how her own work has shaped her understandings and apprehensions of voice.
The Palgrave Encyclopedia of Imperialism and Anti-Imperialism
Author: Immanuel Ness
Publisher: Springer
ISBN: 0230392784
Category : History
Languages : en
Pages : 1443
Book Description
The Palgrave Encyclopedia Imperialism and Anti-Imperialism objectively presents the prominent themes, epochal events, theoretical explanations, and historical accounts of imperialism from 1776 to the present. It is the most historically and academically comprehensive examination of the subject to date.
Publisher: Springer
ISBN: 0230392784
Category : History
Languages : en
Pages : 1443
Book Description
The Palgrave Encyclopedia Imperialism and Anti-Imperialism objectively presents the prominent themes, epochal events, theoretical explanations, and historical accounts of imperialism from 1776 to the present. It is the most historically and academically comprehensive examination of the subject to date.
Voice Studies
Author: Konstantinos Thomaidis
Publisher: Routledge
ISBN: 1317611039
Category : Music
Languages : en
Pages : 253
Book Description
Voice Studies brings together leading international scholars and practitioners, to re-examine what voice is, what voice does, and what we mean by "voice studies" in the process and experience of performance. This dynamic and interdisciplinary publication draws on a broad range of approaches, from composing and voice teaching through to psychoanalysis and philosophy, including: voice training from the Alexander Technique to practice-as-research; operatic and extended voices in early baroque and contemporary underwater singing; voices across cultures, from site-specific choral performance in Kentish mines and Australian sound art, to the laments of Kraho Indians, Korean pansori and Javanese wayang; voice, embodiment and gender in Robertson’s 1798 production of Phantasmagoria, Cathy Berberian radio show, and Romeo Castellucci’s theatre; perceiving voice as a composer, listener, or as eavesdropper; voice, technology and mobile apps. With contributions spanning six continents, the volume considers the processes of teaching or writing for voice, the performance of voice in theatre, live art, music, and on recordings, and the experience of voice in acoustic perception and research. It concludes with a multifaceted series of short provocations that simply revisit the core question of the whole volume: what is voice studies?
Publisher: Routledge
ISBN: 1317611039
Category : Music
Languages : en
Pages : 253
Book Description
Voice Studies brings together leading international scholars and practitioners, to re-examine what voice is, what voice does, and what we mean by "voice studies" in the process and experience of performance. This dynamic and interdisciplinary publication draws on a broad range of approaches, from composing and voice teaching through to psychoanalysis and philosophy, including: voice training from the Alexander Technique to practice-as-research; operatic and extended voices in early baroque and contemporary underwater singing; voices across cultures, from site-specific choral performance in Kentish mines and Australian sound art, to the laments of Kraho Indians, Korean pansori and Javanese wayang; voice, embodiment and gender in Robertson’s 1798 production of Phantasmagoria, Cathy Berberian radio show, and Romeo Castellucci’s theatre; perceiving voice as a composer, listener, or as eavesdropper; voice, technology and mobile apps. With contributions spanning six continents, the volume considers the processes of teaching or writing for voice, the performance of voice in theatre, live art, music, and on recordings, and the experience of voice in acoustic perception and research. It concludes with a multifaceted series of short provocations that simply revisit the core question of the whole volume: what is voice studies?
Instruments for New Music
Author: Thomas Patteson
Publisher: Univ of California Press
ISBN: 0520288025
Category : Music
Languages : en
Pages : 251
Book Description
Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium
Publisher: Univ of California Press
ISBN: 0520288025
Category : Music
Languages : en
Pages : 251
Book Description
Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium
John Zorn
Author: John Brackett
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 256
Book Description
Following his English edition of Alma Mahler-Werfel's Diaries 1898-1902, Antony Beaumont presents both the first comprehensive biography of the composer and conductor Alexander Zemlinsky (1871-1942) and a critical assessment of his works. "Zemlinsky--all hail to you!" wrote the young Alma. "All hail to you and your art." When she first met him, Zemlinsky was the most promising Viennese composer of his generation. In 1901, when Alma abruptly ended their passionate love affair in order to marry Gustav Mahler, the crisis served to transform Zemlinsky's talent into mastery. Only long after his death, however, did his music begin to receive its due. Zemlinsky was central to the musical life of Vienna and Central Europe, and this brilliant biography illuminates a social and cultural milieu that disappeared forever with the triumph of Hitler's Reich. The author details the composer's early years as a protégé of Brahms and Mahler, his complex friendship with his brother-in-law Arnold Schoenberg, the influence of his teaching on the boy-prodigy Erich Korngold, his kindly and helpful attitude toward the hypersensitive Anton Webern, and his heartfelt friendship with Alban Berg. Zemlinsky was one of the leading conductors of the interwar period, considered by both Schoenberg and Stravinsky the finest they had ever heard. The author charts Zemlinsky's career from Vienna to Berlin, St. Petersburg, and Prague, providing insight into his Catholic-Sephardic background and investigating his keen interest in esoteric aspects of music, including color symbolism and numerology. The author's analyses of Zemlinsky's major scores are accessible and fully contextualized.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 256
Book Description
Following his English edition of Alma Mahler-Werfel's Diaries 1898-1902, Antony Beaumont presents both the first comprehensive biography of the composer and conductor Alexander Zemlinsky (1871-1942) and a critical assessment of his works. "Zemlinsky--all hail to you!" wrote the young Alma. "All hail to you and your art." When she first met him, Zemlinsky was the most promising Viennese composer of his generation. In 1901, when Alma abruptly ended their passionate love affair in order to marry Gustav Mahler, the crisis served to transform Zemlinsky's talent into mastery. Only long after his death, however, did his music begin to receive its due. Zemlinsky was central to the musical life of Vienna and Central Europe, and this brilliant biography illuminates a social and cultural milieu that disappeared forever with the triumph of Hitler's Reich. The author details the composer's early years as a protégé of Brahms and Mahler, his complex friendship with his brother-in-law Arnold Schoenberg, the influence of his teaching on the boy-prodigy Erich Korngold, his kindly and helpful attitude toward the hypersensitive Anton Webern, and his heartfelt friendship with Alban Berg. Zemlinsky was one of the leading conductors of the interwar period, considered by both Schoenberg and Stravinsky the finest they had ever heard. The author charts Zemlinsky's career from Vienna to Berlin, St. Petersburg, and Prague, providing insight into his Catholic-Sephardic background and investigating his keen interest in esoteric aspects of music, including color symbolism and numerology. The author's analyses of Zemlinsky's major scores are accessible and fully contextualized.
The Williamsburg Avant-Garde
Author: Cisco Bradley
Publisher: Duke University Press
ISBN: 1478024011
Category : Music
Languages : en
Pages : 245
Book Description
In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene’s social, cultural, and economic dynamics. Building on the neighborhood’s punk DIY approach and aesthetic, Williamsburg's free jazz, postpunk, and noise musicians and groups---from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones---produced shows in a variety of unlicensed venues as well as in clubs and cafes. At the same time, pirate radio station free103point9 and music festivals made Williamsburg an epicenter of New York’s experimental culture. In 2005, New York’s rezoning act devastated the community as gentrification displaced its participants farther afield in Brooklyn and in Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries; he helps readers better understand the formation, vibrancy, and life span of experimental music and art scenes everywhere.
Publisher: Duke University Press
ISBN: 1478024011
Category : Music
Languages : en
Pages : 245
Book Description
In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene’s social, cultural, and economic dynamics. Building on the neighborhood’s punk DIY approach and aesthetic, Williamsburg's free jazz, postpunk, and noise musicians and groups---from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones---produced shows in a variety of unlicensed venues as well as in clubs and cafes. At the same time, pirate radio station free103point9 and music festivals made Williamsburg an epicenter of New York’s experimental culture. In 2005, New York’s rezoning act devastated the community as gentrification displaced its participants farther afield in Brooklyn and in Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries; he helps readers better understand the formation, vibrancy, and life span of experimental music and art scenes everywhere.
Free Jazz
Author: Jeff Schwartz
Publisher: Routledge
ISBN: 1315311755
Category : Music
Languages : en
Pages : 465
Book Description
Free Jazz: A Research and Information Guide offers carefully selected and annotated sources on free jazz, with comprehensive coverage of English-language academic books, journal articles, and dissertations, and selective coverage of trade books, popular periodicals, documentary films, scores, Masters’ theses, online texts, and materials in other languages. Free Jazz will be a major reference tool for students, faculty, librarians, artists, scholars, critics, and serious fans navigating this literature.
Publisher: Routledge
ISBN: 1315311755
Category : Music
Languages : en
Pages : 465
Book Description
Free Jazz: A Research and Information Guide offers carefully selected and annotated sources on free jazz, with comprehensive coverage of English-language academic books, journal articles, and dissertations, and selective coverage of trade books, popular periodicals, documentary films, scores, Masters’ theses, online texts, and materials in other languages. Free Jazz will be a major reference tool for students, faculty, librarians, artists, scholars, critics, and serious fans navigating this literature.