Author: Doro Globus
Publisher: Simon and Schuster
ISBN: 1644230739
Category : Juvenile Nonfiction
Languages : en
Pages : 44
Book Description
“It never occurred to me while growing up that art is an industry involving countless jobs, so if this book helps shed light to just one kid that it is a viable career option, then it has done its job, as art is indescribably important!” —Oliver Jeffers, Artist and Illustrator “This book so beautifully explains to kids what goes into making an art exhibition. It’s not just about an artist hanging something on a wall for people to see: it’s so much more lively, layered, and community-driven. Even I learned a ton about what truly goes into a fantastic art show!” —Joy Cho, Author and Founder of Oh Joy! “I wish I’d had this book when I was a kid! I always wanted my art to be in a big museum one day but, growing up in a small town, that just seemed impossible. Making a Great Exhibition is a beautifully illustrated behind-the-scenes peek at exactly how art makes its way from an artist’s mind to the big white walls of a fancy gallery. Turns out, there are a lot of people, with some very cool jobs, who make the magic happen—and any book that shows kids (and parents!) they can grow up to have a career in the arts is okay by me!” —Danielle Krysa, The Jealous Curator An exciting insight into the workings of artists and museums, Making a Great Exhibition is a colorful and playful introduction geared to children ages 3-7 How does an artist make a sculpture or a painting? What tools do they use? What happens to the artwork next? This fun, inside look at the life of an artwork shows the journey of two artists’ work from studio to exhibition. Stopping along the way we meet colorful characters—curators, photographers, shippers, museum visitors, and more! Both illustrator and author were raised in the art world, spending their time in studios, doing homework in museum offices, and going to special openings. They have teamed up to share their experiences and love for this often mysterious world to a young audience. London-based illustrator Rose Blake is best known for her work in A History of Pictures for Children, by David Hockney and Martin Gayford, which has been a worldwide success. Author Doro Globus brings her love for the arts and kids together with this fun journey.
The Negro Motorist Green Book
Author: Victor H. Green
Publisher: Colchis Books
ISBN:
Category : History
Languages : en
Pages : 222
Book Description
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Publisher: Colchis Books
ISBN:
Category : History
Languages : en
Pages : 222
Book Description
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
What Makes a Great Exhibition?
Author: Paula Marincola
Publisher: Reaktion Books
ISBN: 1780234864
Category : Business & Economics
Languages : en
Pages : 191
Book Description
For better or worse, museums are changing from forbidding bastions of rare art into audience-friendly institutions that often specialize in “blockbuster” exhibitions designed to draw crowds. But in the midst of this sea change, one largely unanswered question stands out: “What makes a great exhibition?” Some of the world’s leading curators and art historians try to answer this question here, as they examine the elements of a museum exhibition from every angle. What Makes a Great Exhibition? investigates the challenges facing American and European contemporary art in particular, exploring such issues as group exhibitions, video and craft, and the ways that architecture influences the nature of the exhibitions under its roof. The distinguished contributors address diverse topics, including Studio Museum in Harlem director Thelma Golden’s examination of ethnically-focused exhibitions; and Robert Storr, director of the 2007 Venice Biennale and formerly of the Museum of Modern Art, on the meaning of “exhibition and “exhibitionmaker.” A thought-provoking volume on the practice of curatorial work and the mission of modern museums, What Makes A Great Exhibition? will be indispensable reading for all art professionals and scholars working today.
Publisher: Reaktion Books
ISBN: 1780234864
Category : Business & Economics
Languages : en
Pages : 191
Book Description
For better or worse, museums are changing from forbidding bastions of rare art into audience-friendly institutions that often specialize in “blockbuster” exhibitions designed to draw crowds. But in the midst of this sea change, one largely unanswered question stands out: “What makes a great exhibition?” Some of the world’s leading curators and art historians try to answer this question here, as they examine the elements of a museum exhibition from every angle. What Makes a Great Exhibition? investigates the challenges facing American and European contemporary art in particular, exploring such issues as group exhibitions, video and craft, and the ways that architecture influences the nature of the exhibitions under its roof. The distinguished contributors address diverse topics, including Studio Museum in Harlem director Thelma Golden’s examination of ethnically-focused exhibitions; and Robert Storr, director of the 2007 Venice Biennale and formerly of the Museum of Modern Art, on the meaning of “exhibition and “exhibitionmaker.” A thought-provoking volume on the practice of curatorial work and the mission of modern museums, What Makes A Great Exhibition? will be indispensable reading for all art professionals and scholars working today.
Objects: USA 2020
Author: Glenn Adamson
Publisher: The Monacelli Press, LLC
ISBN: 1580935737
Category : Art
Languages : en
Pages : 232
Book Description
Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.
Publisher: The Monacelli Press, LLC
ISBN: 1580935737
Category : Art
Languages : en
Pages : 232
Book Description
Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.
Christian Louboutin The Exhibition(ist)
Author:
Publisher: Rizzoli Publications
ISBN: 0847868273
Category : Design
Languages : en
Pages : 0
Book Description
An exuberant self-portrait of Christian Louboutin and his myriad inspirations, this volume is an exclusive glimpse into the mind and soul of the man behind the shoes. Perhaps one of the most influential luxury shoe designers of our time, Christian Louboutin's signature high stilettos and lacquer-red soles have become true cultural staples and fashion must-haves. In this new volume the inimitable designer reveals the influences behind his shoes, drawing on his encyclopedic knowledge of objects and artworks. A journey into nearly thirty years of footwear design and excellence, readers uncover Louboutin's vivid creative universe--filled with Amazonian bird feathers, Kachina dolls, crosses, masks, crowns, and the shoes they inspired. A true look into the master's references, exquisite drawings and sketches of footwear juxtapose against artworks from international museum collections and some of the designer's cherished objects, which Louboutin personally selected in tandem with Olivier Gabet, the director of the Musée des Arts Décoratifs. Surrealist photographs of Louboutin's dazzling creations by Jean-Vincent Simonet bring electric, sensual style to the pages while a visceral dialogue between the designer and writer Éric Reinhardt runs through this veritable Wunderkammer of a book. Published on the occasion of the Christian Louboutin Exhibition show at the Palais de la Porte Dorée in Paris (February 20- July 28, 2020), this exquisite piece of bookmaking offers a highly personal, vivid glimpse into the designer's life and genius.
Publisher: Rizzoli Publications
ISBN: 0847868273
Category : Design
Languages : en
Pages : 0
Book Description
An exuberant self-portrait of Christian Louboutin and his myriad inspirations, this volume is an exclusive glimpse into the mind and soul of the man behind the shoes. Perhaps one of the most influential luxury shoe designers of our time, Christian Louboutin's signature high stilettos and lacquer-red soles have become true cultural staples and fashion must-haves. In this new volume the inimitable designer reveals the influences behind his shoes, drawing on his encyclopedic knowledge of objects and artworks. A journey into nearly thirty years of footwear design and excellence, readers uncover Louboutin's vivid creative universe--filled with Amazonian bird feathers, Kachina dolls, crosses, masks, crowns, and the shoes they inspired. A true look into the master's references, exquisite drawings and sketches of footwear juxtapose against artworks from international museum collections and some of the designer's cherished objects, which Louboutin personally selected in tandem with Olivier Gabet, the director of the Musée des Arts Décoratifs. Surrealist photographs of Louboutin's dazzling creations by Jean-Vincent Simonet bring electric, sensual style to the pages while a visceral dialogue between the designer and writer Éric Reinhardt runs through this veritable Wunderkammer of a book. Published on the occasion of the Christian Louboutin Exhibition show at the Palais de la Porte Dorée in Paris (February 20- July 28, 2020), this exquisite piece of bookmaking offers a highly personal, vivid glimpse into the designer's life and genius.
Portraits at an Exhibition
Author: Patrick E. Horrigan
Publisher:
ISBN: 9781590214770
Category : Fiction
Languages : en
Pages : 232
Book Description
An alienated young man searches for his life's purpose through a gallery of portraits at an exhibition. Afraid he may have contracted HIV the night before during a risky sexual encounter and only beginning to fathom the possible consequences, Robin winds his way through the rooms, studying the portraits of people from faraway places and times, looking for clues in the lives of others to the mystery of his own discontent. Several masterpieces of portrait painting, reproduced in the novel, become the focal-points of Robin's physical and spiritual journey; ranging from the Renaissance to the turn of the 21st century, they include works by such famous artists as Sandro Botticelli, Diego Velazquez, and John Singer Sargent. Each portrait opens like a time capsule to Robin's gaze, releasing stories about the sitters, artists, and critics who, over the centuries, have turned their everyday struggles, disappointments, and dreams into transcendent works of art. In the gallery, Robins bumps into a flesh-and-blood stranger--an HIV-positive psychotherapist and former monk--with whom he feels an uncanny rapport. Their meeting could change his life, but first he will have to confront a disturbing truth about himself. Steeped in art history and rich in psychological intrigue, Portraits at an Exhibition plunges the reader directly into the mind of Robin, seeing as he sees, reading what he reads, and learning, along with him, the often unsettling life lessons that only the closest observation of great art can teach.
Publisher:
ISBN: 9781590214770
Category : Fiction
Languages : en
Pages : 232
Book Description
An alienated young man searches for his life's purpose through a gallery of portraits at an exhibition. Afraid he may have contracted HIV the night before during a risky sexual encounter and only beginning to fathom the possible consequences, Robin winds his way through the rooms, studying the portraits of people from faraway places and times, looking for clues in the lives of others to the mystery of his own discontent. Several masterpieces of portrait painting, reproduced in the novel, become the focal-points of Robin's physical and spiritual journey; ranging from the Renaissance to the turn of the 21st century, they include works by such famous artists as Sandro Botticelli, Diego Velazquez, and John Singer Sargent. Each portrait opens like a time capsule to Robin's gaze, releasing stories about the sitters, artists, and critics who, over the centuries, have turned their everyday struggles, disappointments, and dreams into transcendent works of art. In the gallery, Robins bumps into a flesh-and-blood stranger--an HIV-positive psychotherapist and former monk--with whom he feels an uncanny rapport. Their meeting could change his life, but first he will have to confront a disturbing truth about himself. Steeped in art history and rich in psychological intrigue, Portraits at an Exhibition plunges the reader directly into the mind of Robin, seeing as he sees, reading what he reads, and learning, along with him, the often unsettling life lessons that only the closest observation of great art can teach.
Paper Exhibition
Author: Raimundas Malašauskas
Publisher:
ISBN: 9783943365009
Category : Art, Modern
Languages : en
Pages : 240
Book Description
"The what-if runs through Raimundas's writing like the Woody Allen runs through Woody Allen--effective and contagious. It's a pull as fervent and wistful as a hot lemon drink sloshing off of words that demand to be experienced. Speakers, objects, subjects, tenses, readers and editors are freed of their conventional roles and move around in their paragraphs like in a piece of music written, say in C Major where they're drifting around in various other keys of course. With as much sovereignty granted to the reader of Paper Exhibition as to all other players in the essays of the book you now hold, the reader has also become the editor. Sixteen in fact. Sixteen readers have been invited to add, comment on, correct and leave their mark boldly in the margins, or way at the back, as another means of carefully replaying these words written by someone else. In this 'book that belongs to no one and is not needed by anyone, ' according to its first author, Raimundas Malasauskas."--Maxine Kopsa Paper Exhibition is an anthology of writings by curator and writer Raimundas Malasauskas published in collaboration with Kunstverein Publishing, Sternberg Press, Sandberg Institute, and The Baltic Notebooks by Anthony Blunt. Contributors Aurime Aleksandraviciute & Jonas Zakaitis, Tyler Coburn, Audrey Cottin, Krist Gruijthuijsen, Sofía Hernández Chong Cuy, Virginija Januskeviciute, Angie Keefer, Kevin Killian, Maxine Kopsa, John Menick, Vivian Rehberg, Sarah Rifky, Aaron Schuster, Vivian Ziherl, and Tirdad Zolghadr; and features contributions by Judith Braun, François Bucher, Chris Fitzpatrick & Post Brothers, Darius Miksys, Dexter Sinister, and Lucy E. Smith.
Publisher:
ISBN: 9783943365009
Category : Art, Modern
Languages : en
Pages : 240
Book Description
"The what-if runs through Raimundas's writing like the Woody Allen runs through Woody Allen--effective and contagious. It's a pull as fervent and wistful as a hot lemon drink sloshing off of words that demand to be experienced. Speakers, objects, subjects, tenses, readers and editors are freed of their conventional roles and move around in their paragraphs like in a piece of music written, say in C Major where they're drifting around in various other keys of course. With as much sovereignty granted to the reader of Paper Exhibition as to all other players in the essays of the book you now hold, the reader has also become the editor. Sixteen in fact. Sixteen readers have been invited to add, comment on, correct and leave their mark boldly in the margins, or way at the back, as another means of carefully replaying these words written by someone else. In this 'book that belongs to no one and is not needed by anyone, ' according to its first author, Raimundas Malasauskas."--Maxine Kopsa Paper Exhibition is an anthology of writings by curator and writer Raimundas Malasauskas published in collaboration with Kunstverein Publishing, Sternberg Press, Sandberg Institute, and The Baltic Notebooks by Anthony Blunt. Contributors Aurime Aleksandraviciute & Jonas Zakaitis, Tyler Coburn, Audrey Cottin, Krist Gruijthuijsen, Sofía Hernández Chong Cuy, Virginija Januskeviciute, Angie Keefer, Kevin Killian, Maxine Kopsa, John Menick, Vivian Rehberg, Sarah Rifky, Aaron Schuster, Vivian Ziherl, and Tirdad Zolghadr; and features contributions by Judith Braun, François Bucher, Chris Fitzpatrick & Post Brothers, Darius Miksys, Dexter Sinister, and Lucy E. Smith.
Graphic Design in Museum Exhibitions
Author: Jona Piehl
Publisher: Routledge
ISBN: 0429789475
Category : Art
Languages : en
Pages : 411
Book Description
Graphic Design in Museum Exhibitions offers an in-depth analysis of the multiple roles that exhibition graphics perform in contemporary museums and exhibitions. Drawing on a study of exhibitions that took place at the Victoria and Albert Museum, London, the Museum of London and the Haus der Geschichte, Bonn, Piehl brings together approaches from museum studies, design practice and narrative theory to examine museum exhibitions as multimodal narratives in which graphics account for one set of narrative resources. The analysis underlines the importance of aspects such as accessibility and at the same time problematises conceptualisations that focus only on the effectiveness of graphics as display device, by drawing attention to the contributions that graphics make towards the content on display and to the ways in which it is experienced in the museum space. Graphic Design in Museum Exhibitions argues for a critical reading of and engagement with exhibition graphic design as part of wider debates around meaning-making in museum studies and exhibition-making practice. As such, the book should be essential reading for academics, researchers and students from the fields of museum and design studies. Practitioners such as exhibition designers, graphic designers, curators and other exhibition makers should also find much to interest them in the book.
Publisher: Routledge
ISBN: 0429789475
Category : Art
Languages : en
Pages : 411
Book Description
Graphic Design in Museum Exhibitions offers an in-depth analysis of the multiple roles that exhibition graphics perform in contemporary museums and exhibitions. Drawing on a study of exhibitions that took place at the Victoria and Albert Museum, London, the Museum of London and the Haus der Geschichte, Bonn, Piehl brings together approaches from museum studies, design practice and narrative theory to examine museum exhibitions as multimodal narratives in which graphics account for one set of narrative resources. The analysis underlines the importance of aspects such as accessibility and at the same time problematises conceptualisations that focus only on the effectiveness of graphics as display device, by drawing attention to the contributions that graphics make towards the content on display and to the ways in which it is experienced in the museum space. Graphic Design in Museum Exhibitions argues for a critical reading of and engagement with exhibition graphic design as part of wider debates around meaning-making in museum studies and exhibition-making practice. As such, the book should be essential reading for academics, researchers and students from the fields of museum and design studies. Practitioners such as exhibition designers, graphic designers, curators and other exhibition makers should also find much to interest them in the book.