Counterpoint in Composition

Counterpoint in Composition PDF Author: Felix Salzer
Publisher: Columbia University Press
ISBN: 023107039X
Category : Composition (Music)
Languages : en
Pages : 504

Book Description
-- Stanley Persky, City University of New York

Study of Counterpoint

Study of Counterpoint PDF Author: Johann Fux
Publisher: W. W. Norton & Company
ISBN: 9780393002775
Category : Music
Languages : en
Pages : 164

Book Description
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.

Counterpoint, Composition and Musica Ficta

Counterpoint, Composition and Musica Ficta PDF Author: Margaret Bent
Publisher: Routledge
ISBN: 1136534911
Category : Music
Languages : en
Pages : 350

Book Description
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.

The Craft of Tonal Counterpoint

The Craft of Tonal Counterpoint PDF Author: Thomas Benjamin
Publisher: Routledge
ISBN: 1135946639
Category : Art
Languages : en
Pages : 429

Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Contemporary Counterpoint

Contemporary Counterpoint PDF Author: Beth Denisch
Publisher: Hal Leonard Corporation
ISBN: 1540012239
Category : Music
Languages : en
Pages : 184

Book Description
(Berklee Guide). Use counterpoint to make your music more engaging and creative. Counterpoint the relationship between musical voices is among the core principles for writing music, and it has been central to the study of composition for many centuries. Whether you are a composer, arranger, film composer, orchestrator, music director, bandleader, or improvising musician, this book will help hone your craft, gain control, and lead you to new creative possibilities. You will learn "tricks of the trade" from the masters and apply these skills to contemporary styles. Online audio examples illustrate the principles being discussed, and many recommended listening lists point you to additional examples of how these principles have been used in music over the past thousand years.

Counterpoint

Counterpoint PDF Author: Walter Piston
Publisher: W W Norton & Company Incorporated
ISBN: 9780393097283
Category : Music
Languages : en
Pages : 235

Book Description
Explores the contrapuntal element in significant works from the eighteenth and nineteenth centuries for the music student who fully understands the composition of harmony

Counterpoint

Counterpoint PDF Author: Markand Thakar
Publisher: Yale University Press
ISBN: 9780300046380
Category : Music
Languages : en
Pages : 344

Book Description
Counterpoint manuals have long been central to the music education of composers, historians, and theorists. In this book a conductor uses counterpoint exercises to aid musicians in becoming sensitive to the fundamental ingredients of good music making.

The Study of Fugue

The Study of Fugue PDF Author: Alfred Mann
Publisher: Courier Corporation
ISBN: 0486171345
Category : Music
Languages : en
Pages : 369

Book Description
Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples.

Counterpoint

Counterpoint PDF Author: Henry Martin
Publisher: Scarecrow Press
ISBN: 9780810854093
Category : Music
Languages : en
Pages : 152

Book Description
"Counterpoint proceeds by developing species counterpoint in the tradition of Johann Joseph Fux and his famous Gradus ad Parnassum (1725), but with attention to Schenker's more in-depth study. Everyone from beginning music theory students to composers to graduate composition students will benefit from the methods introduced here. As emphasized in the preface, readers are presented with "exercises for composition." Rather than actually teaching a student to compose, working through these exercises will improve musicianship as it applies to both composition and understanding music theory."--BOOK JACKET.
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