Author: Adrian Allan
Publisher: Lulu.com
ISBN: 0244099545
Category : Art
Languages : en
Pages : 42
Book Description
A collection of 8 parlour songs arranged for classical/fingerstyle guitar and voice. All of the songs are of a professional performance standard and have been arranged for medium voice in guitar-friendly key signatures. Detailed notes on each song, the history of the genre, recordings of the era and performance practice have been included. Tab is included as a further guide for left hand fingering and for guitarists who prefer to read tablature. Songs included: Roses of Picardy; Sylvia; Trees; A Perfect Day; At Dawning (I Love You); I Hear You Calling Me; Kashmiri Song (Pale Hands I Loved); Until.
Folk Song in England
Author: Steve Roud
Publisher: Faber & Faber
ISBN: 0571309739
Category : Music
Languages : en
Pages : 612
Book Description
In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.
Publisher: Faber & Faber
ISBN: 0571309739
Category : Music
Languages : en
Pages : 612
Book Description
In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.
The Forgotten Songs of the Newfoundland Outports
Author: Anna Kearney Guigné
Publisher: University of Ottawa Press
ISBN: 0776623850
Category : Music
Languages : en
Pages : 462
Book Description
In 1951, musician Kenneth Peacock (1922–2000) secured a contract from the National Museum of Canada (today the Canadian Museum of History) to collect folksongs in Newfoundland. As the province had recently joined Confederation, the project was deemed a goodwill gesture, while at the same time adding to the Museum’s meager Anglophone archival collections. Between 1951 and 1961, over the course of six field visits, Peacock collected 766 songs and melodies from 118 singers in 38 communities, later publishing two-thirds of this material in a three-volume collection, Songs of the Newfoundland Outports (1965). As the publication consists of over 1000 pages, Outports is considered to be a bible for Newfoundland singers and a valuable resource for researchers. However, Peacock’s treatment of the material by way of tune-text collations, use of lines and stanzas from unpublished songs has always been somewhat controversial. Additionally, comparison of the field collection with Outports indicates that although Peacock acquired a range of material, his personal preferences requently guided his publishing agenda. To ensure that the songs closely correspond to what the singers presented to Peacock, the collection has been prepared by drawing on Peacock’s original music and textual notes and his original field recordings. The collection is far-ranging and eclectic in that it includes British and American broadsides, musical hall and vaudeville material alongside country and western songs, and local compositions. It also highlights the influence of popular media on the Newfoundland song tradition and contextualizes a number of locally composed songs. In this sense, it provides a key link between what Peacock actually recorded and the material he eventually published. As several of the songs have not previously appeared in the standard Newfoundland collections, The Forgotten Songs sheds new light on the extent of Peacock’s collecting. The collection includes 125 songs arranged under 113 titles along with extensive notes on the songs, and brief biographies of the 58 singers. Thanks to the Research Centre for the Study of Music Media and Place, a video of the launch event, held in St.John's, Newfoundland, is available at https://www.youtube.com/watch?v=ghj6E6-QiLI&t=21s.
Publisher: University of Ottawa Press
ISBN: 0776623850
Category : Music
Languages : en
Pages : 462
Book Description
In 1951, musician Kenneth Peacock (1922–2000) secured a contract from the National Museum of Canada (today the Canadian Museum of History) to collect folksongs in Newfoundland. As the province had recently joined Confederation, the project was deemed a goodwill gesture, while at the same time adding to the Museum’s meager Anglophone archival collections. Between 1951 and 1961, over the course of six field visits, Peacock collected 766 songs and melodies from 118 singers in 38 communities, later publishing two-thirds of this material in a three-volume collection, Songs of the Newfoundland Outports (1965). As the publication consists of over 1000 pages, Outports is considered to be a bible for Newfoundland singers and a valuable resource for researchers. However, Peacock’s treatment of the material by way of tune-text collations, use of lines and stanzas from unpublished songs has always been somewhat controversial. Additionally, comparison of the field collection with Outports indicates that although Peacock acquired a range of material, his personal preferences requently guided his publishing agenda. To ensure that the songs closely correspond to what the singers presented to Peacock, the collection has been prepared by drawing on Peacock’s original music and textual notes and his original field recordings. The collection is far-ranging and eclectic in that it includes British and American broadsides, musical hall and vaudeville material alongside country and western songs, and local compositions. It also highlights the influence of popular media on the Newfoundland song tradition and contextualizes a number of locally composed songs. In this sense, it provides a key link between what Peacock actually recorded and the material he eventually published. As several of the songs have not previously appeared in the standard Newfoundland collections, The Forgotten Songs sheds new light on the extent of Peacock’s collecting. The collection includes 125 songs arranged under 113 titles along with extensive notes on the songs, and brief biographies of the 58 singers. Thanks to the Research Centre for the Study of Music Media and Place, a video of the launch event, held in St.John's, Newfoundland, is available at https://www.youtube.com/watch?v=ghj6E6-QiLI&t=21s.
Popular Songs For Classical/ Fingerstyle Guitar: 21 Intermediate Arrangements. Notation and Tab Edition
Author: Adrian Allan
Publisher: Lulu.com
ISBN: 0244994374
Category : Art
Languages : en
Pages : 54
Book Description
A collection of 21 intermediate arrangements for the classical or fingerstyle guitar in notation and tablature. The pieces are from the categories of Stephen Foster Songs; Folk Songs; Parlour Songs and arrangements of classical themes. The pieces included are My Old Kentucky Home; Beautiful Dreamer; Jeanie With The Light Brown Hair; Hard Times Come Again No More; Gentle Annie; Allan Water; The Lark In The Clear Air; David Of The White Rock; Believe Me, If All Those Endearing Young Charms; The Skye Boat Song; Annie Laurie; Deep River; At Dawning; I Love You Truly; Kiss Me Again; My Wild Irish Rose; Love's Old Sweet Song; Chanson De Matin; I Vow To Thee My Country (Jupiter/ The Planets); Waltz From Coppelia; Waltz From Swan Lake. Notes about all of the songs are included in a detailed introduction.
Publisher: Lulu.com
ISBN: 0244994374
Category : Art
Languages : en
Pages : 54
Book Description
A collection of 21 intermediate arrangements for the classical or fingerstyle guitar in notation and tablature. The pieces are from the categories of Stephen Foster Songs; Folk Songs; Parlour Songs and arrangements of classical themes. The pieces included are My Old Kentucky Home; Beautiful Dreamer; Jeanie With The Light Brown Hair; Hard Times Come Again No More; Gentle Annie; Allan Water; The Lark In The Clear Air; David Of The White Rock; Believe Me, If All Those Endearing Young Charms; The Skye Boat Song; Annie Laurie; Deep River; At Dawning; I Love You Truly; Kiss Me Again; My Wild Irish Rose; Love's Old Sweet Song; Chanson De Matin; I Vow To Thee My Country (Jupiter/ The Planets); Waltz From Coppelia; Waltz From Swan Lake. Notes about all of the songs are included in a detailed introduction.
Blackface Minstrelsy in Britain
Author: Michael Pickering
Publisher: Routledge
ISBN: 1351573519
Category : Music
Languages : en
Pages : 287
Book Description
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, t
Publisher: Routledge
ISBN: 1351573519
Category : Music
Languages : en
Pages : 287
Book Description
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, t
Soldiers’ Songs and Slang of the Great War
Author: Martin Pegler
Publisher: Bloomsbury Publishing
ISBN: 1472809297
Category : History
Languages : en
Pages : 213
Book Description
A celebration of cheerful determination in the face of appalling adversity, Soldiers' Songs and Slang of the Great War reveals the bawdy and satiric sense of humour of the Tommy in the trenches. Published to coincide with the centenary of the First World War, this collection of rousing marching songs, cheering ditties, evocative sing-alongs and complete diction of soldiers' slang reveals the best of British and Allied humour of the period. Wonderfully illustrated with Punch cartoons, posters and the soldiers' own Wipers Times, this nostalgic book will not only delight but also give a real sense of daily life amidst the mud and blood of the trenches for American, Canadian, Australian and British soldiers.
Publisher: Bloomsbury Publishing
ISBN: 1472809297
Category : History
Languages : en
Pages : 213
Book Description
A celebration of cheerful determination in the face of appalling adversity, Soldiers' Songs and Slang of the Great War reveals the bawdy and satiric sense of humour of the Tommy in the trenches. Published to coincide with the centenary of the First World War, this collection of rousing marching songs, cheering ditties, evocative sing-alongs and complete diction of soldiers' slang reveals the best of British and Allied humour of the period. Wonderfully illustrated with Punch cartoons, posters and the soldiers' own Wipers Times, this nostalgic book will not only delight but also give a real sense of daily life amidst the mud and blood of the trenches for American, Canadian, Australian and British soldiers.