Author: Maurice Merleau-PontyPublisher: Motilal Banarsidass Publishe
ISBN: 9788120813465
Category : Philosophy
Languages : en
Pages : 494
Book Description
Buddhist philosophy of Anicca (impermanence), Dukkha (suffering), and
Maurice Merleau-Ponty: Basic Writings
Author: Thomas BaldwinPublisher: Routledge
ISBN: 113437559X
Category : Philosophy
Languages : en
Pages : 385
Book Description
This is the first volume to bring together a comprehensive selection of Merleau-Ponty's writing. It presents a cross-section of his work that clearly shows the historical progression of his ideas and influence.
The World of Perception
Author: Maurice Merleau-PontyPublisher: Routledge
ISBN: 1000154904
Category : Philosophy
Languages : en
Pages : 85
Book Description
'In simple prose Merleau-Ponty touches on his principle themes. He speaks about the body and the world, the coexistence of space and things, the unfortunate optimism of science – and also the insidious stickiness of honey, and the mystery of anger.' - James Elkins Maurice Merleau-Ponty was one of the most important thinkers of the post-war era. Central to his thought was the idea that human understanding comes from our bodily experience of the world that we perceive: a deceptively simple argument, perhaps, but one that he felt had to be made in the wake of attacks from contemporary science and the philosophy of Descartes on the reliability of human perception. From this starting point, Merleau-Ponty presented these seven lectures on The World of Perception to French radio listeners in 1948. Available in a paperback English translation for the first time in the Routledge Classics series to mark the centenary of Merleau-Ponty’s birth, this is a dazzling and accessible guide to a whole universe of experience, from the pursuit of scientific knowledge, through the psychic life of animals to the glories of the art of Paul Cézanne.
The Prose of the World
Author: Maurice Merleau-PontyPublisher: Northwestern University Press
ISBN: 9780810106154
Category : Language Arts & Disciplines
Languages : en
Pages : 202
Book Description
The work that Maurice Merleau-Ponty planned to call The Prose of the World, or Introduction to the Prose of the World, was unfinished at the time of his death. The book was to constitute the first section of a two-part work whose aim was to offer, as an extension of his Phenomenology of Perception, a theory of truth. This edition's editor, Claude Lefort, has interpreted and transcribed the surviving typescript, reproducing Merleau-Ponty's own notes and adding documentation and commentary.
Author: Maurice Merleau-PontyThinking Between Deleuze and Merleau-Ponty
Author: Judith WambacqPublisher: Bloomsbury Academic
ISBN: 9781441181534
Category : Philosophy
Languages : en
Pages : 0
Book Description
Deleuze's philosophy is usually considered to form a radical break with phenomenology since most of Deleuze's references to phenomenology are so disparaging. With respect to the phenomenology of Merleau-Ponty, however, this claim cannot be made so easily, especially not with respect to Merleau-Ponty's later work. The reason is not that Deleuze himself was less harsh regarding Merleau-Ponty than other phenomenologists - he was not - but that he ignored the fundamental resonances between his thinking and that of the later Merleau-Ponty. These resonances are illustrated by an analysis of how both authors develop a non-representational account of thinking that is based on an immanent and differential ontology. The examination of shared references to Bergson, Proust, Cézanne, Saussure, Simondon and Sartre serves as a touchstone for the aforementioned resonances. This examination also provides a frame of the differences that separate the philosophies of Deleuze and Merleau-Ponty, and it challenges the prevailing view of the academic landscape in France between 1880 and 1960.
Author: Dorothea OlkowskiSigns
Author: Maurice Merleau-PontyPublisher: Northwestern University Press
ISBN: 9780810102538
Category : Language Arts & Disciplines
Languages : en
Pages : 398
Book Description
"Merleau-Ponty was one of the few philosophers of today who never lost contact with 'brute reality'; and it may be that Signs will be read with regret in bringing to mind his untimely death, yet with gratitude for the human ity and depth of philosophical insight into the world of lived reality which it offers."--Journal of Individual Psychology.
Nature
Author: Maurice Merleau-PontyPublisher: Northwestern University Press
ISBN: 9780810114463
Category : Philosophy
Languages : en
Pages : 348
Book Description
Collected in this text are the written notes of courses on the concept of nature give by Merleau-Ponty at the College de France in the 1950s. The ideas that animated the philosopher's lectures emerge in an early, fluid form in the process of being elaborated, negotiated, critiqued and reconsidered.
Merleau-Ponty and the Art of Perception
Author: Duane H. DavisPublisher: SUNY Press
ISBN: 1438459599
Category : Philosophy
Languages : en
Pages : 337
Book Description
Philosophers and artists consider the relevance of Maurice Merleau-Pontys philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Pontys aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosophers writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining.
