Author: Bobbie O'Steen
Publisher:
ISBN: 9781932907537
Category : Performing Arts
Languages : en
Pages : 0
Book Description
The book reveals how the editor like a magician manipulates his audience by using sleight of hand and seduces them by anticipating their needs and desires. Only then can he create those invisible cuts that grab them and keep them on the edge of their seats. Part One lays out the rules, strategies and techniques as well as the evolution of editing in movie history. Part Two shows the actual work of master editors by using 248 frame grabs individual frames from thirteen famous scenes.
The Invisible Corset
Author: Lauren Geertsen
Publisher: Sounds True
ISBN: 1683646193
Category : Self-Help
Languages : en
Pages : 0
Book Description
Learn to love your body—for real this time Women in touch with the wisdom of their bodies are the single greatest threat to societal systems of domination, oppression, and control. We are also the greatest possibility to bring healing, peace, and restoration to our world. —Lauren Geertsen No matter how much we try to tell ourselves to love our bodies and accept our flaws, most women can’t quite get there. Even though we know the beauty standard is unrealistic, we secretly feel like it would be so much easier if our stomach were just a little flatter, or our skin a little smoother, or a million other little things. As a result, we sacrifice our health, heritage, sanity, and lives on the altar of beauty culture. Why is it so hard to feel confident about our bodies, or even just accept them? Because willpower alone isn’t enough to undo generations of brainwashing intended to repress women’s confidence and power. In The Invisible Corset, Geertsen carefully illustrates the psychological gaslighting that leads women to internalize the belief that their appearance makes them not only unworthy of love, but incapable of fulfilling their actual destiny. By highlighting each restricting string of the invisible corset all women wear, Geertsen helps us reclaim our bodies for ourselves, discovering newfound confidence, power, joy, and pleasure as we do. You’ll explore: How the invisible corset cuts you off from your body’s wisdom and nature’s intelligence—the true sources of your intuition, pleasure, and powerHow beauty culture is the most recent form of patriarchal oppression — and why women are both responsible and able to free ourselvesWhy the body positivity movement often makes self-criticism even worseThe racist history of beauty culture, and how it still perpetuates racism todayJournaling prompts, rituals, meditations, and other exercises to help unravel the toxic beliefs that keep the invisible corset in placeA variety of practices to help you reconnect with your body—to tune into your intuition, set healthy boundaries, align with your True Self, and more For any woman who is ready to go from struggle, discomfort, control, and shame to pleasure, confidence, freedom, and soul-fulfilling purpose, The Invisible Corset is an essential guide.
Publisher: Sounds True
ISBN: 1683646193
Category : Self-Help
Languages : en
Pages : 0
Book Description
Learn to love your body—for real this time Women in touch with the wisdom of their bodies are the single greatest threat to societal systems of domination, oppression, and control. We are also the greatest possibility to bring healing, peace, and restoration to our world. —Lauren Geertsen No matter how much we try to tell ourselves to love our bodies and accept our flaws, most women can’t quite get there. Even though we know the beauty standard is unrealistic, we secretly feel like it would be so much easier if our stomach were just a little flatter, or our skin a little smoother, or a million other little things. As a result, we sacrifice our health, heritage, sanity, and lives on the altar of beauty culture. Why is it so hard to feel confident about our bodies, or even just accept them? Because willpower alone isn’t enough to undo generations of brainwashing intended to repress women’s confidence and power. In The Invisible Corset, Geertsen carefully illustrates the psychological gaslighting that leads women to internalize the belief that their appearance makes them not only unworthy of love, but incapable of fulfilling their actual destiny. By highlighting each restricting string of the invisible corset all women wear, Geertsen helps us reclaim our bodies for ourselves, discovering newfound confidence, power, joy, and pleasure as we do. You’ll explore: How the invisible corset cuts you off from your body’s wisdom and nature’s intelligence—the true sources of your intuition, pleasure, and powerHow beauty culture is the most recent form of patriarchal oppression — and why women are both responsible and able to free ourselvesWhy the body positivity movement often makes self-criticism even worseThe racist history of beauty culture, and how it still perpetuates racism todayJournaling prompts, rituals, meditations, and other exercises to help unravel the toxic beliefs that keep the invisible corset in placeA variety of practices to help you reconnect with your body—to tune into your intuition, set healthy boundaries, align with your True Self, and more For any woman who is ready to go from struggle, discomfort, control, and shame to pleasure, confidence, freedom, and soul-fulfilling purpose, The Invisible Corset is an essential guide.
The Art of Cinematic Storytelling
Author: Kelly Gordon Brine
Publisher: Oxford University Press, USA
ISBN: 0190054328
Category : Performing Arts
Languages : en
Pages : 361
Book Description
The Art of Cinematic Storytelling is a practical and accessible introduction to effective design of shots, cuts, and transitions in filmmaking. The author, an experienced storyboard artist who worked on hundreds of television and film projects, invites readers to learn how to tell a story and create emotions through moving images.
Publisher: Oxford University Press, USA
ISBN: 0190054328
Category : Performing Arts
Languages : en
Pages : 361
Book Description
The Art of Cinematic Storytelling is a practical and accessible introduction to effective design of shots, cuts, and transitions in filmmaking. The author, an experienced storyboard artist who worked on hundreds of television and film projects, invites readers to learn how to tell a story and create emotions through moving images.
Cinematography: Theory and Practice
Author: Blain Brown
Publisher: Taylor & Francis
ISBN: 1000433692
Category : Art
Languages : en
Pages : 528
Book Description
This book covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown. This 4th edition has been thoroughly updated throughout to include detailed information on the latest lighting and camera equipment, as well as expanded and updated discussion on the following areas: shooting on a budget, color spaces with emphasis on the new UHD standards, the decision-making process in choosing what lights and equipment to use, considerations concerning power issues, safety and what electrical supply is needed for various types of lights, an examination of the cinematographer’s role in preproduction, and much more. Topics Include: • Visual storytelling • Continuity and coverage • Cameras and digital sensors • The tools and basics of film lighting • Methods of shooting a scene • Continuity and coverage • Exposure • Color • Understanding digital images • Using linear, gamma, and log video • Image control and grading on the set • Data management and the DIT • Optics and focus • Camera movement • Set operations • Green screen, high speed, and other topics. Whether you are a student of filmmaking, someone just breaking into the business, working in the field and looking to move up the ladder, or an experienced filmmaker updating your knowledge of tools and techniques, this book provides both the artistic background of visual language and also the craft of shooting for continuity, lighting tools and methods, and the technical side of capturing images on digital or on film. The companion website (www.routledge.com/cw/brown) features additional material, including lighting demonstrations, basic methods of lighting, methods of shooting a scene, using diffusion, and other topics.
Publisher: Taylor & Francis
ISBN: 1000433692
Category : Art
Languages : en
Pages : 528
Book Description
This book covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown. This 4th edition has been thoroughly updated throughout to include detailed information on the latest lighting and camera equipment, as well as expanded and updated discussion on the following areas: shooting on a budget, color spaces with emphasis on the new UHD standards, the decision-making process in choosing what lights and equipment to use, considerations concerning power issues, safety and what electrical supply is needed for various types of lights, an examination of the cinematographer’s role in preproduction, and much more. Topics Include: • Visual storytelling • Continuity and coverage • Cameras and digital sensors • The tools and basics of film lighting • Methods of shooting a scene • Continuity and coverage • Exposure • Color • Understanding digital images • Using linear, gamma, and log video • Image control and grading on the set • Data management and the DIT • Optics and focus • Camera movement • Set operations • Green screen, high speed, and other topics. Whether you are a student of filmmaking, someone just breaking into the business, working in the field and looking to move up the ladder, or an experienced filmmaker updating your knowledge of tools and techniques, this book provides both the artistic background of visual language and also the craft of shooting for continuity, lighting tools and methods, and the technical side of capturing images on digital or on film. The companion website (www.routledge.com/cw/brown) features additional material, including lighting demonstrations, basic methods of lighting, methods of shooting a scene, using diffusion, and other topics.
Astaire by Numbers
Author: Todd Decker
Publisher: Oxford University Press
ISBN: 0197643582
Category :
Languages : en
Pages : 457
Book Description
Astaire by Numbers looks at every second of dancing Fred Astaire committed to film in the studio era--all six hours, thirty-four minutes, and fifty seconds. Using a quantitative digital humanities approach, as well as previously untapped production records, author Todd Decker takes the reader onto the set and into the rehearsal halls and editing rooms where Astaire created his seemingly perfect film dances. Watching closely in this way reveals how Astaire used the technically sophisticated resources of the Hollywood film making machine to craft a singular career in mass entertainment as a straight white man who danced. Decker dissects Astaire's work at the level of the shot, the cut, and the dance step to reveal the aesthetic and practical choices that yielded Astaire's dancing figure on screen. He offers new insights into how Astaire secured his masculinity and his heterosexuality, along with a new understanding of Astaire's whiteness, which emerges in both the sheer extent of his work and the larger implications of his famous "full figure" framing of his dancing body. Astaire by Numbers rethinks this towering straight white male figure from the ground up by digging deeply into questions of race, gender, and sexuality, ultimately offering a complete re-assessment of a twentieth-century icon of American popular culture.
Publisher: Oxford University Press
ISBN: 0197643582
Category :
Languages : en
Pages : 457
Book Description
Astaire by Numbers looks at every second of dancing Fred Astaire committed to film in the studio era--all six hours, thirty-four minutes, and fifty seconds. Using a quantitative digital humanities approach, as well as previously untapped production records, author Todd Decker takes the reader onto the set and into the rehearsal halls and editing rooms where Astaire created his seemingly perfect film dances. Watching closely in this way reveals how Astaire used the technically sophisticated resources of the Hollywood film making machine to craft a singular career in mass entertainment as a straight white man who danced. Decker dissects Astaire's work at the level of the shot, the cut, and the dance step to reveal the aesthetic and practical choices that yielded Astaire's dancing figure on screen. He offers new insights into how Astaire secured his masculinity and his heterosexuality, along with a new understanding of Astaire's whiteness, which emerges in both the sheer extent of his work and the larger implications of his famous "full figure" framing of his dancing body. Astaire by Numbers rethinks this towering straight white male figure from the ground up by digging deeply into questions of race, gender, and sexuality, ultimately offering a complete re-assessment of a twentieth-century icon of American popular culture.
First Cut 2
Author: Gabriella Oldham
Publisher: Univ of California Press
ISBN: 0520273508
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
This new collection of twelve interviews with award-winning film editorsfiction and documentarydiscusses the art and craft of editing and explores the transition from the age of celluloid to the digital age.
Publisher: Univ of California Press
ISBN: 0520273508
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
This new collection of twelve interviews with award-winning film editorsfiction and documentarydiscusses the art and craft of editing and explores the transition from the age of celluloid to the digital age.
The Reality of Illusion
Author: Joseph Anderson
Publisher: SIU Press
ISBN: 9780809321964
Category : Performing Arts
Languages : en
Pages : 220
Book Description
Applying research findings from studies in visual perception, neurophysiology, cognitive psychology, developmental psychology, and anthropology, Joseph D. Anderson defines the complex interaction of motion pictures with the human mind and organizes the relationship between film and cognitive science. Anderson's primary argument is that motion picture viewers mentally process the projected images and sounds of a movie according to the same perceptual rules used in response to visual and aural stimuli in the world outside the theater. To process everyday events in the world, the human mind is equipped with capacities developed through millions of years of evolution. In this context, Anderson builds a metatheory influenced by the writings of J. J. and Eleanor Gibson and employs it to explore motion picture comprehension as a subset of general human comprehension and perception, focusing his ecological approach to film on the analysis of cinema's true substance: illusion. Anderson investigates how viewers, with their mental capacities designed for survival, respond to particular aspects of filmic structure--continuity, diegesis, character development, and narrative--and examines the ways in which rules of visual and aural processing are recognized and exploited by filmmakers. He uses Orson Welles's Citizen Kane to disassemble and redefine the contemporary concept of character identification; he addresses continuity in a shot-by-shot analysis of images from Casablanca; and he uses a wide range of research studies, such as Harry F. Harlow's work with infant rhesus monkeys, to describe how motion pictures become a substitute or surrogate reality for an audience. By examining the human capacity for play and the inherent potential for illusion, Anderson considers the reasons viewers find movies so enthralling, so emotionally powerful, and so remarkably real.
Publisher: SIU Press
ISBN: 9780809321964
Category : Performing Arts
Languages : en
Pages : 220
Book Description
Applying research findings from studies in visual perception, neurophysiology, cognitive psychology, developmental psychology, and anthropology, Joseph D. Anderson defines the complex interaction of motion pictures with the human mind and organizes the relationship between film and cognitive science. Anderson's primary argument is that motion picture viewers mentally process the projected images and sounds of a movie according to the same perceptual rules used in response to visual and aural stimuli in the world outside the theater. To process everyday events in the world, the human mind is equipped with capacities developed through millions of years of evolution. In this context, Anderson builds a metatheory influenced by the writings of J. J. and Eleanor Gibson and employs it to explore motion picture comprehension as a subset of general human comprehension and perception, focusing his ecological approach to film on the analysis of cinema's true substance: illusion. Anderson investigates how viewers, with their mental capacities designed for survival, respond to particular aspects of filmic structure--continuity, diegesis, character development, and narrative--and examines the ways in which rules of visual and aural processing are recognized and exploited by filmmakers. He uses Orson Welles's Citizen Kane to disassemble and redefine the contemporary concept of character identification; he addresses continuity in a shot-by-shot analysis of images from Casablanca; and he uses a wide range of research studies, such as Harry F. Harlow's work with infant rhesus monkeys, to describe how motion pictures become a substitute or surrogate reality for an audience. By examining the human capacity for play and the inherent potential for illusion, Anderson considers the reasons viewers find movies so enthralling, so emotionally powerful, and so remarkably real.
Be a Film Editor
Author: Alix Wood
Publisher: The Rosen Publishing Group, Inc
ISBN: 1508162662
Category : Juvenile Nonfiction
Languages : en
Pages : 34
Book Description
One of the most crucial people behind the scenes in a movie is the film editor. Without this meticulous artist, a film would seem awkward, hard to follow, and unprofessional. The film editor knows when to cut the action of a scene and how to transition into the next scene flawlessly. They know when to use a close-up and how to add important visual effects. There's a lot to the art of film editing, but this filmmaker's guide is an accessible view into the fascinating career that movie enthusiasts may never have considered.
Publisher: The Rosen Publishing Group, Inc
ISBN: 1508162662
Category : Juvenile Nonfiction
Languages : en
Pages : 34
Book Description
One of the most crucial people behind the scenes in a movie is the film editor. Without this meticulous artist, a film would seem awkward, hard to follow, and unprofessional. The film editor knows when to cut the action of a scene and how to transition into the next scene flawlessly. They know when to use a close-up and how to add important visual effects. There's a lot to the art of film editing, but this filmmaker's guide is an accessible view into the fascinating career that movie enthusiasts may never have considered.
Virtually True
Author: Adam L. Penenberg
Publisher: Wayzgoose Press
ISBN:
Category : Fiction
Languages : en
Pages : 302
Book Description
"A literary thrill ride operated by complex and memorable characters . . . a plot worthy of Philip K. Dick, William Gibson, and Martin Cruz Smith." The murder of a friend. Conspiracy on a global scale. A near-future, dystopic world run by corporations, where nothing is as it seems and everything is part of something else. Technology and everyday life are inseparable, and information is a weapon that can save your life--or kill you. Exiled to a damp Southeast Asian republic, journalist True Ailey relentlessly searches the war-ravaged peninsula for the killers and the truth. Virtually True, by award-winning journalist Adam Penenberg, is a non-stop roller-coaster ride for the mind. Now boarding.
Publisher: Wayzgoose Press
ISBN:
Category : Fiction
Languages : en
Pages : 302
Book Description
"A literary thrill ride operated by complex and memorable characters . . . a plot worthy of Philip K. Dick, William Gibson, and Martin Cruz Smith." The murder of a friend. Conspiracy on a global scale. A near-future, dystopic world run by corporations, where nothing is as it seems and everything is part of something else. Technology and everyday life are inseparable, and information is a weapon that can save your life--or kill you. Exiled to a damp Southeast Asian republic, journalist True Ailey relentlessly searches the war-ravaged peninsula for the killers and the truth. Virtually True, by award-winning journalist Adam Penenberg, is a non-stop roller-coaster ride for the mind. Now boarding.
The Humane Interface
Author: Jef Raskin
Publisher: Addison-Wesley Professional
ISBN: 9780201379372
Category : Computers
Languages : en
Pages : 278
Book Description
Cognetics and the locus of attention - Meanings, modes, monotony, and myths - Quantification - Unification - Navigation and other aspects of humane interfaces - Interface issues outside the user interface.
Publisher: Addison-Wesley Professional
ISBN: 9780201379372
Category : Computers
Languages : en
Pages : 278
Book Description
Cognetics and the locus of attention - Meanings, modes, monotony, and myths - Quantification - Unification - Navigation and other aspects of humane interfaces - Interface issues outside the user interface.